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Essay(s) by Isaac Disraeli
Literary Hatred Exhibiting A Conspiracy Against An Author
Isaac Disraeli
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       In the peaceful walks of literature we are startled at discovering genius with the mind, and, if we conceive the instrument it guides to be a stiletto, with the hand of an assassin--irascible, vindictive, armed with indiscriminate satire, never pardoning the merit of rival genius, but fastening on it throughout life, till, in the moral retribution of human nature, these very passions, by their ungratified cravings, have tended to annihilate the being who fostered them. These passions among literary men are with none more inextinguishable than among provincial writers.--Their bad feelings are concentrated by their local contraction. The proximity of men of genius seems to produce a familiarity which excites hatred or contempt; while he who is afflicted with disordered passions imagines that he is urging his own claims to genius by denying them to their possessor. A whole life passed in harassing the industry or the genius which he has not equalled; and instead of running the open career as a competitor, only skulking as an assassin by their side, is presented in the object now before us.
       Dr. GILBERT STUART seems early in life to have devoted himself to literature; but his habits were irregular, and his passions fierce. The celebrity of Robertson, Blair, and Henry, with other Scottish brothers, diseased his mind with a most envious rancour. He confined all his literary efforts to the pitiable motive of destroying theirs; he was prompted to every one of his historical works by the mere desire of discrediting some work of Robertson; and his numerous critical labours were all directed to annihilate the genius of his country. How he converted his life into its own scourge, how wasted talents he might have cultivated into perfection, lost every trace of humanity, and finally perished, devoured by his own fiend-like passions,--shall be illustrated by the following narrative, collected from a correspondence now lying before me, which the author carried on with his publisher in London. I shall copy out at some length the hopes and disappointments of the literary adventurer--the colours are not mine; I am dipping my pencil in the palette of the artist himself.
       In June, 1773, was projected in the Scottish capital "The Edinburgh Magazine and Review." Stuart's letters breathe the spirit of rapturous confidence. He had combined the sedulous attention of the intelligent Smellie, who was to be the printer, with some very honourable critics; Professor Baron, Dr. Blacklock, and Professor Richardson; and the first numbers were executed with more talent than periodical publications had then exhibited. But the hardiness of Stuart's opinions, his personal attacks, and the acrimony of his literary libels, presented a new feature in Scottish literature, of such ugliness and horror, that every honourable man soon averted his face from this boutefeu.
       He designed to ornament his first number with--
       "A print of my Lord Monboddo in his quadruped form. I must, therefore, most earnestly beg that you will purchase for me a copy of it in some of the Macaroni print shops. It is not to be procured at Edinburgh. They are afraid to vend it here. We are to take it on the footing of a figure of an animal, not yet described; and are to give a grave, yet satirical account of it, in the manner of Buffon. It would not be proper to allude to his lordship but in a very distant manner."
       It was not, however, ventured on; and the nondescript animal was still confined to the windows of "the Macaroni print shops." It was, however, the bloom of the author's fancy, and promised all the mellow fruits it afterwards produced.
       In September this ardour did not abate:--
       "The proposals are issued; the subscriptions in the booksellers' shops astonish; correspondents flock in; and, what will surprise you, the timid proprietors of the 'Scots' Magazine' have come to the resolution of dropping their work. You stare at all this, and so do I too."
       Thus he flatters himself he is to annihilate his rival, without even striking the first blow. The appearance of his first number is to be the moment when their last is to come forth. Authors, like the discoverers of mines, are the most sanguine creatures in the world: Gilbert Stuart afterwards flattered himself Dr. Henry was lying at the point of death from the scalping of his tomahawk pen; but of this anon.
       On the publication of the first number, in November, 1773, all is exultation; and an account is facetiously expected that "a thousand copies had emigrated from the Row and Fleet-street."
       There is a serious composure in the letter of December, which seems to be occasioned by the tempered answer of his London correspondent. The work was more suited to the meridian of Edinburgh; and from causes sufficiently obvious, its personality and causticity. Stuart, however, assures his friend that "the second number you will find better than the first, and the third better than the second."
       The next letter is dated March 4, 1774, in which I find our author still in good spirits:--
       "The Magazine rises, and promises much, in this quarter. Our artillery has silenced all opposition. The rogues of the 'uplifted hands' decline the combat." These rogues are the clergy, and some others, who had "uplifted hands" from the vituperative nature of their adversary; for he tells us that, "now the clergy are silent, the town-council have had the presumption to oppose us; and have threatened Creech (the publisher in Edinburgh) with the terror of making him a constable for his insolence. A pamphlet on the abuses of Heriot's Hospital, including a direct proof of perjury in the provost, was the punishment inflicted in return. And new papers are forging to chastise them, in regard to the poors' rate, which is again started; the improper choice of professors; and violent stretches of the impost. The liberty of the press, in its fullest extent, is to be employed against them."
