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Man in the Iron Mask, The
CHAPTER IV - The Patterns
Alexandre Dumas
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       _ During all this time the noble mob was slowly heaving away, leaving at
       every angle of the counter either a murmur or a menace, as the waves
       leave foam or scattered seaweed on the sands, when they retire with the
       ebbing tide. In about ten minutes Moliere reappeared, making another
       sign to D'Artagnan from under the hangings. The latter hurried after
       him, with Porthos in the rear, and after threading a labyrinth of
       corridors, introduced him to M. Percerin's room. The old man, with his
       sleeves turned up, was gathering up in folds a piece of gold-flowered
       brocade, so as the better to exhibit its luster. Perceiving D'Artagnan,
       he put the silk aside, and came to meet him, by no means radiant with
       joy, and by no means courteous, but, take it altogether, in a tolerably
       civil manner.
       "The captain of the king's musketeers will excuse me, I am sure, for I am
       engaged."
       "Eh! yes, on the king's costumes; I know that, my dear Monsieur
       Percerin. You are making three, they tell me."
       "Five, my dear sir, five."
       "Three or five, 'tis all the same to me, my dear monsieur; and I know
       that you will make them most exquisitely."
       "Yes, I know. Once made they will be the most beautiful in the world, I
       do not deny it; but that they may be the most beautiful in the word, they
       must first be made; and to do this, captain, I am pressed for time."
       "Oh, bah! there are two days yet; 'tis much more than you require,
       Monsieur Percerin," said D'Artagnan, in the coolest possible manner.
       Percerin raised his head with the air of a man little accustomed to be
       contradicted, even in his whims; but D'Artagnan did not pay the least
       attention to the airs which the illustrious tailor began to assume.
       "My dear M. Percerin," he continued, "I bring you a customer."
       "Ah! ah!" exclaimed Percerin, crossly.
       "M. le Baron du Vallon de Bracieux de Pierrefonds," continued
       D'Artagnan. Percerin attempted a bow, which found no favor in the eyes
       of the terrible Porthos, who, from his first entry into the room, had
       been regarding the tailor askance.
       "A very good friend of mine," concluded D'Artagnan.
       "I will attend to monsieur," said Percerin, "but later."
       "Later? but when?"
       "When I have time."
       "You have already told my valet as much," broke in Porthos,
       discontentedly.
       "Very likely," said Percerin; "I am nearly always pushed for time."
       "My friend," returned Porthos, sententiously, "there is always time to be
       found when one chooses to seek it."
       Percerin turned crimson; an ominous sign indeed in old men blanched by
       age.
       "Monsieur is quite at liberty to confer his custom elsewhere."
       "Come, come, Percerin," interposed D'Artagnan, "you are not in a good
       temper to-day. Well, I will say one more word to you, which will bring
       you on your knees; monsieur is not only a friend of mine, but more, a
       friend of M. Fouquet's."
       "Ah! ah!" exclaimed the tailor, "that is another thing." Then turning to
       Porthos, "Monsieur le baron is attached to the superintendent?" he
       inquired.
       "I am attached to myself," shouted Porthos, at the very moment that the
       tapestry was raised to introduce a new speaker in the dialogue. Moliere
       was all observation, D'Artagnan laughed, Porthos swore.
       "My dear Percerin," said D'Artagnan, "you will make a dress for the
       baron. 'Tis I who ask you."
       "To you I will not say nay, captain."
       "But that is not all; you will make it for him at once."
       "'Tis impossible within eight days."
       "That, then, is as much as to refuse, because the dress is wanted for the
       _fete_ at Vaux."
       "I repeat that it is impossible," returned the obstinate old man.
       "By no means, dear Monsieur Percerin, above all if _I_ ask you," said a
       mild voice at the door, a silvery voice which made D'Artagnan prick up
       his ears. It was the voice of Aramis.
       "Monsieur d'Herblay!" cried the tailor.
       "Aramis," murmured D'Artagnan.
       "Ah! our bishop!" said Porthos.
       "Good morning, D'Artagnan; good morning, Porthos; good-morning, my dear
       friends," said Aramis. "Come, come, M. Percerin, make the baron's dress;
       and I will answer for it you will gratify M. Fouquet." And he
       accompanied the words with a sign, which seemed to say, "Agree, and
       dismiss them."
