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Essay(s) by Isaac Disraeli
An English Academy Of Literature
Isaac Disraeli
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       We have Royal Societies for philosophers, for antiquaries, and for artists--none for men of letters! The lovers of philological studies have regretted the want of an asylum since the days of Anne, when the establishment of an English Academy of Literature was designed; but political changes occurred which threw out a literary administration. France and Italy have gloried in great national academies, and even in provincial ones. With us, the curious history and the fate of the societies at Spalding, Stamford, and Peterborough, whom their zealous founder lived to see sink into country clubs, is that of most of our _rural_ attempts at literary academies! The Manchester society has but an ambiguous existence; and that of Exeter expired in its birth. Yet that a great purpose may be obtained by an inconsiderable number, the history of "The Society for the Encouragement of Arts, Manufactures," &c., may prove; for that originally consisted only of twelve persons, brought together with great difficulty, and neither distinguished for their ability nor their rank.
       The opponents to the establishment of an academy in this country may urge, and find Bruyere on their side, that no corporate body generates a single man of genius. No Milton, no Hume, no Adam Smith, will spring out of an academical community, however they may partake of one common labour. Of the fame, too, shared among the many, the individual feels his portion too contracted, besides that he will often suffer by comparison. Literature, with us, exists independent of patronage or association. We have done well without an academy; our dictionary and our style have been polished by individuals, and not by a society.
       The advocates for such a literary institution may reply, that in what has been advanced against it we may perhaps find more glory than profit. Had an academy been established in this country, we should have possessed all our present advantages, with the peculiar ones of such an institution. A series of volumes composed by the learned of England had rivalled the precious "Memoirs of the French Academy," probably more philosophical, and more congenial to our modes of thinking! The congregating spirit creates by its sympathy; an intercourse exists between its members which had not otherwise occurred; in this attrition of minds, the torpid awakens, the timid is emboldened, and the secluded is called forth; to contradict, and to be contradicted, is the privilege and the source of knowledge. Those original ideas, hints, and suggestions, which some literary men sometimes throw out once or twice during their whole lives, might here be preserved; and if endowed with sufficient funds, there are important labours, which surpass the means and industry of the individual, which would be more advantageously performed by such literary unions.
       An academy of literature can only succeed by the same means in which originated all such academies--among individuals themselves. It will not be "by the favour of the MANY, but by the wisdom and energy of the FEW." It is not even in the power of royalty to create at a word what can only be formed by the co-operation of the workmen themselves, and of the great taskmaster, Time!
       Such institutions have sprung from the same principle, and have followed the same march. It was from a private meeting that "The French Academy" derived its origin; and the true beginners of that celebrated institution assuredly had no foresight of the object to which their conferences tended. Several literary friends at Paris, finding the extent of the city occasioned much loss of time in their visits, agreed to meet on a fixed day every week, and chose Conrart's residence as centrical. They met for the purposes of general conversation, or to walk together, or, what was not least social, to partake in some refreshing _collation_. All being literary men, those who were authors submitted their new works to this friendly society, who, without jealousy or malice, freely communicated their strictures; the works were improved, the authors were delighted, and the critics were honest! Such was the happy life of the members of this private society during three or four years. Pelisson, the earliest historian of the French Academy, has delightfully described it: "It was such that, now when they speak of these first days of the Academy, they call it the golden age, during which, with all the innocence and freedom of that fortunate period, without pomp and noise, and without any other laws than those of friendship, they enjoyed together all which a society of minds, and a rational life, can yield of whatever softens and charms."
