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Man in the Iron Mask, The
CHAPTER XVII - High Treason
Alexandre Dumas
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       _ The ungovernable fury which took possession of the king at the sight and
       at the perusal of Fouquet's letter to La Valliere by degrees subsided
       into a feeling of pain and extreme weariness. Youth, invigorated by
       health and lightness of spirits, requiring soon that what it loses should
       be immediately restored - youth knows not those endless, sleepless nights
       which enable us to realize the fable of the vulture unceasingly feeding
       on Prometheus. In cases where the man of middle life, in his acquired
       strength of will and purpose, and the old, in their state of natural
       exhaustion, find incessant augmentation of their bitter sorrow, a young
       man, surprised by the sudden appearance of misfortune, weakens himself in
       sighs, and groans, and tears, directly struggling with his grief, and is
       thereby far sooner overthrown by the inflexible enemy with whom he is
       engaged. Once overthrown, his struggles cease. Louis could not hold out
       more than a few minutes, at the end of which he had ceased to clench his
       hands, and scorch in fancy with his looks the invisible objects of his
       hatred; he soon ceased to attack with his violent imprecations not M.
       Fouquet alone, but even La Valliere herself; from fury he subsided into
       despair, and from despair to prostration. After he had thrown himself
       for a few minutes to and fro convulsively on his bed, his nerveless arms
       fell quietly down; his head lay languidly on his pillow; his limbs,
       exhausted with excessive emotion, still trembled occasionally, agitated
       by muscular contractions; while from his breast faint and infrequent
       sighs still issued. Morpheus, the tutelary deity of the apartment,
       towards whom Louis raised his eyes, wearied by his anger and reconciled
       by his tears, showered down upon him the sleep-inducing poppies with
       which his hands are ever filled; so presently the monarch closed his eyes
       and fell asleep. Then it seemed to him, as it often happens in that
       first sleep, so light and gentle, which raises the body above the couch,
       and the soul above the earth - it seemed to him, we say, as if the god
       Morpheus, painted on the ceiling, looked at him with eyes resembling
       human eyes; that something shone brightly, and moved to and fro in the
       dome above the sleeper; that the crowd of terrible dreams which thronged
       together in his brain, and which were interrupted for a moment, half
       revealed a human face, with a hand resting against the mouth, and in an
       attitude of deep and absorbed meditation. And strange enough, too, this
       man bore so wonderful a resemblance to the king himself, that Louis
       fancied he was looking at his own face reflected in a mirror; with the
       exception, however, that the face was saddened by a feeling of the
       profoundest pity. Then it seemed to him as if the dome gradually
       retired, escaping from his gaze, and that the figures and attributes
       painted by Lebrun became darker and darker as the distance became more
       and more remote. A gentle, easy movement, as regular as that by which a
       vessel plunges beneath the waves, had succeeded to the immovableness of
       the bed. Doubtless the king was dreaming, and in this dream the crown of
       gold, which fastened the curtains together, seemed to recede from his
       vision, just as the dome, to which it remained suspended, had done, so
       that the winged genius which, with both its hand, supported the crown,
       seemed, though vainly so, to call upon the king, who was fast
       disappearing from it. The bed still sunk. Louis, with his eyes open,
       could not resist the deception of this cruel hallucination. At last, as
       the light of the royal chamber faded away into darkness and gloom,
       something cold, gloomy, and inexplicable in its nature seemed to infect
       the air. No paintings, nor gold, nor velvet hangings, were visible any
       longer, nothing but walls of a dull gray color, which the increasing
       gloom made darker every moment. And yet the bed still continued to
       descend, and after a minute, which seemed in its duration almost an age
       to the king, it reached a stratum of air, black and chill as death, and
       then it stopped. The king could no longer see the light in his room,
       except as from the bottom of a well we can see the light of day. "I am
       under the influence of some atrocious dream," he thought. "It is time to
       awaken from it. Come! let me wake."