       Such is the language of reform, and the spirit of a reformist! A little private malignity thus ferments a good deal of public spirit; but patriotism must be independent to be pure. If the "Edinburgh Review" continues to succeed in its sale, as Stuart fancies, Edinburgh itself may be in some danger. His perfect contempt of his contemporaries is amusing:--
       "Monboddo's second volume is published, and, with Kaimes, will appear in our next; the former is a childish performance; the latter rather better. We are to treat them with a good deal of freedom. I observe an amazing falling off in the English Reviews. We beat them hollow. I fancy they have no assistance but from the Dissenters,--a dull body of men. The Monthly will not easily recover the death of Hawkesworth; and I suspect that Langhorne has forsaken them; for I see no longer his pen."
       We are now hastening to the sudden and the moral catastrophe of our tale. The thousand copies which had emigrated to London remained there, little disturbed by public inquiry; and in Scotland, the personal animosity against almost every literary character there, which had inflamed the sale, became naturally the latent cause of its extinction; for its life was but a feverish existence, and its florid complexion carried with it the seeds of its dissolution. Stuart at length quarrelled with his coadjutor, Smellie, for altering his reviews. Smellie's prudential dexterity was such, that, in an article designed to level Lord Kaimes with Lord Monboddo, the whole libel was completely metamorphosed into a panegyric. They were involved in a lawsuit about "a blasphemous paper." And now the enraged Zoilus complains of "his hours of peevishness and dissatisfaction." He acknowledges that "a circumstance had happened which had broke his peace and ease altogether for some weeks." And now he resolves that this great work shall quietly sink into a mere compilation from the London periodical works. Such, then, is the progress of malignant genius! The author, like him who invented the brazen bull of Phalaris, is writhing in that machine of tortures he had contrived for others.
       We now come to a very remarkable passage: it is the frenzied language of disappointed wickedness.
"17 June, 1774.
       "It is an infinite disappointment to me that the Magazine does not grow in London; I thought the soil had been richer. But it is my constant fate to be disappointed in everything I attempt; I do not think I ever had a wish that was gratified; and never dreaded an event that did not come. With this felicity of fate, I wonder how the devil I could turn projector. I am now sorry that I left London; and the moment that I have money enough to carry me back to it, I shall set off. I mortally detest and abhor this place, and everybody in it. Never was there a city where there was so much pretension to knowledge, and that had so little of it. The solemn foppery, and the gross stupidity of the Scottish literati, are perfectly insupportable. I shall drop my idea of a Scots newspaper. Nothing will do in this country that has common sense in it; only cant, hypocrisy, and superstition will flourish here. A curse on the country, and all the men, women, and children of it!"
Again.--"The publication is too good for the country. There are very few men of taste or erudition on this side of the Tweed. Yet every idiot one meets with lays claim to both. Yet the success of the Magazine is in reality greater than we could expect, considering that we have every clergyman in the kingdom to oppose it, and that the magistracy of the place are every moment threatening its destruction."
       And, therefore, this recreant Scot anathematizes the Scottish people for not applauding blasphemy, calumny, and every species of literary criminality! Such are the monstrous passions that swell out the poisonous breast of genius, deprived of every moral restraint; and such was the demoniac irritability which prompted a wish in Collot d'Herbois to set fire to the four quarters of the city of Lyons; while, in his "tender mercies," the kennels of the streets were running with the blood of its inhabitants--remembering still that the Lyonese had, when he was a miserable actor, hissed him off the stage!
       Stuart curses his country, and retreats to London. Fallen, but not abject; repulsed, but not altered; degraded, but still haughty. No change of place could operate any in his heart. He was born in literary crime, and he perished in it. It was now "The English Review" was instituted, with his idol Whitaker, the historian of Manchester, and others. He says, "To Whitaker he assigns the palm of history in preference to Hume and Robertson." I have heard that he considered himself higher than Whitaker, and ranked himself with Montesquieu. He negotiated for Whitaker and himself a Doctor of Laws' degree; and they were now in the titular possession of all the fame which a dozen pieces could bestow! In "The English Review" broke forth all the genius of Stuart in an unnatural warfare of Scotchmen in London against Scotchmen at Edinburgh. "The bitter herbs," which seasoned it against Blair, Robertson, Gibbon, and the ablest authors of the age, at first provoked the public appetite, which afterwards indignantly rejected the palatable garbage.