       They were happy, and they resolved to be silent; nor was this bond and compact of friendship violated till one of them, Malleville, secretary of Marshal Bassompierre, being anxious that his friend Faret, who had just printed his _L'Honnete Homme_, which he had drawn from the famous "Il Cortigiano" of Castiglione, should profit by all their opinions, procured his admission to one of their conferences; Faret presented them with his book, heard a great deal concerning the nature of his work, was charmed by their literary communications, and returned home ready to burst with the secret. Could the society hope that others would be more faithful than they had been to themselves? Faret happened to be one of those light-hearted men who are communicative in the degree in which they are grateful, and he whispered the secret to Des Marets and to Boisrobert. The first, as soon as he heard of such a literary senate, used every effort to appear before them and read the first volume of his "Ariane." Boisrobert, a man of distinction, and a common friend to them all, could not be refused an admission; he admired the frankness of their mutual criticisms. The society, besides, was a new object; and his daily business was to furnish an amusing story to his patron, Richelieu. The cardinal-minister was very literary, and apt to be so hipped in his hours of retirement, that the physician declared, that "all his drugs were of no avail, unless his patient mixed with them a drachm of Boisrobert." In one of those fortunate moments, when the cardinal was "in the vein," Boisrobert painted, with the warmest hues, this region of literary felicity, of a small, happy society formed of critics and authors! The minister, who was ever considering things in that particular aspect which might tend to his own glory, instantly asked Boisrobert, whether this private meeting would not like to be constituted a public body, and establish itself by letters patent, offering them his protection. The flatterer of the minister was overjoyed, and executed the important mission; but not one of the members shared in the rapture, while some regretted an honour which would only disturb the sweetness and familiarity of their intercourse. Malleville, whose master was a prisoner in the Bastile, and Serisay, the _intendant_ of the Duke of Rochefoucault, who was in disgrace at court, louldly protested, in the style of an opposition party, against the protection of the minister; but Chapelain, who was known to have no party-interests, argued so clearly, that he left them to infer that Richelieu's _offer_ was a _command_; that the cardinal was a minister who willed not things by halves; and was one of those very great men who avenge any contempt shown to them even on such little men as themselves! In a word, the dogs bowed their necks to the golden collar. However, the appearance, if not the reality, of freedom was left to them; and the minister allowed them to frame their own constitution, and elect their own magistrates and citizens in this infant and illustrious republic of literature. The history of the farther establishment of the French Academy is elegantly narrated by Pelisson. The usual difficulty occurred of fixing on a title; and they appear to have changed it so often, that the Academy was at first addressed by more than one title; Academie _des beaux Esprits_; Academie _de l'Eloquence_; Academie _Eminente_, in allusion to the quality of the cardinal, its protector. Desirous of avoiding the extravagant and mystifying titles of the Italian academies,[2] they fixed on the most unaffected, "_L'Academie Francaise_; but though the national genius may disguise itself for a moment, it cannot be entirely got rid of, and they assumed a vaunting device of a laurel wreath, including their epigraph, "_A l'Immortalite_." The Academy of Petersburgh has chosen a more enlightened inscription, _Paulatim_ ("little by little"), so expressive of the great labours of man--even of the inventions of genius!
       Such was the origin of L'ACADEMIE FRANCAISE; it was long a private meeting before it became a public institution. Yet, like the Royal Society, its origin has been attributed to political motives, with a view to divert the attention from popular discontents; but when we look into the real origin of the French Academy, and our Royal Society, it must be granted, that if the government either in France or England ever entertained this project, it came to them so accidentally, that at least we cannot allow them the merit of profound invention. Statesmen are often considered by speculative men in their closets to be mightier wonder-workers than they often prove to be.
       Were the origin of the Royal Society inquired into, it might be justly dated a century before its existence; the real founder was Lord Bacon, who planned the _ideal institution_ in his philosophical romance of the New Atlantis! This notion is not fanciful, and it was that of its first founders, as not only appears by the expression of old Aubrey, when, alluding to the commencement of the society, he adds _secundum mentem Domini Baconi_; but by a rare print designed by Evelyn, probably for a frontispiece to Bishop Sprat's history, although we seldom find the print in the volume. The design is precious to a Grangerite, exhibiting three fine portraits. On one side is represented a library, and on the table lie the statutes, the journals, and the mace of the Royal Society; on its opposite side are suspended numerous philosophical instruments; in the centre of the print is a column on which is placed the bust of Charles the Second, the patron; on each side whole lengths of Lord Brouncker, the first president, and Lord Bacon, as the founder, inscribed _Artium Instaurator_. The graver of Hollar has preserved this happy intention of Evelyn's, which exemplifies what may be called the continuity and genealogy of genius, as its spirit is perpetuated by its successors.[3]
       When the fury of the civil wars had exhausted all parties, and a breathing time from the passions and madness of the age allowed ingenious men to return once more to their forsaken studies, Bacon's vision of a philosophical society appears to have occupied their reveries. It charmed the fancy of Cowley and Milton; but the politics and religion of the times were still possessed by the same frenzy, and divinity and politics were unanimously agreed to be utterly proscribed from their inquiries. On the subject of religion they were more particularly alarmed, not only at the time of the foundation of the society, but at a much later period, when under the direction of Newton himself. Even Bishop Sprat, their first historian, observed, that "they have freely admitted men of different religions, countries, and professions of life, not to lay the foundation of an English, Scotch, Irish, popish, or protestant philosophy, but a philosophy of mankind." A curious protest of the most illustrious of philosophers may be found: when "the Society for promoting Christian Knowledge were desirous of holding their meetings at the house of the Royal Society, Newton drew up a number of arguments against their admission. One of them is, that "It is a fundamental rule of the society not to meddle with religion; and the reason is, that we may give no occasion to religious bodies to meddle with us." Newton would not even comply with their wishes, lest by this compliance the Royal Society might "dissatisfy those of other religions." The wisdom of the protest by Newton is as admirable as it is remarkable,--the preservation of the Royal Society from the passions of the age.
