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Essay(s) by Isaac Disraeli
Ben Jonson, Feltham, And Randolph
Isaac Disraeli
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       Ben Jonson, like most celebrated wits, was very unfortunate in conciliating the affections of his brother writers. He certainly possessed a great share of arrogance, and was desirous of ruling the realms of Parnassus with a despotic sceptre. That he was not always successful in his theatrical compositions is evident from his abusing, in their title-page, the actors and the public. In this he has been imitated by Fielding. I have collected the following three satiric odes, written when the reception of his "_New Inn_, or _The Light Heart_," warmly exasperated the irritable disposition of our poet.
       He printed the title in the following manner:--
       "_The New Inn_, or _The Light Heart_; a Comedy never acted, but most negligently played by some, the King's servants; and more squeamishly beheld and censured by others, the King's subjects, 1629. Now at last set at liberty to the readers, his Majesty's servants and subjects, to be judged, 1631."
       At the end of this play he published the following Ode, in which he threatens to quit the stage for ever; and turn at once a Horace, an Anacreon, and a Pindar.
       "The just indignation the author took at the vulgar censure of his play, begat this following Ode to himself:--
       Come, leave the loathed stage,
       And the more loathsome age;
       Where pride and impudence (in faction knit,)
       Usurp the chair of wit;
       Inditing and arraigning every day
       Something they call a play.
       Let their fastidious, vaine
       Commission of braine
       Run on, and rage, sweat, censure, and condemn;
       They were not made for thee,--less thou for them.
       Say that thou pour'st them wheat,
       And they will acorns eat;
       'Twere simple fury, still, thyself to waste
       On such as have no taste!
       To offer them a surfeit of pure bread,
       Whose appetites are dead!
       No, give them graines their fill,
       Husks, draff, to drink and swill.
       If they love lees, and leave the lusty wine,
       Envy them not their palate with the swine.
       No doubt some mouldy tale
       Like PERICLES,[102] and stale
       As the shrieve's crusts, and nasty as his fish--
       Scraps, out of every dish
       Thrown forth, and rak't into the common-tub,
       May keep up the play-club:
       There sweepings do as well
       As the best order'd meale,
       For who the relish of these guests will fit,
       Needs set them but the almes-basket of wit.
       And much good do't you then,
       Brave plush and velvet men
       Can feed on orts, and safe in your stage clothes,
       Dare quit, upon your oathes,
       The stagers, and the stage-wrights too (your peers),
       Of larding your large ears
       With their foul comic socks,
       Wrought upon twenty blocks:
       Which if they're torn, and turn'd, and patch'd enough
       The gamesters share your gilt and you their stuff.
       Leave things so prostitute,
       And take the Alcaeick lute,
       Or thine own Horace, or Anacreon's lyre;
       Warm thee by Pindar's fire;
       And, tho' thy nerves be shrunk, and blood be cold,
       Ere years have made thee old,
       Strike that disdainful heat
       Throughout, to their defeat;
       As curious fools, and envious of thy strain,
       May, blushing, swear no palsy's in thy brain.[103]
       But when they hear thee sing
       The glories of thy King,
       His zeal to God, and his just awe o'er men,
       They may blood-shaken then,
       Feel such a flesh-quake to possess their powers,
       As they shall cry 'like ours,
       In sound of peace, or wars,
       No harp ere hit the stars,
       In tuning forth the acts of his sweet raign,
       And raising Charles his chariot 'bove his wain.'"
       This Magisterial Ode, as Langbaine calls it, was answered by _Owen Feltham_, author of the admirable "Resolves," who has written with great satiric acerbity the retort courteous. His character of this poet should be attended to:--
       AN ANSWER TO THE ODE, COME LEAVE THE LOATHED STAGE, &C.
       Come leave this sawcy way
       Of baiting those that pay
       Dear for the sight of your declining wit:
       'Tis known it is not fit
       That a sale poet, just contempt once thrown,
       Should cry up thus his own.
       I wonder by what dower,
       Or patent, you had power
       From all to rape a judgment. Let't suffice,
       Had you been modest, y'ad been granted wise.