       But to proceed with our Literary Conspiracy, which was conducted by Stuart with a pertinacity of invention perhaps not to be paralleled in literary history. That the peace of mind of such an industrious author as Dr. HENRY was for a considerable time destroyed; that the sale of a work on which Henry had expended much of his fortune and his life was stopped; and that, when covered with obloquy and ridicule, in despair he left Edinburgh for London, still encountering the same hostility; that all this was the work of the same hand perhaps was never even known to its victim. The multiplied forms of this Proteus of the Malevoli were still but one devil; fire or water, or a bull or a lion; still it was the same Proteus, the same Stuart.
       From the correspondence before me I am enabled to collect the commencement and the end of this literary conspiracy, with all its intermediate links. It thus commences:--
"25 Nov. 1773.
       "We have been attacked from different quarters, and Dr. Henry in particular has given a long and a dull defence of his sermon. I have replied to it with a degree of spirit altogether unknown in this country. The reverend historian was perfectly astonished, and has actually invited the Society for Propagating Christian Knowledge to arm in his cause! I am about to be persecuted by the whole clergy, and I am about to persecute them in my turn. They are hot and zealous; I am cool and dispassionate, like a determined sceptic; since I have entered the lists, I must fight; I must gain the victory, or perish like a man."
       "13 Dec. 1773.
       "David Hume wants to review Henry; but that task is so precious that I will undertake it myself. Moses, were he to ask it as a favour, should not have it; yea, not even the man after God's own heart."
       "4 March, 1774.
       "This month Henry is utterly demolished; his sale is stopped, many of his copies are returned; and his old friends have forsaken him; pray, in what state is he in London? Henry has delayed his London journey; you cannot easily conceive how exceedingly he is humbled.[1]
       "I wish I could transport myself to London to review him for the Monthly. A fire there, and in the Critical, would perfectly annihilate him. Could you do nothing in the latter? To the former I suppose David Hume has transcribed the criticism he intended for us. It is precious, and would divert you. I keep a proof of it in my cabinet for the amusement of friends. This great philosopher begins to dote."[2]
Stuart prepares to assail Henry, on his arrival in London, from various quarters--to lower the value of his history in the estimation of the purchasers.
"21 March, 1774.
       "To-morrow morning Henry sets off for London, with immense hopes of selling his history. I wish he had delayed till our last review of him had reached your city. But I really suppose that he has little probability of getting any gratuity. The trade are too sharp to give precious gold for perfect nonsense. I wish sincerely that I could enter Holborn the same hour with him. He should have a repeated fire to combat with. I entreat that you may be so kind as to let him feel some of your thunder. I shall never forget the favour. If Whitaker is in London, he could give a blow. Paterson will give him a knock. Strike by all means. The wretch will tremble, grow pale, and return with a consciousness of his debility. I entreat I may hear from you a day or two after you have seen him. He will complain grievously of me to Strahan and Rose. I shall send you a paper about him--an advertisement from Parnassus, in the manner of Boccalini."
       "March, 1774.
       "Dr. Henry has by this time reached you. I think you ought to pay your respects to him in the Morning Chronicle. If you would only transcribe his jests, it would make him perfectly ridiculous. See, for example, what he says of St. Dunstan. A word to the wise."
       "March 27, 1774.
       "I have a thousand thanks to give you for your insertion of the paper in the London Chronicle, and for the part you propose to act in regard to Henry. I could wish that you knew for certain his being in London before you strike the first blow. An inquiry at Cadell's will give this. When you have an enemy to attack, I shall in return give my best assistance, and aim at him a mortal blow, and rush forward to his overthrow, though the flames of hell should start up to oppose me.
       "It pleases me, beyond what I can express, that Whitaker has an equal contempt for Henry. The idiot threatened, when he left Edinburgh, that he would find a method to manage the Reviews, and that he would oppose their panegyric to our censure. Hume has behaved ill in the affair, and I am preparing to chastise him. You may expect a series of papers in the Magazine, pointing out a multitude of his errors, and ascertaining his ignorance of English history. It was too much for my temper to be assailed both by infidels and believers. My pride could not submit to it. I shall act in my defence with a spirit which it seems they have not expected."