       It appeared that Aramis had over Master Percerin an influence superior
       even to D'Artagnan's, for the tailor bowed in assent, and turning round
       upon Porthos, said, "Go and get measured on the other side."
       Porthos colored in a formidable manner. D'Artagnan saw the storm coming,
       and addressing Moliere, said to him, in an undertone, "You see before
       you, my dear monsieur, a man who considers himself disgraced, if you
       measure the flesh and bones that Heaven has given him; study this type
       for me, Master Aristophanes, and profit by it."
       Moliere had no need of encouragement, and his gaze dwelt long and keenly
       on the Baron Porthos. "Monsieur," he said, "if you will come with me, I
       will make them take your measure without touching you."
       "Oh!" said Porthos, "how do you make that out, my friend?"
       "I say that they shall apply neither line nor rule to the seams of your
       dress. It is a new method we have invented for measuring people of
       quality, who are too sensitive to allow low-born fellows to touch them.
       We know some susceptible persons who will not put up with being measured,
       a process which, as I think, wounds the natural dignity of a man; and if
       perchance monsieur should be one of these - "
       "_Corboeuf!_ I believe I am too!"
       "Well, that is a capital and most consolatory coincidence, and you shall
       have the benefit of our invention."
       "But how in the world can it be done?" asked Porthos, delighted.
       "Monsieur," said Moliere, bowing, "if you will deign to follow me, you
       will see."
       Aramis observed this scene with all his eyes. Perhaps he fancied from
       D'Artagnan's liveliness that he would leave with Porthos, so as not to
       lose the conclusion of a scene well begun. But, clear-sighted as he was,
       Aramis deceived himself. Porthos and Moliere left together: D'Artagnan
       remained with Percerin. Why? From curiosity, doubtless; probably to
       enjoy a little longer the society of his good friend Aramis. As Moliere
       and Porthos disappeared, D'Artagnan drew near the bishop of Vannes, a
       proceeding which appeared particularly to disconcert him.
       "A dress for you, also, is it not, my friend?"
       Aramis smiled. "No," said he.
       "You will go to Vaux, however?"
       "I shall go, but without a new dress. You forget, dear D'Artagnan, that
       a poor bishop of Vannes is not rich enough to have new dresses for every
       _fete_."
       "Bah!" said the musketeer, laughing, "and do we write no more poems now,
       either?"
       "Oh! D'Artagnan," exclaimed Aramis, "I have long ago given up all such
       tomfoolery."
       "True," repeated D'Artagnan, only half convinced. As for Percerin, he
       was once more absorbed in contemplation of the brocades.
       "Don't you perceive," said Aramis, smiling, "that we are greatly boring
       this good gentleman, my dear D'Artagnan?"
       "Ah! ah!" murmured the musketeer, aside; "that is, I am boring you, my
       friend." Then aloud, "Well, then, let us leave; I have no further
       business here, and if you are as disengaged as I, Aramis - "
       "No, not I - I wished - "
       "Ah! you had something particular to say to M. Percerin? Why did you not
       tell me so at once?"
       "Something particular, certainly," repeated Aramis, "but not for you,
       D'Artagnan. But, at the same time, I hope you will believe that I can
       never have anything so particular to say that a friend like you may not
       hear it."
       "Oh, no, no! I am going," said D'Artagnan, imparting to his voice an
       evident tone of curiosity; for Aramis's annoyance, well dissembled as it
       was, had not a whit escaped him; and he knew that, in that impenetrable
       mind, every thing, even the most apparently trivial, was designed to some
       end; an unknown one, but an end that, from the knowledge he had of his
       friend's character, the musketeer felt must be important.
       On his part, Aramis saw that D'Artagnan was not without suspicion, and
       pressed him. "Stay, by all means," he said, "this is what it is." Then
       turning towards the tailor, "My dear Percerin," said he, - "I am even
       very happy that you are here, D'Artagnan."
       "Oh, indeed," exclaimed the Gascon, for the third time, even less
       deceived this time than before.
       Percerin never moved. Aramis roused him violently, by snatching from his
       hands the stuff upon which he was engaged. "My dear Percerin," said he,
       "I have, near hand, M. Lebrun, one of M. Fouquet's painters."
       "Ah, very good," thought D'Artagnan; "but why Lebrun?"