       'Tis known you can do well,
       And that you do excell
       As a translator; but when things require
       A genius, and fire,
       Not kindled heretofore by other pains,
       As oft y'ave wanted brains
       And art to strike the white,
       As you have levell'd right:
       Yet if men vouch not things apocryphal,
       You bellow, rave, and spatter round your gall.
       Jug, Pierce, Peek, Fly,[104] and all
       Your jests so nominal,
       Are things so far beneath an able brain,
       As they do throw a stain
       Thro' all th' unlikely plot, and do displease
       As deep as PERICLES.
       Where yet there is not laid
       Before a chamber-maid
       Discourse so weigh'd,[105] as might have serv'd of old
       For schools, when they of love and valour told.
       Why rage, then? when the show
       Should judgment be, and know-[106]
       ledge, there are plush who scorn to drudge
       For stages, yet can judge
       Not only poet's looser lines, but wits,
       And all their perquisits;
       A gift as rich as high
       Is noble poesie:
       Yet, tho' in sport it be for Kings to play,
       'Tis next mechanicks' when it works for pay.
       Alcaeus lute had none,
       Nor loose Anacreon
       E'er taught so bold assuming of the bays
       When they deserv'd no praise.
       To rail men into approbation
       Is new to your's alone:
       And prospers not: for known,
       Fame is as coy, as you
       Can be disdainful; and who dares to prove
       A rape on her shall gather scorn--not love.
       Leave then this humour vain,
       And this more humourous strain,
       Where self-conceit, and choler of the blood,
       Eclipse what else is good:
       Then, if you please those raptures high to touch,
       Whereof you boast so much:
       And but forbear your crown
       Till the world puts it on:
       No doubt, from all you may amazement draw,
       Since braver theme no Phoebus ever saw.
       To console dejected Ben for this just reprimand, Randolph, of the adopted poetical sons of Jonson, addressed him with all that warmth of grateful affection which a man of genius should have felt on the occasion.
       AN ANSWER TO MR. BEN JONSON'S ODE, TO PERSUADE HIM NOT TO LEAVE THE STAGE.
       I.
       Ben, do not leave the stage
       Cause 'tis a loathsome age;
       For pride and impudence will grow too bold,
       When they shall hear it told
       They frighted thee; Stand high, as is thy cause;
       Their hiss is thy applause:
       More just were thy disdain,
       Had they approved thy vein:
       So thou for them, and they for thee were born;
       They to incense, and thou as much to scorn.
       II.
       Wilt thou engross thy store
       Of wheat, and pour no more,
       Because their bacon-brains had such a taste
       As more delight in mast:
       No! set them forth a board of dainties, full
       As thy best muse can cull
       Whilst they the while do pine
       And thirst, midst all their wine.
       What greater plague can hell itself devise,
       Than to be willing thus to tantalise?
       III.
       Thou canst not find them stuff,
       That will be bad enough
       To please their palates: let 'em them refuse,
       For some Pye-corner muse;
       She is too fair an hostess, 'twere a sin
       For them to like thine Inn:
       'Twas made to entertain
       Guests of a nobler strain;
       Yet, if they will have any of the store,
       Give them some scraps, and send them from thy dore.
       IV.
       And let those things in plush
       Till they be taught to blush,
       Like what they will, and more contented be
       With what Broome[107] swept from thee.
       I know thy worth, and that thy lofty strains
       Write not to cloaths, but brains:
       But thy great spleen doth rise,
       'Cause moles will have no eyes;
       This only in my Ben I faulty find,
       He's angry they'll not see him that are blind.
       V.
       Why shou'd the scene be mute
       'Cause thou canst touch the lute
       And string thy Horace! Let each Muse of nine
       Claim thee, and say, th'art mine.
       'Twere fond, to let all other flames expire,
       To sit by Pindar's fire:
       For by so strange neglect
       I should myself suspect
       Thy palsie were as well thy brain's disease,
       If they could shake thy muse which way they please.
       VI.
       And tho' thou well canst sing
       The glories of thy King,
       And on the wings of verse his chariot bear
       To heaven, and fix it there;
       Yet let thy muse as well some raptures raise
       To please him, as to praise.
       I would not have thee chuse
       Only a treble muse;
       But have this envious, ignorant age to know,
       Thou that canst sing so high, canst reach as low.