       "11 April, 1774.
       "I received with infinite pleasure the annunciation of the great man into the capital. It is forcible and excellent; and you have my best thanks for it. You improve amazingly. The poor creature will be stupified with amazement. Inclosed is a paper for him. Boccalini will follow. I shall fall upon a method to let David know Henry's transaction about his review. It is mean to the last degree. But what could one expect from the most ignorant and the most contemptible man alive? Do you ever see Macfarlane? He owes me a favour for his history of George III., and would give a fire for the packet. The idiot is to be Moderator for the ensuing Assembly. It shall not, however, be without opposition.
       "Would the paragraph about him from the inclosed leaf of the 'Edinburgh Review' be any disgrace to the Morning Chronicle?"
       "20th May, 1774.
       "Boccalini I thought of transmitting, when the reverend historian, for whose use it was intended, made his appearance at Edinburgh. But it will not be lost. He shall most certainly see it. David's critique was most acceptable. It is a curious specimen in one view of insolent vanity, and in another of contemptible meanness. The old historian begins to dote, and the new one was never out of dotage."
       "3 April, 1775.
       "I see every day that what is written to a man's disparagement is never forgot nor forgiven. Poor Henry is on the point of death, and his friends declare that I have killed him. I received the information as a compliment, and begged they would not do me so much honour."
But Henry and his history long survived Stuart and his critiques; and Robertson, Blair, and Kaimes, with others he assailed, have all taken their due ranks in public esteem. What niche does Stuart occupy? His historical works possess the show, without the solidity, of research; hardy paradoxes, and an artificial style of momentary brilliancy, are none of the lasting materials of history. This shadow of "Montesquieu," for he conceived him only to be his fit rival, derived the last consolations of life from an obscure corner of a Burton ale-house--there, in rival potations, with two or three other disappointed authors, they regaled themselves on ale they could not always pay for, and recorded their own literary celebrity, which had never taken place. Some time before his death, his asperity was almost softened by melancholy; with a broken spirit, he reviewed himself; a victim to that unrighteous ambition which sought to build up its greatness with the ruins of his fellow-countrymen; prematurely wasting talents which might have been directed to literary eminence. And Gilbert Stuart died as he had lived, a victim to intemperance, physical and moral!
       FOOTNOTES:
       [1] It may be curious to present Stuart's idea of the literary talents of Henry. Henry's unhappy turn for humour, and a style little accordant with historical dignity, lie fairly open to the critic's animadversion. But the research and application of the writer, for that day, were considerable, and are still appreciated. But we are told that "he neither furnishes entertainment nor instruction. Diffuse, vulgar, and ungrammatical, he strips history of all her ornaments. As an antiquary, he wants accuracy and knowledge; and, as an historian, he is destitute of fire, taste, and sentiment. His work is a gazette, in which we find actions and events, without their causes; and in which we meet with the names, without the characters of personages. He has amassed all the refuse and lumber of the times he would record." Stuart never imagined that the time would arrive when the name of Henry would be familiar to English readers, and by many that of Stuart would not be recollected.
       [2] The critique on Henry, in the Monthly Review, was written by Hume--and, because the philosopher was candid, he is here said to have doted.
       [The end]
       Isaac Disraeli's essay: Literary Hatred Exhibiting A Conspiracy Against An Author
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"Critical Sagacity," And "Happy Conjecture;" Or, Bentley's Milton
"Political Religionism"
"Taxation No Tyranny!"