       Aramis looked at D'Artagnan, who seemed to be occupied with an engraving
       of Mark Antony. "And you wish that I should make him a dress, similar to
       those of the Epicureans?" answered Percerin. And while saying this, in
       an absent manner, the worthy tailor endeavored to recapture his piece of
       brocade.
       "An Epicurean's dress?" asked D'Artagnan, in a tone of inquiry.
       "I see," said Aramis, with a most engaging smile, "it is written that our
       dear D'Artagnan shall know all our secrets this evening. Yes, friend,
       you have surely heard speak of M. Fouquet's Epicureans, have you not?"
       "Undoubtedly. Is it not a kind of poetical society, of which La
       Fontaine, Loret, Pelisson, and Moliere are members, and which holds its
       sittings at Saint-Mande?"
       "Exactly so. Well, we are going to put our poets in uniform, and enroll
       them in a regiment for the king."
       "Oh, very well, I understand; a surprise M. Fouquet is getting up for the
       king. Be at ease; if that is the secret about M. Lebrun, I will not
       mention it."
       "Always agreeable, my friend. No, Monsieur Lebrun has nothing to do with
       this part of it; the secret which concerns him is far more important than
       the other."
       "Then, if it is so important as all that, I prefer not to know it," said
       D'Artagnan, making a show of departure.
       "Come in, M. Lebrun, come in," said Aramis, opening a side-door with his
       right hand, and holding back D'Artagnan with his left.
       "I'faith, I too, am quite in the dark," quoth Percerin.
       Aramis took an "opportunity," as is said in theatrical matters.
       "My dear M. de Percerin," Aramis continued, "you are making five dresses
       for the king, are you not? One in brocade; one in hunting-cloth; one in
       velvet; one in satin; and one in Florentine stuffs."
       "Yes; but how - do you know all that, monseigneur?" said Percerin,
       astounded.
       "It is all very simple, my dear monsieur; there will be a hunt, a
       banquet, concert, promenade and reception; these five kinds of dress are
       required by etiquette."
       "You know everything, monseigneur!"
       "And a thing or two in addition," muttered D'Artagnan.
       "But," cried the tailor, in triumph, "what you do not know, monseigneur –
       prince of the church though you are - what nobody will know - what only
       the king, Mademoiselle de la Valliere, and myself do know, is the color
       of the materials and nature of the ornaments, and the cut, the
       _ensemble_, the finish of it all!"
       "Well," said Aramis, "that is precisely what I have come to ask you, dear
       Percerin."
       "Ah, bah!" exclaimed the tailor, terrified, though Aramis had pronounced
       these words in his softest and most honeyed tones. The request appeared,
       on reflection, so exaggerated, so ridiculous, so monstrous to M. Percerin
       that first he laughed to himself, then aloud, and finished with a shout.
       D'Artagnan followed his example, not because he found the matter so "very
       funny," but in order not to allow Aramis to cool.
       "At the outset, I appear to be hazarding an absurd question, do I not?"
       said Aramis. "But D'Artagnan, who is incarnate wisdom itself, will tell
       you that I could not do otherwise than ask you this."
       "Let us see," said the attentive musketeer; perceiving with his wonderful
       instinct that they had only been skirmishing till now, and that the hour
       of battle was approaching.
       "Let us see," said Percerin, incredulously.
       "Why, now," continued Aramis, "does M. Fouquet give the king a _fete?_ -
       Is it not to please him?"
       "Assuredly," said Percerin. D'Artagnan nodded assent.
       "By delicate attentions? by some happy device? by a succession of
       surprises, like that of which we were talking? - the enrolment of our
       Epicureans."
       "Admirable."
       "Well, then; this is the surprise we intend. M. Lebrun here is a man who
       draws most excellently."
       "Yes," said Percerin; "I have seen his pictures, and observed that his
       dresses were highly elaborated. That is why I at once agreed to make him
       a costume - whether to agree with those of the Epicureans, or an original
       one."
       "My dear monsieur, we accept your offer, and shall presently avail
       ourselves of it; but just now, M. Lebrun is not in want of the dresses
       you will make for himself, but of those you are making for the king."
       Percerin made a bound backwards, which D'Artagnan - calmest and most
       appreciative of men, did not consider overdone, so many strange and
       startling aspects wore the proposal which Aramis had just hazarded. "The
       king's dresses! Give the king's dresses to any mortal whatever! Oh! for
       once, monseigneur, your grace is mad!" cried the poor tailor in extremity.