       FOOTNOTES:
       [Footnote 102: This play, Langbaine says, is written by Shakspeare.]
       [Footnote 103: He had the palsy at that time.]
       [Footnote 104: The names of several of Jonson's dramatis personae.]
       [Footnote 105: New Inn, Act iii. Scene 2.--Act iv. Scene 4.]
       [Footnote 106: This break was purposely designed by the poet, to expose that singular one in Ben's third stanza.]
       [Footnote 107: His man, Richard Broome, wrote with success several comedies. He had been the amanuensis or attendant of Jonson. The epigram made against Pope for the assistance W. Broome gave him appears to have been borrowed from this pun. Johnson has inserted it in "Broome's Life."]
       [The end]
       Isaac D\'Israeli's essay: Ben Jonson, Feltham, And Randolph
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"Critical Sagacity," And "Happy Conjecture;" Or, Bentley's Milton
"Political Religionism"
"Taxation No Tyranny!"
Abelard And Eloisa
Abridgers
The Absent Man
Acajou And Zirphile
Alchymy
Amusements Of The Learned
Ancient And Modern Saturnalia
Ancient Cookery, And Cooks
Anecdotes Of Abstraction Of Mind
Anecdotes Of Censured Authors
Anecdotes Of European Manners
Anecdotes Of Fashion
Anecdotes Of Prince Henry, The Son Of James I
Anecdotes Of The Fairfax Family
Angelo Politian
Anne Bullen
Apology For The Parisian Massacre
The Arabic Chronicle
Ariosto And Tasso
Aristotle And Plato
The Astrea
An Authentic Narrative Of The Last Hours Of Sir Walter Rawleigh
Authors By Profession: Guthrie And Amhurst--Drake--Smollett
Autographs
Bayle
Ben Jonson On Translation
Ben Jonson, Feltham, And Randolph
The Bible Prohibited And Improved
A Bibliognoste
The Bibliomania
Bolingbroke And Mallet's Posthumous Quarrel With Pope
Bonaventure De Periers
The Book Of Death
Boyle And Bentley
Buckingham's Political Coquetry With The Puritans
Buildings In The Metropolis, And Residence In The Country
Camden And Brooke
Cardinal Richelieu
The Case Of Authors Stated, Including The History Of Literary Property
Catholic And Protestant Dramas
A Catholic's Refutation
Cause And Pretext
Cervantes
Characteristics Of Bayle
Characters Described By Musical Notes
Charles The First
Charles The First's Love Of The Fine Arts
The Chinese Language
Cicero Viewed As A Collector
Cicero's Puns
The Comedy Of A Madman
Condemned Poets
Confusion Of Words
A Contrivance In Dramatic Dialogue
Cowley Of His Melancholy
Critical History Of Poverty
Critics
D'avenant And A Club Of Wits
Danger Incurred By Giving The Result Of Literary Inquiries
De La Rochefoucault
The Death Of Charles IX
Dedications
The Despair Of Young Poets
Destruction Of Books
Dethroned Monarchs
Diaries--Moral, Historical, And Critical
The Diary Of A Master Of The Ceremonies
The Dictionary Of Trevoux
Disappointed Genius Takes A Fatal Direction By Its Abuse
Discoveries Of Secluded Men
Domestic History Of Sir Edward Coke
The Domestic Life Of A Poet.--Shenstone Vindicated
Douglas
Dreams At The Dawn Of Philosophy
Drinking-Customs In England
Duke Of Buckingham
The Early Drama
Early Printing
Edward The Fourth
Elizabeth
Elizabeth And Her Parliament
An English Academy Of Literature
English Astrologers
Errata
Explanation Of The Fac-Simile
Expression Of Suppressed Opinion
Extemporal Comedies
Fame Contemned
Felton, The Political Assassin
Female Beauty And Ornaments
Feudal Customs
Fire, And The Origin Of Fireworks
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Genius And Erudition The Victims Of Immoderate Vanity
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Geographical Style
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The Good Advice Of An Old Literary Sinner
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The History Of Gloves
History Of New Words
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History Of The Skeleton Of Death
The History Of The Theatre During Its Suppression
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Hobbes's Quarrels With Dr. Wallis The Mathematician
Hobbes, And His Quarrels; Including An Illustration Of His Character
The Illusions Of Writers In Verse
Imitators
Imprisonment Of The Learned
The Indiscretion Of An Historian Thomas Carte
Inequalities Of Genius
Influence Of A Bad Temper In Criticism
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The Inquisition
Introducers Of Exotic Flowers, Fruits, Etc
Introduction Of Tea, Coffee, And Chocolate
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James The First As A Father And A Husband