       Every one has experienced the sensation the above remark conveys; there
       is hardly a person who, in the midst of a nightmare whose influence is
       suffocating, has not said to himself, by the help of that light which
       still burns in the brain when every human light is extinguished, "It is
       nothing but a dream, after all." This was precisely what Louis XIV. said
       to himself; but when he said, "Come, come! wake up," he perceived that
       not only was he already awake, but still more, that he had his eyes open
       also. And then he looked all round him. On his right hand and on his
       left two armed men stood in stolid silence, each wrapped in a huge cloak,
       and the face covered with a mask; one of them held a small lamp in his
       hand, whose glimmering light revealed the saddest picture a king could
       look upon. Louis could not help saying to himself that his dream still
       lasted, and that all he had to do to cause it to disappear was to move
       his arms or to say something aloud; he darted from his bed, and found
       himself upon the damp, moist ground. Then, addressing himself to the man
       who held the lamp in his hand, he said:
       "What is this, monsieur, and what is the meaning of this jest?"
       "It is no jest," replied in a deep voice the masked figure that held the
       lantern.
       "Do you belong to M. Fouquet?" inquired the king, greatly astonished at
       his situation.
       "It matters very little to whom we belong," said the phantom; "we are
       your masters now, that is sufficient."
       The king, more impatient than intimidated, turned to the other masked
       figure. "If this is a comedy," he said, "you will tell M. Fouquet that I
       find it unseemly and improper, and that I command it should cease."
       The second masked person to whom the king had addressed himself was a man
       of huge stature and vast circumference. He held himself erect and
       motionless as any block of marble. "Well!" added the king, stamping his
       foot, "you do not answer!"
       "We do not answer you, my good monsieur," said the giant, in a stentorian
       voice, "because there is nothing to say."
       "At least, tell me what you want," exclaimed Louis, folding his arms with
       a passionate gesture.
       "You will know by and by," replied the man who held the lamp.
       "In the meantime tell me where I am."
       "Look."
       Louis looked all round him; but by the light of the lamp which the masked
       figure raised for the purpose, he could perceive nothing but the damp
       walls which glistened here and there with the slimy traces of the snail.
       "Oh - oh! - a dungeon," cried the king.
       "No, a subterranean passage."
       "Which leads - ?"
       "Will you be good enough to follow us?"
       "I shall not stir from hence!" cried the king.
       "If you are obstinate, my dear young friend," replied the taller of the
       two, "I will lift you up in my arms, and roll you up in your own cloak,
       and if you should happen to be stifled, why - so much the worse for you."
       As he said this, he disengaged from beneath his cloak a hand of which
       Milo of Crotona would have envied him the possession, on the day when he
       had that unhappy idea of rending his last oak. The king dreaded
       violence, for he could well believe that the two men into whose power he
       had fallen had not gone so far with any idea of drawing back, and that
       they would consequently be ready to proceed to extremities, if
       necessary. He shook his head and said: "It seems I have fallen into the
       hands of a couple of assassins. Move on, then."
       Neither of the men answered a word to this remark. The one who carried
       the lantern walked first, the king followed him, while the second masked
       figure closed the procession. In this manner they passed along a winding
       gallery of some length, with as many staircases leading out of it as are
       to be found in the mysterious and gloomy palaces of Ann Radcliffe's
       creation. All these windings and turnings, during which the king heard
       the sound of running water _over his head_, ended at last in a long
       corridor closed by an iron door. The figure with the lamp opened the
       door with one of the keys he wore suspended at his girdle, where, during
       the whole of the brief journey, the king had heard them rattle. As soon
       as the door was opened and admitted the air, Louis recognized the balmy
       odors that trees exhale in hot summer nights. He paused, hesitatingly,
       for a moment or two; but the huge sentinel who followed him thrust him
       out of the subterranean passage.
       "Another blow," said the king, turning towards the one who had just had
       the audacity to touch his sovereign; "what do you intend to do with the
       king of France?"
       "Try to forget that word," replied the man with the lamp, in a tone which
       as little admitted of a reply as one of the famous decrees of Minos.
       "You deserve to be broken on the wheel for the words that you have just
       made use of," said the giant, as he extinguished the lamp his companion
       handed to him; "but the king is too kind-hearted."