       "Help me now, D'Artagnan," said Aramis, more and more calm and smiling.
       "Help me now to persuade monsieur, for _you_ understand; do you not?"
       "Eh! eh! - not exactly, I declare."
       "What! you do not understand that M. Fouquet wishes to afford the king
       the surprise of finding his portrait on his arrival at Vaux; and that the
       portrait, which be a striking resemblance, ought to be dressed exactly as
       the king will be on the day it is shown?"
       "Oh! yes, yes," said the musketeer, nearly convinced, so plausible was
       this reasoning. "Yes, my dear Aramis, you are right; it is a happy
       idea. I will wager it is one of your own, Aramis."
       "Well, I don't know," replied the bishop; "either mine or M. Fouquet's."
       Then scanning Percerin, after noticing D'Artagnan's hesitation, "Well,
       Monsieur Percerin," he asked, "what do you say to this?"
       "I say, that - "
       "That you are, doubtless, free to refuse. I know well - and I by no
       means count upon compelling you, my dear monsieur. I will say more, I
       even understand all the delicacy you feel in taking up with M. Fouquet's
       idea; you dread appearing to flatter the king. A noble spirit, M.
       Percerin, a noble spirit!" The tailor stammered. "It would, indeed, be
       a very pretty compliment to pay the young prince," continued Aramis; "but
       as the surintendant told me, 'if Percerin refuse, tell him that it will
       not at all lower him in my opinion, and I shall always esteem him, only
       - '"
       "'Only?'" repeated Percerin, rather troubled.
       "'Only,'" continued Aramis, "'I shall be compelled to say to the king,' –
       you understand, my dear Monsieur Percerin, that these are M. Fouquet's
       words, - 'I shall be constrained to say to the king, "Sire, I had
       intended to present your majesty with your portrait, but owing to a
       feeling of delicacy, slightly exaggerated perhaps, although creditable,
       M. Percerin opposed the project."'"
       "Opposed!" cried the tailor, terrified at the responsibility which would
       weigh upon him; "I to oppose the desire, the will of M. Fouquet when he
       is seeking to please the king! Oh, what a hateful word you have uttered,
       monseigneur. Oppose! Oh, 'tis not I who said it, Heaven have mercy on
       me. I call the captain of the musketeers to witness it! Is it not true,
       Monsieur d'Artagnan, that I have opposed nothing?"
       D'Artagnan made a sign indicating that he wished to remain neutral. He
       felt that there was an intrigue at the bottom of it, whether comedy or
       tragedy; he was at his wit's end at not being able to fathom it, but in
       the meanwhile wished to keep clear.
       But already Percerin, goaded by the idea that the king was to be told he
       stood in the way of a pleasant surprise, had offered Lebrun a chair, and
       proceeded to bring from a wardrobe four magnificent dresses, the fifth
       being still in the workmen's hands; and these masterpieces he
       successively fitted upon four lay figures, which, imported into France in
       the time of Concini, had been given to Percerin II. by Marshal d'Onore,
       after the discomfiture of the Italian tailors ruined in their
       competition. The painter set to work to draw and then to paint the
       dresses. But Aramis, who was closely watching all the phases of his
       toil, suddenly stopped him.
       "I think you have not quite got it, my dear Lebrun," he said; "your
       colors will deceive you, and on canvas we shall lack that exact
       resemblance which is absolutely requisite. Time is necessary for
       attentively observing the finer shades."
       "Quite true," said Percerin, "but time is wanting, and on that head, you
       will agree with me, monseigneur, I can do nothing."
       "Then the affair will fail," said Aramis, quietly, "and that because of a
       want of precision in the colors."
       Nevertheless Lebrun went on copying the materials and ornaments with the
       closest fidelity - a process which Aramis watched with ill-concealed
       impatience.
       "What in the world, now, is the meaning of this imbroglio?" the musketeer
       kept saying to himself.
       "That will never do," said Aramis: "M. Lebrun, close your box, and roll
       up your canvas."
       "But, monsieur," cried the vexed painter, "the light is abominable here."
       "An idea, M. Lebrun, an idea! If we had a pattern of the materials, for
       example, and with time, and a better light - "
       "Oh, then," cried Lebrun, "I would answer for the effect."
       "Good!" said D'Artagnan, "this ought to be the knotty point of the whole
       thing; they want a pattern of each of the materials. _Mordioux!_ Will
       this Percerin give in now?"