A Jansenist Dictionary
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Johnson's Hints For The Life Of Pope
Jonson And Decker
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Life And Habits Of A Literary Antiquary.--Oldys And His Manuscripts
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Love And Folly, An Ancient Morality
The Lover's Heart
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Martin Mar-Prelate
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Masterly Imitators
Medical Music
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Men Of Genius Deficient In Conversation
A Mendicant Author, And The Patrons Of Former Times
Metempsychosis
Milton
The Minister--Duke Of Buckingham, Lord Admiral, Lord General
The Minister--The Cardinal Duke Of Richelieu
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The Miseries Of Successful Authors
The Miseries Of The First English Commentator
Modern Literature--Bayle's Critical Dictionary
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Modes Of Salutation, And Amicable Ceremonies, Observed In Various Nations
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A Narrative Of ExtraordinaryTransactions Respecting Publication Of Pope's Letters
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Of A Biography Painted
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On Puck The Commentator
On The Custom Of Kissing Hands
On The Custom Of Saluting After Sneezing
On The Hero Of Hudibras; Butler Vindicated
On The Ridiculous Titles Assumed By Italian Academies
The Origin Of Dante's Inferno
Origin Of Newspapers
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Orthography Of Proper Names
The Pains Of Fastidious Egotism
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The Paper-Wars Of The Civil Wars
Parker And Marvell
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Pasquin And Marforio
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The Pearl Bibles And Six Thousand Errata
Perpetual Lamps Of The Ancients
The Persecuted Learned
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Philip And Mary
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Physiognomy
Poetical And Grammatical Deaths
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Poetical Imitations And Similarities
Poets
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Political Criticism On Literary Compositions
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Pope And Cibber; Containing A Vindication Of The Comic Writer
Pope's Earliest Satire
Pope, And His Miscellaneous Quarrels
Popes
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Poverty Of The Learned
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Prior's Hans Carvel
The Productions Of The Mind Not Seizable By Creditors
Professors Of Plagiarism And Obscurity
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Richardson
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Saint Evremond
Scarron
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Secret History Of An Elective Monarchy
Secret History Of Authors Who Have Ruined Their Booksellers
Secret History Of Charles The First And His First Parliaments
Secret History Of Charles The First, And His Queen Henrietta
Secret History Of Edward Vere, Earl Of Oxford
Secret History Of Sir Walter Rawleigh
Secret History Of The Building Of Blenheim
Secret History Of The Death Of Queen Elizabeth
A Senate Of Jesuits
Sentimental Biography
Shenstone's School-Mistress
Singularities Observed By Various Nations In Their Repasts
Sir Edward Coke's Exceptions Against The High Sheriff's Oath
Sir John Hill, With The Royal Society, Fielding, Smart, &c.
The Six Follies Of Science
Sketches Of Criticism
Solitude
Solomon And Sheba
Some Notices Of Lost Works
Songs Of Trades, Or Songs For The People
The Sovereignty Of The Seas
Spanish Etiquette
Spanish Poetry
Spenser, Jonson, And Shakspeare
The Student In The Metropolis
The Sufferings Of Authors
Supplement To Martin Mar-Prelate
The Talmud
Titles Of Books
Titles Of Sovereigns
Toleration
Tom O' Bedlams
Tragic Actors
Trials And Proofs Of Guilt In Superstitious Ages
True Sources Of Secret History
The Turkish Spy
Undue Severity Of Criticism
Usurers Of The Seventeenth Century
Vicars Of Bray
Vida
The View Of A Particular Period Of The State Of Religion In Our Civil Wars
Virginity
A Voluminous Author Without Judgment
Warburton, And His Quarrels; Including An Illustration Of his Literary Character
Wax-Work
Whether Allowable To Ruin Oneself?