       Louis, at that threat, made so sudden a movement that it seemed as if he
       meditated flight; but the giant's hand was in a moment placed on his
       shoulder, and fixed him motionless where he stood. "But tell me, at
       least, where we are going," said the king.
       "Come," replied the former of the two men, with a kind of respect in his
       manner, and leading his prisoner towards a carriage which seemed to be in
       waiting.
       The carriage was completely concealed amid the trees. Two horses, with
       their feet fettered, were fastened by a halter to the lower branches of a
       large oak.
       "Get in," said the same man, opening the carriage-door and letting down
       the step. The king obeyed, seated himself at the back of the carriage,
       the padded door of which was shut and locked immediately upon him and his
       guide. As for the giant, he cut the fastenings by which the horses were
       bound, harnessed them himself, and mounted on the box of the carriage,
       which was unoccupied. The carriage set off immediately at a quick trot,
       turned into the road to Paris, and in the forest of Senart found a relay
       of horses fastened to the trees in the same manner the first horses had
       been, and without a postilion. The man on the box changed the horses,
       and continued to follow the road towards Paris with the same rapidity, so
       that they entered the city about three o'clock in the morning. They
       carriage proceeded along the Faubourg Saint-Antoine, and, after having
       called out to the sentinel, "By the king's order," the driver conducted
       the horses into the circular inclosure of the Bastile, looking out upon
       the courtyard, called La Cour du Gouvernement. There the horses drew up,
       reeking with sweat, at the flight of steps, and a sergeant of the guard
       ran forward. "Go and wake the governor," said the coachman in a voice of
       thunder.
       With the exception of this voice, which might have been heard at the
       entrance of the Faubourg Saint-Antoine, everything remained as calm in
       the carriage as in the prison. Ten minutes afterwards, M. de Baisemeaux
       appeared in his dressing-gown on the threshold of the door. "What is the
       matter now?" he asked; "and whom have you brought me there?"
       The man with the lantern opened the carriage-door, and said two or three
       words to the one who acted as driver, who immediately got down from his
       seat, took up a short musket which he kept under his feet, and placed its
       muzzle on his prisoner's chest.
       "And fire at once if he speaks!" added aloud the man who alighted from
       the carriage.
       "Very good," replied his companion, without another remark.
       With this recommendation, the person who had accompanied the king in the
       carriage ascended the flight of steps, at the top of which the governor
       was awaiting him. "Monsieur d'Herblay!" said the latter.
       "Hush!" said Aramis. "Let us go into your room."
       "Good heavens! what brings you here at this hour?"
       "A mistake, my dear Monsieur de Baisemeaux," Aramis replied, quietly.
       "It appears that you were quite right the other day."
       "What about?" inquired the governor.
       "About the order of release, my dear friend."
       "Tell me what you mean, monsieur - no, monseigneur," said the governor,
       almost suffocated by surprise and terror.
       "It is a very simple affair: you remember, dear M. de Baisemeaux, that an
       order of release was sent to you."
       "Yes, for Marchiali."
       "Very good! we both thought that it was for Marchiali?"
       "Certainly; you will recollect, however, that I would not credit it, but
       that you compelled me to believe it."
       "Oh! Baisemeaux, my good fellow, what a word to make use of! - strongly
       recommended, that was all."
       "Strongly recommended, yes; strongly recommended to give him up to you;
       and that you carried him off with you in your carriage."
       "Well, my dear Monsieur de Baisemeaux, it was a mistake; it was
       discovered at the ministry, so that I now bring you an order from the
       king to set at liberty Seldon, - that poor Seldon fellow, you know."
       "Seldon! are you sure this time?"
       "Well, read it yourself," added Aramis, handing him the order.
       "Why," said Baisemeaux, "this order is the very same that has already
       passed through my hands."
       "Indeed?"
       "It is the very one I assured you I saw the other evening. _Parbleu!_ I
       recognize it by the blot of ink."
       "I do not know whether it is that; but all I know is, that I bring it for
       you."
       "But then, what about the other?"
       "What other?"
       "Marchiali."
       "I have got him here with me."
       "But that is not enough for me. I require a new order to take him back
       again."
       "Don't talk such nonsense, my dear Baisemeaux; you talk like a child!