       It was in the lodgings of Dr. Wilkins in Wadham College that a small philosophical club met together, which proved to be, as Aubrey expresses it, the _incunabula_ of the Royal Society. When the members were dispersed about London, they renewed their meetings first at a tavern, then at a private house; and when the society became too great to be called a club, they assembled in "the parlour" of Gresham College, which itself had been raised by the munificence of a citizen, who endowed it liberally, and presented a noble example to the individuals now assembled under its roof. The society afterwards derived its title from a sort of accident. The warm loyalty of Evelyn in the first hopeful days of the Restoration, in his dedicatory epistle of Naude's treatise on libraries, called that philosophical meeting THE ROYAL SOCIETY. These learned men immediately voted their thanks to Evelyn for the happy designation, which was so grateful to Charles the Second, who was himself a virtuoso of the day, that the charter was soon granted: the king, declaring himself their founder, "sent them a mace of silver-gilt, of the same fashion and bigness as those carried before his majesty, to be borne before the president on meeting days." To the zeal of Evelyn the Royal Society owes no inferior acquisition to its title and its mace:[4] the noble Arundelian library, the rare literary accumulation of the noble Howards; the last possessor of which had so little inclination for books, that the treasures which his ancestors had collected lay open at the mercy of any purloiner. This degenerate heir to the literature and the name of Howard seemed perfectly relieved when Evelyn sent his marbles, which were perishing in his gardens, to Oxford, and his books, which were diminishing daily, to the Royal Society!
       The SOCIETY of ANTIQUARIES might create a deeper interest, could we penetrate to its secret history: it was interrupted, and suffered to expire by some obscure cause of political jealousy. It long ceased to exist, and was only reinstated almost in our own days. The revival of learning under Edward the Sixth suffered a severe check from the papistical government of Mary; but under Elizabeth a happier era opened to our literary pursuits. At this period several students of the Inns of Court, many of whose names are illustrious for their rank or their genius, formed a weekly society, which they called "the Antiquaries' College." From very opposite quarters we are furnished with many curious particulars of their literary intercourse: it is delightful to discover Rawleigh borrowing manuscripts from the library of Sir Robert Cotton, and Selden deriving his studies from the collections of Rawleigh. Their mode of proceeding has even been preserved. At every meeting they proposed a question or two respecting the history or the antiquities of the English nation, on which each member was expected, at the subsequent meeting, to deliver a dissertation or an opinion. They also "supped together." From the days of Athenaeus to those of Dr. Johnson, the pleasures of the table have enlivened those of literature. A copy of each question and a summons for the place of conference were sent to the absent members. The opinions were carefully registered by the secretary, and the dissertations deposited in their archives. One of these summonses to Stowe, the antiquary, with his memoranda on the back, exists in the Ashmolean Museum. I shall preserve it with all its verbal _aerugo_.
       "SOCIETY OF ANTIQUARIES.
       "To MR. STOWE.
       "The place appointed for a conference upon the question followinge ys att Mr. Garter's house, on Frydaye the 2nd. of this November, being Al Soule's daye, at 2 of the clocke in the afternoone, where your oppinioun in wrytinge or otherwise is expected.
