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Hermione and Her Little Group of Serious Thinkers
Poor Dear Mama And Fothergil Finch
Don Marquis
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       _ (Hermione's Boswell Loquitur)
       HERMIONE'S mother, who has figured so
       often as "Poor dear Mama" in these
       pages, has come out definitely for Suffrage.
       Someone told her that there was an alliance between
       the liquor interests and the anti-Suffagists and she
       believed it, and it shocked her.
       Since the activities of her daughter have brought
       her into contact with Modern Though her life has
       been chiefly passed in one or another of three
       phases: She has been shocked, she is being
       shocked, or she fears that she is about to be shocked.
       She is nearing fifty and rather stout, though her
       figure is still not bad. She has an abundance of
       chestnut hair, all her own, and naturally wave; her
       hands are pretty, her feet are pretty, her face is pretty.
       Her mouth is very small, almost disproportionately so,
       and her eyes are very large and blue and very wide
       open. She was intended for a placed
       woman, but Hermione and Modern Thought
       have made complete placidity impossible. She has
       a fondness for rich brocades and pretty fans are
       chocolate candy and big bowls of roses and comfortable
       chairs. When she was Hermione's age
       she used to do water color sketches; the outlines
       were penciled in by her drawing teacher, and she
       washed on the color very smoothly and neatly; but
       she heard a great many stories concerning the
       dissolute lives that artists lead and she gave it up.
       Nevertheless, she sometimes says: "Hermione
       comes by her interest in Art quite naturally."
       Fothergil Finch and I called recently. Hermione
       was not in, and her mother suggested that we wait
       for her. Hermione's mother looks upon all of
       Hermione's friends with more or less suspicion,
       and she would not permit Fothergil in particular to
       be about the place for a moment if she were not
       obliged to; but she does not have the requisite stern-
       ness of character to resist her daughter. Fothergil,
       knowing that he is not approved of, scarcely does
       himself justice when Hermione's mother is present;
       although he endeavors to avoid offending her.
       "Have you seen the play, 'Young America'?"
       asked Fothergil, searching for a safe topic of
       conversation.
       A little ripple of alarm immediately ruffled the
       lakeblue innocence of her eyes.
       "If it is a Problem Play, I have not," she said,
       "I consider such things dangerous."
       "But it isn't, you know," said Fothergil eagerly.
       It's a -- a -- it's a perfectly NICE play.
       It's about a dog!"
       "About a dog!" Her eyebrows went up, and her
       mouth rounded itself with the conviction that no
       perfectly nice play could possibly be about a dog.
       "I think that is dreadfully Coarse!" she said.
       "But it isn't," protested Fothergil. "It's just the
       SORT of thing you'd like."
       "Indeed!" She felt slightly insulted at his assumption
       of what she would like, and dismissed
       the subject with a wave of her pretty hand. Fothergil
       tried again.
       "I hope," he said ingratiatingly, "that you haven't
       been bothered by mosquitoes." She looked
       a bit frightened, but said nothing, and he dashed on
       determinedly. "You know, this is a new variety
       of mosquitoes we've been having this year. Most
       of them have stripes on their legs, you know, but
       these have black legs this year. But maybe you
       haven't noticed -- -- "
       He stopped in midcareer. The preposterous idea
       that she could be interested in examining the legs
       of mosquitoes had too evidently outraged Hermione's
       mother. Fothergil, flushed and embarrassed, tried
       to make it better and made it worse.
       "Maybe you haven't noticed their -- er -- limbs,"
       said Fothergil.
       "I have not," she murmured.
       Fothergil desperately persevered.
       "We don't see so much as we used to of --
       of -- -- " (I am sure he didn't know he was
       going to finish the sentence when he began it, but
       he plunged ahead) -- "of the Queen Anne style of
       architecture."
       With visible relief, and yet with a lurking suspicion,
       she assented. And Fothergil, feeling himself
       on safe ground at last, went on:
       "Don't you think she was one of the most interesting
       queens in English history -- Queen Anne?
       Do you remember the anecdote -- -- ?
       But she checked him, frightened again:
       "I do not wish to hear it, Mr. Finch," she said.
       "But," said Fothergil, "She was a most unexceptional
       Queen -- not like, er -- not like -- well,
       Cleopatra, you know, or any of those bad ones."
       Hermione's mother was silent, but it was apparent
       that she feared the talk was about to veer toward
       Cleopatra.
       "When I was a girl," she said, "the lives of
       queens were considered rather dangerous reading
       for young women. You need not go into details,
       please."
       I couldn't stand it any more myself. "If you'll
       just tell Hermione I called," I said, edging toward
       the door. Fothergil, however, stuck it out. In the
       frenzy of embarrassment he must have lost his
       head completely. For as I left I heard him be-
       ginning:
       "Did you read the story in the papers today of
       the man who killed his wife? Crimes of passion are
       becoming more and more frequent. . . ." _