       Where is the order you received respecting Marchiali?"
       Baisemeaux ran to his iron chest and took it out. Aramis seized hold of
       it, coolly tore it in four pieces, held them to the lamp, and burnt
       them. "Good heavens! what are you doing?" exclaimed Baisemeaux, in an
       extremity of terror.
       "Look at your position quietly, my good governor," said Aramis, with
       imperturbable self-possession, "and you will see how very simple the
       whole affair is. You no longer possess any order justifying Marchiali's
       release."
       "I am a lost man!"
       "Far from it, my good fellow, since I have brought Marchiali back to you,
       and all accordingly is just the same as if he had never left."
       "Ah!" said the governor, completely overcome by terror.
       "Plain enough, you see; and you will go and shut him up immediately."
       "I should think so, indeed."
       "And you will hand over this Seldon to me, whose liberation is authorized
       by this order. Do you understand?"
       "I - I - "
       "You do understand, I see," said Aramis. "Very good." Baisemeaux
       clapped his hands together.
       "But why, at all events, after having taken Marchiali away from me, do
       you bring him back again?" cried the unhappy governor, in a paroxysm of
       terror, and completely dumbfounded.
       "For a friend such as you are," said Aramis - "for so devoted a servant,
       I have no secrets;" and he put his mouth close to Baisemeaux's ear, as he
       said, in a low tone of voice, "you know the resemblance between that
       unfortunate fellow, and - "
       "And the king? - yes!"
       "Very good; the first use that Marchiali made of his liberty was to
       persist - Can you guess what?"
       "How is it likely I should guess?"
       "To persist in saying that he was king of France; to dress himself up in
       clothes like those of the king; and then pretend to assume that he was
       the king himself."
       "Gracious heavens!"
       "That is the reason why I have brought him back again, my dear friend.
       He is mad and lets every one see how mad he is."
       "What is to be done, then?"
       "That is very simple; let no one hold any communication with him. You
       understand that when his peculiar style of madness came to the king's
       ears, the king, who had pitied his terrible affliction, and saw that all
       his kindness had been repaid by black ingratitude, became perfectly
       furious; so that, now - and remember this very distinctly, dear Monsieur
       de Baisemeaux, for it concerns you most closely - so that there is now, I
       repeat, sentence of death pronounced against all those who may allow him
       to communicate with any one else but me or the king himself. You
       understand, Baisemeaux, sentence of death!"
       "You need not ask me whether I understand."
       "And now, let us go down, and conduct this poor devil back to his dungeon
       again, unless you prefer he should come up here."
       "What would be the good of that?"
       "It would be better, perhaps, to enter his name in the prison-book at
       once!"
       "Of course, certainly; not a doubt of it."
       "In that case, have him up."
       Baisemeaux ordered the drums to be beaten and the bell to be rung, as a
       warning to every one to retire, in order to avoid meeting a prisoner,
       about whom it was desired to observe a certain mystery. Then, when the
       passages were free, he went to take the prisoner from the carriage, at
       whose breast Porthos, faithful to the directions which had been given
       him, still kept his musket leveled. "Ah! is that you, miserable wretch?"
       cried the governor, as soon as he perceived the king. "Very good, very
       good." And immediately, making the king get out of the carriage, he led
       him, still accompanied by Porthos, who had not taken off his mask, and
       Aramis, who again resumed his, up the stairs, to the second Bertaudiere,
       and opened the door of the room in which Philippe for six long years had
       bemoaned his existence. The king entered the cell without pronouncing a
       single word: he faltered in as limp and haggard as a rain-struck lily.
       Baisemeaux shut the door upon him, turned the key twice in the lock, and
       then returned to Aramis. "It is quite true," he said, in a low tone,
       "that he bears a striking resemblance to the king; but less so than you
       said."
       "So that," said Aramis, "you would not have been deceived by the
       substitution of the one for the other?"
       "What a question!"
       "You are a most valuable fellow, Baisemeaux," said Aramis; "and now, set
       Seldon free."
       "Oh, yes. I was going to forget that. I will go and give orders at
       once."
       "Bah! to-morrow will be time enough."