       "The question is,
       "Of the antiquitie, etimologie, and priviledges of parishes in Englande.
       "Yt ys desyred that you give not notice hereof to any, but such as haue the like somons."

       Such is the summons; the memoranda in the handwriting of Stowe are these:--
       [630. Honorius Romanus, Archbyshope of Canterbury, devided his province into _parishes_; he ordeyned clerks and prechars, comaunding them that they should instruct the people, as well by good lyfe, as by doctryne.
       760. Cuthbert, Archbyshope of Canterbury, procured of the Pope, that in cities and townes there should be appoynted church yards for buriall of the dead, whose bodies were used to be buried abrode, & cet.]
       Their meetings had hitherto been private; but to give stability to them, they petitioned for a charter of incorporation, under the title of the _Academy for the Study of Antiquity and History, founded by Queen Elizabeth_. And to preserve all the memorials of history which the dissolution of the monasteries had scattered about the kingdom, they proposed to erect a library, to be called "The Library of Queen Elizabeth." The death of the queen overturned this honourable project. The society was somewhat interrupted by the usual casualties of human life; the members were dispersed or died, and it ceased for twenty years. Spelman, Camden, and others, desirous of renovating the society, met for this purpose at the Herald's-office; they settled their regulations, among which, one was "for avoiding offence, they should neither meddle with matters of state nor religion." "But before our next meeting," says Spelman, "we had notice that his majesty took _a little mislike of our society_, not being informed that we had resolved to decline all matters of state. Yet hereupon we forbore to meet again, and so all our labour's lost!" Unquestionably much was lost, for much could have been produced; and Spelman's work on law terms, where I find this information, was one of the first projected. James the First has incurred the censure of those who have written more boldly than Spelman on the suppression of this society; but whether James was misinformed by "taking a little mislike," or whether the antiquaries failed in exerting themselves to open their plan more clearly to that "timid pedant," as Gough and others designate this monarch, may yet be doubtful; assuredly James was not a man to contemn their erudition!
       The king at this time was busied by furthering a similar project, which was to found "King James's College at Chelsea;" a project originating with Dean Sutcliff; and zealously approved by Prince Henry, to raise a nursery for young polemics in scholastical divinity, for the purpose of defending the Protestant cause from the attacks of catholics and sectaries; a college which was afterwards called by Laud "Controversy College." In this society were appointed historians and antiquaries, for Camden and Haywood filled these offices.
       The Society of Antiquaries, however, though suppressed, was perhaps never extinct; it survived in some shape under Charles the Second, for Ashmole in his Diary notices "the Antiquaries' Feast," as well as "the Astrologers'," and another of "the Freemasons'."[5] The present society was only incorporated in 1751. There are two sets of their Memoirs; for besides the modern _Archaeologia_, we have two volumes of "Curious Discourses," written by the Fathers of the Antiquarian Society in the age of Elizabeth, collected from their dispersed manuscripts, which Camden preserved with a parental hand.
       The philosophical spirit of the age, it might have been expected, would have reached our modern antiquaries; but neither profound views, nor eloquent disquisitions, have imparted that value to their confined researches and languid efforts, which the character of the times, and the excellence of our French rivals in their "Academie," so peremptorily required. It is, however, hopeful to hear Mr. Hallam declare, "I think our last volumes improve a little, and but a little! A comparison with the Academy of Inscriptions in its better days must still inspire us with shame."
       Among the statutes of the Society of Antiquaries there is one which expels any member "who shall, by speaking, writing, or printing, publicly defame the society." Some things may be too antique and obsolete even for the Society of Antiquaries! and such is this vile restriction! It compromises the freedom of the republic of letters.
