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Essay(s) by Isaac Disraeli
Political Forgeries And Fictions
Isaac Disraeli
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       A writer, whose learning gives value to his eloquence, in his Bampton Lectures has censured, with that liberal spirit so friendly to the cause of truth, the calumnies and rumours of parties, which are still industriously retailed, though they have been often confuted. Forged documents are still referred to, or tales unsupported by evidence are confidently quoted. Mr. Heber's subject confined his inquiries to theological history; he has told us that "Augustin is not ashamed, in his dispute with Faustus, to take advantage of the popular slanders against the followers of Manes, though his own experience (for he had himself been of that sect) was sufficient to detect this falsehood." The Romanists, in spite of satisfactory answers, have continued to urge against the English protestant the romance of Parker's consecration;[1] while the protestant persists in falsely imputing to the catholic public formularies the systematic omission of the second commandment. "The calumnies of Rimius and Stinstra against the Moravian brethren are cases in point," continues Mr. Heber. "No one now believes them, yet they once could deceive even Warburton!" We may also add the obsolete calumny of Jews crucifying boys--of which a monument raised to Hugh of Lincoln perpetuates the memory, and which a modern historian records without any scruple of doubt; several authorities, which are cited on this occasion, amount only to the single one of Matthew Paris, who gives it as a popular rumour. Such accusations usually happened when the Jews were too rich and the king was too poor![2]
       The falsehoods and forgeries raised by parties are overwhelming! It startles a philosopher, in the calm of his study, when he discovers how writers, who, we may presume, are searchers after truth, should, in fact, turn out to be searchers after the grossest fictions. This alters the habits of the literary man: it is an unnatural depravity of his pursuits--and it proves that the personal is too apt to predominate over the literary character.
       I have already touched on the main point of the present article in the one on "Political Nicknames." I have there shown how political calumny appears to have been reduced into an art; one of its branches would be that of converting forgeries and fictions into historical authorities.
       When one nation is at war with another, there is no doubt that the two governments connive at, and often encourage, the most atrocious libels on each other, to madden the people to preserve their independence, and contribute cheerfully to the expenses of the war. France and England formerly complained of Holland--the Athenians employed the same policy against the Macedonians and Persians. Such is the origin of a vast number of supposititious papers and volumes, which sometimes, at a remote date, confound the labours of the honest historian, and too often serve the purposes of the dishonest, with whom they become authorities. The crude and suspicious libels which were drawn out of their obscurity in Cromwell's time against James the First have overloaded the character of that monarch, yet are now eagerly referred to by party writers, though in their own days they were obsolete and doubtful. During the civil wars of Charles the First such spurious documents exist in the forms of speeches which were never spoken; of letters never written by the names subscribed; printed declarations never declared; battles never fought, and victories never obtained! Such is the language of Rushworth, who complains of this evil spirit of party forgeries, while he is himself suspected of having rescinded or suppressed whatever was not agreeable to his patron Cromwell. A curious, and perhaps a necessary list might be drawn up of political forgeries of our own, which have been sometimes referred to as genuine, but which are the inventions of wits and satirists! Bayle ingeniously observes, that at the close of every century such productions should be branded by a skilful discriminator, to save the future inquirer from errors he can hardly avoid. "How many are still kept in error by the satires of the sixteenth century! Those of the present age will be no less active in future ages, for they will still be preserved in public libraries."
       The art and skill with which some have fabricated a forged narrative render its detection almost hopeless. When young Maitland, the brother to the secretary, in order to palliate the crime of the assassination of the Regent Murray, was employed to draw up a pretended conference between him, Knox, and others, to stigmatise them by the odium of advising to dethrone the young monarch, and to substitute the regent for their sovereign, Maitland produced so dramatic a performance, by giving to each person his peculiar mode of expression, that this circumstance long baffled the incredulity of those who could not in consequence deny the truth of a narrative apparently so correct in its particulars! "The fiction of the warming-pan enclosing the young Pretender brought more adherents to the cause of the Whigs than the Bill of Rights," observes Lord John Russell.
       Among such party narratives, the horrid tale of the bloody Colonel Kirk has been worked up by Hume with all his eloquence and pathos; and, from its interest, no suspicion has arisen of its truth. Yet, so far as it concerns Kirk, or the reign of James the Second, or even English history, it is, as Ritson too honestly expresses it, "an impudent and a bare-faced lie!" The simple fact is told by Kennet in a few words: he probably was aware of the nature of this political fiction. Hume was not, indeed, himself the fabricator of the tale; but he had not any historical authority. The origin of this fable was probably a pious fraud of the Whig party, to whom Kirk had rendered himself odious; at that moment stories still more terrifying were greedily swallowed, and which, Ritson insinuates, have become a part of the history of England. The original story, related more circumstantially, though not more affectingly, nor perhaps more truly, may be found in Wanley's "Wonders of the Little World,"[3] which I give, relieving it from the tediousness of old Wanley.