Abelard And Eloisa
Abridgers
The Absent Man
Acajou And Zirphile
Alchymy
Amusements Of The Learned
Ancient And Modern Saturnalia
Ancient Cookery, And Cooks
Anecdotes Of Abstraction Of Mind
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Anecdotes Of European Manners
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Anecdotes Of Prince Henry, The Son Of James I
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Angelo Politian
Anne Bullen
Apology For The Parisian Massacre
The Arabic Chronicle
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The Astrea
An Authentic Narrative Of The Last Hours Of Sir Walter Rawleigh
Authors By Profession: Guthrie And Amhurst--Drake--Smollett
Autographs
Bayle
Ben Jonson On Translation
Ben Jonson, Feltham, And Randolph
The Bible Prohibited And Improved
A Bibliognoste
The Bibliomania
Bolingbroke And Mallet's Posthumous Quarrel With Pope
Bonaventure De Periers
The Book Of Death
Boyle And Bentley
Buckingham's Political Coquetry With The Puritans
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Cardinal Richelieu
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Catholic And Protestant Dramas
A Catholic's Refutation
Cause And Pretext
Cervantes
Characteristics Of Bayle
Characters Described By Musical Notes
Charles The First
Charles The First's Love Of The Fine Arts
The Chinese Language
Cicero Viewed As A Collector
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The Comedy Of A Madman
Condemned Poets
Confusion Of Words
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Cowley Of His Melancholy
Critical History Of Poverty
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D'avenant And A Club Of Wits
Danger Incurred By Giving The Result Of Literary Inquiries
De La Rochefoucault
The Death Of Charles IX
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Destruction Of Books
Dethroned Monarchs
Diaries--Moral, Historical, And Critical
The Diary Of A Master Of The Ceremonies
The Dictionary Of Trevoux
Disappointed Genius Takes A Fatal Direction By Its Abuse
Discoveries Of Secluded Men
Domestic History Of Sir Edward Coke
The Domestic Life Of A Poet.--Shenstone Vindicated
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Female Beauty And Ornaments
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Fire, And The Origin Of Fireworks
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Genius And Erudition The Victims Of Immoderate Vanity
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The Good Advice Of An Old Literary Sinner
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The History Of The Theatre During Its Suppression
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Hobbes's Quarrels With Dr. Wallis The Mathematician
Hobbes, And His Quarrels; Including An Illustration Of His Character
The Illusions Of Writers In Verse
Imitators
Imprisonment Of The Learned
The Indiscretion Of An Historian Thomas Carte
Inequalities Of Genius
Influence Of A Bad Temper In Criticism
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The Inquisition
Introducers Of Exotic Flowers, Fruits, Etc
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Johnson's Hints For The Life Of Pope
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Literary Hatred Exhibiting A Conspiracy Against An Author
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Masterly Imitators
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Men Of Genius Deficient In Conversation
A Mendicant Author, And The Patrons Of Former Times
Metempsychosis
Milton
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The Miseries Of Successful Authors
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Modes Of Salutation, And Amicable Ceremonies, Observed In Various Nations
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A Narrative Of ExtraordinaryTransactions Respecting Publication Of Pope's Letters
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On The Hero Of Hudibras; Butler Vindicated
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The Origin Of Dante's Inferno
Origin Of Newspapers
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The Pains Of Fastidious Egotism
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Physiognomy
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Poets
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Poets, Philosophers, And Artists, Made By Accident
Political Criticism On Literary Compositions
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Pope And Addison
Pope And Cibber; Containing A Vindication Of The Comic Writer
Pope's Earliest Satire
Pope, And His Miscellaneous Quarrels
Popes
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Poverty Of The Learned
Prediction
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Prior's Hans Carvel
The Productions Of The Mind Not Seizable By Creditors
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Psalm-Singing
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Richardson
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Scarron
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Secret History Of An Elective Monarchy
Secret History Of Authors Who Have Ruined Their Booksellers
Secret History Of Charles The First And His First Parliaments
Secret History Of Charles The First, And His Queen Henrietta
Secret History Of Edward Vere, Earl Of Oxford
Secret History Of Sir Walter Rawleigh
Secret History Of The Building Of Blenheim
Secret History Of The Death Of Queen Elizabeth
A Senate Of Jesuits
Sentimental Biography
Shenstone's School-Mistress
Singularities Observed By Various Nations In Their Repasts
Sir Edward Coke's Exceptions Against The High Sheriff's Oath
Sir John Hill, With The Royal Society, Fielding, Smart, &c.
The Six Follies Of Science
Sketches Of Criticism
Solitude
Solomon And Sheba
Some Notices Of Lost Works
Songs Of Trades, Or Songs For The People
The Sovereignty Of The Seas
Spanish Etiquette
Spanish Poetry
Spenser, Jonson, And Shakspeare
The Student In The Metropolis
The Sufferings Of Authors
Supplement To Martin Mar-Prelate
The Talmud
Titles Of Books
Titles Of Sovereigns
Toleration
Tom O' Bedlams
Tragic Actors
Trials And Proofs Of Guilt In Superstitious Ages
True Sources Of Secret History
The Turkish Spy
Undue Severity Of Criticism
Usurers Of The Seventeenth Century
Vicars Of Bray
Vida
The View Of A Particular Period Of The State Of Religion In Our Civil Wars
Virginity
A Voluminous Author Without Judgment
Warburton, And His Quarrels; Including An Illustration Of his Literary Character
Wax-Work
Whether Allowable To Ruin Oneself?