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Essay(s) by Robert Cortes Holliday
Talk At The Post Office
Robert Cortes Holliday
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       The attention of a little group within the dusk of the post office and general store was, apparently, still colored by an event which mutilated posters on a dilapidated wagon-shed wall, visible through the doorway in the hot light outside, had advertised. A "Wild Bill" show had lately moved through this part of the world. A large, loosely-constructed, earnest-looking man was speaking to several others, seriously, taking his time, allowing his words time to sink well in as he proceeded.
       "Now I have a brother," he was saying, "who I can produce," he added impressively (one realizes that it would be hard to get around this sort of evidence)--"who I can produce, who will take bullet cartridges--Buffalo Bill don't use bullet cartridges--Annie Oakley don't use bullet cartridges--and who will sit right here in this chair--sit right here in this chair where I am now--and show you," he nodded once to each listener, "something about shootin'," concluding, one who reports him felt, somewhat more vaguely than his start had led one to expect.
       "Well, Pawnee," began another of the group (from which sobriquet it will be seen that the large man was a personage in matters of shooting), but Pawnee stopped him. It seems he had not finished.
       "And if there is anybody that would like to shoot shot with the Old Man," he continued, breathing the two last words loud and strong, "I," said Pawnee, with extreme emphasis on the personal pronoun, "would like to see them, that's all!"
       An odd figure a trifle removed from the group had attracted the notice of one reporting these proceedings, by a propensity which he evinced, perceived by a kind of mental telepathy, to have some remarks directed to him. One felt all through one, so to speak, the near presence of a disposition eminently social. As one's sight became more accustomed to the interior light this figure defined itself into that of an elderly man, somewhat angular, slightly stooped, and wearing a ministerial sort of straw hat, with a large rolling brim, considerably frayed; a man very kindly in effect, and suggesting to a contemplative observer of humanity a character whose walk in life is cutting grass for people.
       This gentleman (there was something very gentlemanly about him, not in haberdashery, but, as one read him, in spirit) showed, as was said, a decided inclination to, as less gentlemanly folks say, "butt in."
       "Here is a thing now," spoke up this old fellow, looking up from his newspaper, over his iron-rimmed spectacles in a more determined manner than heretofore, at one who reports him, and speaking in that tone in which it is the habit of genial men traveling in railroad trains to open a conversation with their seat-fellow for the journey, "that draws my attention." In the racing term, he was "off."
       "You know there is a strict law against swearing over the telephone," he paused for acquiescence. "Well, there is," he stated, very seriously, drawing a little nearer as the acquaintance got on--"a strict law. Now they say they can't stop it. It's a queer thing they can't stop it. They know who's at the other end; or at least they know who owns the 'phone. They know that. A fine of fifty dollars," he declared, "would stop it." It strikes one that this kindly character is almost ferocious on the side of morality.
       "Now," he continued, "there is no use in that. Say what you have to say, that's all that's necessary. What's the good of all those ad-ject-ives?" He pronounced the last word in three syllables with a very decided accent on the second. "That is done, now," he concluded, "by people who are, well--abrupt. Ain't that right, now? It's abrupt, that's what it is; it's abrupt.
       "Most assuredly," he said, answering himself.
       [The end]
       Robert Cortes Holliday's essay: Talk At The Post Office
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"You Are An American"
As To Office Boys
As To People
Bachelor Reminiscences
Barber Shops Awesome
Bidding Mr. Chesterton Good-Bye
The Case Of Mr. Woolen
Caun't Speak The Language
A Clerk May Look At A Celebrity
Connubial Felicity
A Conqueror's Attack
Cramis, Patron Of Art
The Deceased
The Dessert Of Life
A Dip Into The Underworld
Epilogue: On Wearing A Hat
Every Inch A Man
Fame: A Story Of American Literature
The Fish Reporter
The Forgetful Tailor
Former Tenant Of His Room
Fragrant With Perfume
A Friend, Indeed
Going To Art Exhibitions
The Hair Cut That Went To My Head
Hair That Is Scenery
Help Wanted--Male, Female
Henry James, Himself
His Business Is Good
The Hotel Guest
A Human Cash Register
Human Municipal Documents
A Humorist Misfits At A Murder Trial
A Humorist's Note-Book
Humours Op The Book Shop
Hunting Lodgings
I Know An Editor
Ida's Amazing Surprise
An Idiosyncrasy
Including Studies Of Traffic "Cops"
It Stands To Reason
Literary Levities In Londow
Literary Lives
Memories Of A Manuscript
Much Married Stratford
My Friend, The Policeman
A Nice Man
A Nice Taste In Murders
No Snob
No System At All To The Human System
Nosing 'round Washington
Not Gullible, Not He
An Old Fogy
On Going A Journey
Only She Was There
Our Last Social Engagement As A Fine Art
Our Steeplejack Of The Seven Arts
Prologue: On Carrying A Cane
Queer Thing, 'bout Undertakers' Shops
Reading After Thirty
Recollections Of Landladies
A Roundabout Paper
Seeing Mr. Chesterton
Seeing The "Situations Wanted" Scene
The Sexless Camera
Snapshots In X-Ray
So Very Theatrical
Taking The Air In San Francisco
Talk At The Post Office
A Testimonial
That Reviewer "Cuss"
Three Words About Literature
A Three-Ringed Circus
A Town Constitutional
The Unusualness Of Parisian Philadelphia
When Is A Great City A Small Village?
When The Train Comes In
Why Men Can't Read Novels By Women
Wouldn't Look At Him
Writing In Rooms