        
       [Footnote 1: Long after this article was composed, the _Royal Society of Literature_ was projected. It was founded by King George IV., and is said to have originated in a conversation between Dr. Burgess, afterwards Bishop of Salisbury, and a member of the royal household, who reported its substance to the king. The bishop was again sent for, and the formation of the society commenced by the offer of premiums for an essay on Homer, the prize being one hundred guineas; a poem on Dartmoor, prize fifty guineas (awarded to Mrs. Hemans); and one of twenty-five guineas, for an essay on the Ancient and Modern Languages of Greece. In 1823 the king granted the society a charter, and placed the annual sum of eleven hundred guineas at its disposal, to be spent in endowing ten associates for life, who were to receive one hundred guineas each yearly (as a delicate mode of aiding needy literary men); the remaining one hundred guineas to be expended on two gold medals, to be also awarded to eminent men of letters. Coleridge, Dr. Jameson, Malthus, Roscoe, Todd, and Sharon Turner received annuities among other well-known literary characters; and Mitford, Southey, Scott, Crabbe, Hallam, and Washington Irving received medals. On the death of George IV., the grant was discontinued, and the society now exists by the subscriptions of its members.]
       [Footnote 2: See an article "On the ridiculous titles assumed by the Italian Academies," in a future page of this volume.]
       [Footnote 3: In J.T. Smith's "Historical and Literary Curiosities" is engraved a fac-simile of a series of designs for the arms of the Royal Society, drawn by Evelyn, but not used, because the king gave them the choice of using the Royal Arms in a canton. The first of Evelyn's designs exhibits a ship in full sail, with the motto _Et Augebitur Scientia_. The other are as follows:--A hand issuing from the clouds holding a plumb-line--motto, _Omnia probate_; two telescopes saltier-wise, the earth and planets above--motto, _Quantum nescimus_; the sun in splendour--motto, _Ad majorem lumen_; a terrestrial globe, with the human eye above--motto, _Rerum cognoscere causas_.]
       [Footnote 4: Evelyn notes in his Diary, August 20, 1662--"The king gave us the armes of England, to be borne in a canton in our armes; and sent us a mace of silver-gilt, of the same fashion and bigness as those carried before his majestie, to be borne before our president on meeting-days." This mace is still used.]
       [Footnote 5: It was revived in 1707, by Wanley, the librarian to the Earl of Oxford, who composed its rules; he was joined by Bagford, Elstob, Holmes (keeper of the Tower records), Maddox, Stukely, and Vertue the engraver. They met at the Devil Tavern, Fleet-street, and afterwards in rooms of their own in Chancery-lane. They ultimately removed to apartments granted them in Somerset House by George III., where they still remain.]
       [The end]
       Isaac D'Israeli's essay: English Academy Of Literature.[274]
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"Critical Sagacity," And "Happy Conjecture;" Or, Bentley's Milton
"Political Religionism"
"Taxation No Tyranny!"
Abelard And Eloisa
Abridgers
The Absent Man
Acajou And Zirphile
Alchymy
Amusements Of The Learned
Ancient And Modern Saturnalia
Ancient Cookery, And Cooks
Anecdotes Of Abstraction Of Mind
Anecdotes Of Censured Authors
Anecdotes Of European Manners
Anecdotes Of Fashion
Anecdotes Of Prince Henry, The Son Of James I
Anecdotes Of The Fairfax Family
Angelo Politian
Anne Bullen
Apology For The Parisian Massacre
The Arabic Chronicle
Ariosto And Tasso
Aristotle And Plato
The Astrea
An Authentic Narrative Of The Last Hours Of Sir Walter Rawleigh
Authors By Profession: Guthrie And Amhurst--Drake--Smollett
Autographs
Bayle
Ben Jonson On Translation
Ben Jonson, Feltham, And Randolph
The Bible Prohibited And Improved
A Bibliognoste
The Bibliomania
Bolingbroke And Mallet's Posthumous Quarrel With Pope
Bonaventure De Periers
The Book Of Death