       "To-morrow! - oh, no. This very minute."
       "Well; go off to your affairs, I will go away to mine. But it is quite
       understood, is it not?"
       "What 'is quite understood'?"
       "That no one is to enter the prisoner's cell, expect with an order from
       the king; an order which I will myself bring."
       "Quite so. Adieu, monseigneur."
       Aramis returned to his companion. "Now, Porthos, my good fellow, back
       again to Vaux, and as fast as possible."
       "A man is light and easy enough, when he has faithfully served his king;
       and, in serving him, saved his country," said Porthos. "The horses will
       be as light as if our tissues were constructed of the wind of heaven. So
       let us be off." And the carriage, lightened of a prisoner, who might
       well be - as he in fact was - very heavy in the sight of Aramis, passed
       across the drawbridge of the Bastile, which was raised again immediately
       behind it. _
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本书目录

CHAPTER I - The Prisoner
CHAPTER II - How Mouston Had Become Fatter without Giving Porthos Notice Thereof
CHAPTER III - Who Messire Jean Percerin Was
CHAPTER IV - The Patterns
CHAPTER V - Where, Probably, Moliere Obtained His First Idea of the Bourgeois Gentilhomme
CHAPTER VI - The Bee-Hive, the Bees, and the Honey
CHAPTER VII - Another Supper at the Bastile
CHAPTER VIII - The General of the Order
CHAPTER IX - The Tempter
CHAPTER X - Crown and Tiara
CHAPTER XI - The Chateau de Vaux-le-Vicomte
CHAPTER XII - The Wine of Melun
CHAPTER XIII - Nectar and Ambrosia
CHAPTER XIV - A Gascon, and a Gascon and a Half
CHAPTER XV - Colbert
CHAPTER XVI - Jealousy
CHAPTER XVII - High Treason
CHAPTER XVIII - A Night at the Bastile
CHAPTER XIX - The Shadow of M Fouquet
CHAPTER XX - The Morning
CHAPTER XXI - The King's Friend
CHAPTER XXII - Showing How the Countersign Was Respected at the Bastile
CHAPTER XXIII - The King's Gratitude
CHAPTER XXIV - The False King
CHAPTER XXV - In Which Porthos Thinks He Is Pursuing a Duchy
CHAPTER XXVI - The Last Adieux
CHAPTER XXVII - Monsieur de Beaufort
CHAPTER XXVIII - Preparations for Departure
CHAPTER XXIX - Planchet's Inventory
CHAPTER XXX - The Inventory of M de Beaufort
CHAPTER XXXI - The Silver Dish
CHAPTER XXXII - Captive and Jailers
CHAPTER XXXIII - Promises
CHAPTER XXXIV - Among Women
CHAPTER XXXV - The Last Supper
CHAPTER XXXVI - In M Colbert's Carriage
CHAPTER XXXVII - The Two Lighters
CHAPTER XXXVIII - Friendly Advice
CHAPTER XXXIX - How the King, Louis XIV, Played His Little Part
CHAPTER XL - The White Horse and the Black
CHAPTER XLI - In Which the Squirrel Falls, - the Adder Flies
CHAPTER XLII - Belle-Ile-en-Mer
CHAPTER XLIII - Explanations by Aramis
CHAPTER XLIV - Result of the Ideas of the King, and the Ideas of D'Artagnan
CHAPTER XLV - The Ancestors of Porthos
CHAPTER XLVI - The Son of Biscarrat
CHAPTER XLVII - The Grotto of Locmaria
CHAPTER XLVIII - The Grotto
CHAPTER XLIX - An Homeric Song
CHAPTER L - The Death of a Titan
CHAPTER LI - Porthos's Epitaph
CHAPTER LII - M de Gesvres's Round
CHAPTER LIII - King Louis XIV
CHAPTER LIV - M Fouquet's Friends
CHAPTER LV - Porthos's Will
CHAPTER LVI - The Old Age of Athos
CHAPTER LVII - Athos's Vision
CHAPTER LVIII - The Angel of Death
CHAPTER LIX - The Bulletin
CHAPTER LX - The Last Canto of the Poem
Footnote