       Percerin, beaten from his last retreat, and duped, moreover, by the
       feigned good-nature of Aramis, cut out five patterns and handed them to
       the bishop of Vannes.
       "I like this better. That is your opinion, is it not?" said Aramis to
       D'Artagnan.
       "My dear Aramis," said D'Artagnan, "my opinion is that you are always the
       same."
       "And, consequently, always your friend," said the bishop in a charming
       tone.
       "Yes, yes," said D'Artagnan, aloud; then, in a low voice, "If I am your
       dupe, double Jesuit that you are, I will not be your accomplice; and to
       prevent it, 'tis time I left this place. - Adieu, Aramis," he added
       aloud, "adieu; I am going to rejoin Porthos."
       "Then wait for me," said Aramis, pocketing the patterns, "for I have
       done, and shall be glad to say a parting word to our dear old friend."
       Lebrun packed up his paints and brushes, Percerin put back the dresses
       into the closet, Aramis put his hand on his pocket to assure himself the
       patterns were secure, - and they all left the study. _
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本书目录

CHAPTER I - The Prisoner
CHAPTER II - How Mouston Had Become Fatter without Giving Porthos Notice Thereof
CHAPTER III - Who Messire Jean Percerin Was
CHAPTER IV - The Patterns
CHAPTER V - Where, Probably, Moliere Obtained His First Idea of the Bourgeois Gentilhomme
CHAPTER VI - The Bee-Hive, the Bees, and the Honey
CHAPTER VII - Another Supper at the Bastile
CHAPTER VIII - The General of the Order
CHAPTER IX - The Tempter
CHAPTER X - Crown and Tiara
CHAPTER XI - The Chateau de Vaux-le-Vicomte
CHAPTER XII - The Wine of Melun
CHAPTER XIII - Nectar and Ambrosia
CHAPTER XIV - A Gascon, and a Gascon and a Half
CHAPTER XV - Colbert
CHAPTER XVI - Jealousy
CHAPTER XVII - High Treason
CHAPTER XVIII - A Night at the Bastile
CHAPTER XIX - The Shadow of M Fouquet
CHAPTER XX - The Morning
CHAPTER XXI - The King's Friend
CHAPTER XXII - Showing How the Countersign Was Respected at the Bastile
CHAPTER XXIII - The King's Gratitude
CHAPTER XXIV - The False King
CHAPTER XXV - In Which Porthos Thinks He Is Pursuing a Duchy
CHAPTER XXVI - The Last Adieux
CHAPTER XXVII - Monsieur de Beaufort
CHAPTER XXVIII - Preparations for Departure
CHAPTER XXIX - Planchet's Inventory
CHAPTER XXX - The Inventory of M de Beaufort
CHAPTER XXXI - The Silver Dish
CHAPTER XXXII - Captive and Jailers
CHAPTER XXXIII - Promises
CHAPTER XXXIV - Among Women
CHAPTER XXXV - The Last Supper
CHAPTER XXXVI - In M Colbert's Carriage
CHAPTER XXXVII - The Two Lighters
CHAPTER XXXVIII - Friendly Advice
CHAPTER XXXIX - How the King, Louis XIV, Played His Little Part
CHAPTER XL - The White Horse and the Black
CHAPTER XLI - In Which the Squirrel Falls, - the Adder Flies
CHAPTER XLII - Belle-Ile-en-Mer
CHAPTER XLIII - Explanations by Aramis
CHAPTER XLIV - Result of the Ideas of the King, and the Ideas of D'Artagnan
CHAPTER XLV - The Ancestors of Porthos
CHAPTER XLVI - The Son of Biscarrat
CHAPTER XLVII - The Grotto of Locmaria
CHAPTER XLVIII - The Grotto
CHAPTER XLIX - An Homeric Song
CHAPTER L - The Death of a Titan
CHAPTER LI - Porthos's Epitaph
CHAPTER LII - M de Gesvres's Round
CHAPTER LIII - King Louis XIV
CHAPTER LIV - M Fouquet's Friends
CHAPTER LV - Porthos's Will
CHAPTER LVI - The Old Age of Athos
CHAPTER LVII - Athos's Vision
CHAPTER LVIII - The Angel of Death
CHAPTER LIX - The Bulletin
CHAPTER LX - The Last Canto of the Poem
Footnote