Boyle And Bentley
Buckingham's Political Coquetry With The Puritans
Buildings In The Metropolis, And Residence In The Country
Camden And Brooke
Cardinal Richelieu
The Case Of Authors Stated, Including The History Of Literary Property
Catholic And Protestant Dramas
A Catholic's Refutation
Cause And Pretext
Cervantes
Characteristics Of Bayle
Characters Described By Musical Notes
Charles The First
Charles The First's Love Of The Fine Arts
The Chinese Language
Cicero Viewed As A Collector
Cicero's Puns
The Comedy Of A Madman
Condemned Poets
Confusion Of Words
A Contrivance In Dramatic Dialogue
Cowley Of His Melancholy
Critical History Of Poverty
Critics
D'avenant And A Club Of Wits
Danger Incurred By Giving The Result Of Literary Inquiries
De La Rochefoucault
The Death Of Charles IX
Dedications
The Despair Of Young Poets
Destruction Of Books
Dethroned Monarchs
Diaries--Moral, Historical, And Critical
The Diary Of A Master Of The Ceremonies
The Dictionary Of Trevoux
Disappointed Genius Takes A Fatal Direction By Its Abuse
Discoveries Of Secluded Men
Domestic History Of Sir Edward Coke
The Domestic Life Of A Poet.--Shenstone Vindicated
Douglas
Dreams At The Dawn Of Philosophy
Drinking-Customs In England
Duke Of Buckingham
The Early Drama
Early Printing
Edward The Fourth
Elizabeth
Elizabeth And Her Parliament
An English Academy Of Literature
English Astrologers
Errata
Explanation Of The Fac-Simile
Expression Of Suppressed Opinion
Extemporal Comedies
Fame Contemned
Felton, The Political Assassin
Female Beauty And Ornaments
Feudal Customs
Fire, And The Origin Of Fireworks
Gaming
General Monk And His Wife
Genius And Erudition The Victims Of Immoderate Vanity
Genius The Dupe Of Its Passions
Geographical Style
A Glance Into The French Academy
The Good Advice Of An Old Literary Sinner
The Goths And Huns
Grotius
Hell
The History Of Gloves
History Of New Words
The History Of The Caracci
History Of The Skeleton Of Death
The History Of The Theatre During Its Suppression
The History Of Writing-Masters
Hobbes's Quarrels With Dr. Wallis The Mathematician
Hobbes, And His Quarrels; Including An Illustration Of His Character
The Illusions Of Writers In Verse
Imitators
Imprisonment Of The Learned
The Indiscretion Of An Historian Thomas Carte
Inequalities Of Genius
Influence Of A Bad Temper In Criticism
Influence Of A Name
The Inquisition
Introducers Of Exotic Flowers, Fruits, Etc
Introduction Of Tea, Coffee, And Chocolate
The Italian Historians
James The First
James The First As A Father And A Husband
A Jansenist Dictionary
The Jews Of York
Jocular Preachers
Johnson's Hints For The Life Of Pope
Jonson And Decker
Laborious Authors
Legends
Libraries
Licensers Of The Press
Life And Habits Of A Literary Antiquary.--Oldys And His Manuscripts
The Life Of An Authoress
Lintot's Account-Book
Literary Anecdotes
Literary Blunders
Literary Composition
Literary Controversy
Literary Disappointments Disordering The Intellect
Literary Dutch
Literary Fashions
Literary Follies
Literary Forgeries
Literary Friendships
Literary Hatred Exhibiting A Conspiracy Against An Author
Literary Impostures
Literary Journals
Literary Parallels
Literary Quarrels From Personal Motives
Literary Residences
Literary Ridicule Illustrated By Some Account Of A Literary Satire
Literary Scotchmen
Literary Unions
A Literary Wife
Little Books
Local Descriptions
Love And Folly, An Ancient Morality
The Lover's Heart
The Loves Of "The Lady Arabella"
Magliabechi
The Maladies Of Authors
The Man Of One Book
Manuscripts And Books
The Marriage Of The Arts
Martin Mar-Prelate
Masques
Massinger, Milton, And The Italian Theatre
Masterly Imitators
Medical Music
Medicine And Morals
Men Of Genius Deficient In Conversation
A Mendicant Author, And The Patrons Of Former Times
Metempsychosis
Milton
The Minister--Duke Of Buckingham, Lord Admiral, Lord General
The Minister--The Cardinal Duke Of Richelieu
Minute Writing
The Miseries Of Successful Authors
The Miseries Of The First English Commentator
Modern Literature--Bayle's Critical Dictionary
Modern Platonism
Modes Of Salutation, And Amicable Ceremonies, Observed In Various Nations
Monarchs
Mysteries, Moralities, Farces, And Sotties
Names Of Our Streets
A Narrative Of ExtraordinaryTransactions Respecting Publication Of Pope's Letters
A National Work Which Could Find No Patronage
Natural Productions Resembling Artificial Compositions
Nobility
Noblemen Turned Critics
Numerical Figures
Of A Biography Painted
Of A History Of Events Which Have Not Happened
Of Anagrams And Echo Verses
Of Coke's Style, And His Conduct
Of Des Maizeaux, And The Secret History Of Anthony Collins's Manuscripts
Of False Political Reports
Of Lenglet Du Fresnoy
Of Literary Filchers
Of Lord Bacon At Home
Of Palaces Built By Ministers
Of Suppressors And Dilapidators Of Manuscripts
Of The Titles Of Illustrious, Highness, And Excellence
On Puck The Commentator
On The Custom Of Kissing Hands
On The Custom Of Saluting After Sneezing
On The Hero Of Hudibras; Butler Vindicated
On The Ridiculous Titles Assumed By Italian Academies
The Origin Of Dante's Inferno
Origin Of Newspapers
Origin Of The Materials Of Writing
Orthography Of Proper Names
The Pains Of Fastidious Egotism
Pamphlets
The Pantomimical Characters
The Paper-Wars Of The Civil Wars
Parker And Marvell
Parodies
Pasquin And Marforio
Patrons
The Pearl Bibles And Six Thousand Errata
Perpetual Lamps Of The Ancients
The Persecuted Learned
Peter Corneille
Philip And Mary
Philosophical Descriptive Poems
The Philosophy Of Proverbs
Physiognomy
Poetical And Grammatical Deaths
The Poetical Garland Of Julia
Poetical Imitations And Similarities
Poets
Poets Laureat
Poets, Philosophers, And Artists, Made By Accident
Political Criticism On Literary Compositions
Political Forgeries And Fictions
Political Nicknames
Pope And Addison
Pope And Cibber; Containing A Vindication Of The Comic Writer
Pope's Earliest Satire
Pope, And His Miscellaneous Quarrels
Popes
The Port-Royal Society
Portraits Of Authors
Poverty Of The Learned
Prediction
Prefaces
Prior's Hans Carvel
The Productions Of The Mind Not Seizable By Creditors
Professors Of Plagiarism And Obscurity
The Progress Of Old Age In New Studies
Psalm-Singing
Quadrio's Account Of English Poetry
Quodlibets, Or Scholastic Disquisitions
Quotation
Rabbinical Stories
Recovery Of Manuscripts
Relics Of Saints
Religious Nouvellettes
Reliquiae Gethinianae
The Rewards Of Oriental Students
Richardson
The Rival Biographers Of Heylin
Robinson Crusoe
Romances
Royal Divinities
Royal Proclamations
Royal Promotions
The Royal Society
The Rump
Saint Evremond
Scarron
The Scuderies
Secret History Of An Elective Monarchy
Secret History Of Authors Who Have Ruined Their Booksellers
Secret History Of Charles The First And His First Parliaments
Secret History Of Charles The First, And His Queen Henrietta
Secret History Of Edward Vere, Earl Of Oxford
Secret History Of Sir Walter Rawleigh
Secret History Of The Building Of Blenheim
Secret History Of The Death Of Queen Elizabeth
A Senate Of Jesuits
Sentimental Biography
Shenstone's School-Mistress
Singularities Observed By Various Nations In Their Repasts
Sir Edward Coke's Exceptions Against The High Sheriff's Oath
Sir John Hill, With The Royal Society, Fielding, Smart, &c.
The Six Follies Of Science
Sketches Of Criticism
Solitude
Solomon And Sheba
Some Notices Of Lost Works
Songs Of Trades, Or Songs For The People
The Sovereignty Of The Seas
Spanish Etiquette
Spanish Poetry
Spenser, Jonson, And Shakspeare
The Student In The Metropolis
The Sufferings Of Authors
Supplement To Martin Mar-Prelate
The Talmud
Titles Of Books
Titles Of Sovereigns
Toleration
Tom O' Bedlams
Tragic Actors
Trials And Proofs Of Guilt In Superstitious Ages
True Sources Of Secret History
The Turkish Spy
Undue Severity Of Criticism
Usurers Of The Seventeenth Century
Vicars Of Bray
Vida
The View Of A Particular Period Of The State Of Religion In Our Civil Wars
Virginity
A Voluminous Author Without Judgment
Warburton, And His Quarrels; Including An Illustration Of his Literary Character
Wax-Work
Whether Allowable To Ruin Oneself?