       A governor of Zealand, under the bold Duke of Burgundy, had in vain sought to seduce the affections of the beautiful wife of a citizen. The governor imprisons the husband on an accusation of treason; and when the wife appeared as the suppliant, the governor, after no brief eloquence, succeeded as a lover, on the plea that her husband's life could only be spared by her compliance. The woman, in tears and in aversion, and not without a hope of vengeance only delayed, lost her honour! Pointing to the prison, the governor told her, "If you seek your husband, enter there, and take him along with you!" The wife, in the bitterness of her thoughts, yet not without the consolation that she had snatched her husband from the grave, passed into the prison; there in a cell, to her astonishment and horror, she beheld the corpse of her husband laid out in a coffin, ready for burial! Mourning over it, she at length returned to the governor, fiercely exclaiming, "You have kept your word! you have restored to me my husband! and be assured the favour shall be repaid!" The inhuman villain, terrified in the presence of his intrepid victim, attempted to appease her vengeance, and more, to win her to his wishes. Returning home, she assembled her friends, revealed her whole story, and under their protection she appealed to Charles the Bold, a strict lover of justice, and who now awarded a singular but an exemplary catastrophe. The duke first commanded that the criminal governor should instantly marry the woman whom he had made a widow, and at the same time sign his will, with a clause importing that should he die before his lady he constituted her his heiress. All this was concealed from both sides, rather to satisfy the duke than the parties themselves. This done, the unhappy woman was dismissed alone! The governor was conducted to the prison to suffer the same death he had inflicted on the husband of his wife; and when this lady was desired once more to enter the prison, she beheld her second husband headless in his coffin as she had her first! Such extraordinary incidents in so short a period overpowered the feeble frame of the sufferer; she died--leaving a son, who inherited the rich accession of fortune so fatally obtained by his injured and suffering mother.
       Such is the tale of which the party story of Kirk appeared to Ritson to have been a rifacimento; but it is rather the foundation than the superstructure. This critic was right in the general, but not in the particular. It was not necessary to point out the present source, when so many others of a parallel nature exist. This tale, universally told, Mr. Douce considers as the origin of Measure for Measure, and was probably some traditional event; for it appears sometimes with a change of names and places, without any of incident. It always turns on a soldier, a brother or a husband, executed; and a wife, a sister, a deceived victim, to save them from death. It was, therefore, easily transferred to Kirk, and Pomfret's poem of "Cruelty and Lust" long made the story popular. It could only have been in this form that it reached the historian, who, it must be observed, introduces it as a "story commonly told of him;" but popular tragic romances should not enter into the dusty documents of a history of England, and much less be particularly specified in the index! Belleforest, in his old version of the tale, has even the circumstance of the "captain, who having seduced the wife under the promise to save her husband's life, exhibited him soon afterwards through the window of her apartment suspended on a gibbet." This forms the horrid incident in the history of "the bloody Colonel," and served the purpose of a party, who wished to bury him in odium. Kirk was a soldier of fortune, and a loose liver, and a great blusterer, who would sometimes threaten to decimate his own regiment, but is said to have forgotten the menace the next day. Hateful as such military men will always be, in the present instance Colonel Kirk has been shamefully calumniated by poets and historians, who suffer themselves to be duped by the forgeries of political parties![4]
       While we are detecting a source of error into which the party feelings of modern historians may lead them, let us confess that they are far more valuable than the ancient; for to us at least the ancients have written history without producing authorities! Modern historians must furnish their readers with the truest means to become their critics, by providing them with their authorities; and it is only by judiciously appreciating these that we may confidently accept their discoveries. Unquestionably the ancients have often introduced into their histories many tales similar to the story of Kirk--popular or party forgeries! The mellifluous copiousness of Livy conceals many a tale of wonder; the graver of Tacitus etches many a fatal stroke; and the secret history of Suetonius too often raises a suspicion of those whispers, Quid rex in aurem reginae dixerit, quid Juno fabulata sit cum Jove. It is certain that Plutarch has often told, and varied too in the telling, the same story, which he has applied to different persons. A critic in the Ritsonian style has said of the grave Plutarch, Mendax ille Plutarchus qui vitas oratorum, dolis et erroribus consutas, olim conscribillavit.[5] "That lying Plutarch, who formerly scribbled the lives of the orators, made up of falsities and blunders!" There is in Italian a scarce book, of a better design than execution, of the Abbate Lancellotti, Farfalloni degli Antichi Historici.--"Flim-flams of the Ancients." Modern historians have to dispute their passage to immortality step by step; and however fervid be their eloquence, their real test as to value must be brought to the humble references in their margin. Yet these must not terminate our inquiries; for in tracing a story to its original source we shall find that fictions have been sometimes grafted on truths or hearsays, and to separate them as they appeared in their first stage is the pride and glory of learned criticism.
       FOOTNOTES:
       [1] Absurdly reported to have taken place at a meeting in the Nag's-head Tavern, Cheapside.
       [2] M. Michel published in Paris, in 1834, a collection of poems and ballads concerning Hugh of Lincoln, which were all very popular at home and abroad in the Middle Ages. One of these, preserved in an Anglo-Norman MS. in the Bibliotheque Royale at Paris, was evidently constructed to be sung by the people soon after the event, which is stated to have happened in the reign of our Henry III.; but there are many ballads comparatively modern which show how carefully the story was kept before the populace; and may be seen in the collections of Bishop Percy, Jameson, Motherwell, &c.
       [3] Book iii. ch. 29, sec. 18.
       [4] A story still more absurd was connected with the name of Colonel Lunsford, a soldier who consistently defended Charles I., and was killed in 1643. It is related by Echard as reported of him, that he would kill and eat the children of the opposite party. This horridly grotesque imputation has been preserved in the political ballads and poetry of the day. Cleveland ridicules it in one of his poems, where he makes a Roundhead declare--
       "He swore he saw, when Lunsford fell,
       A child's arm in his pocket."
       [5] Taylor, Annot. ad Lysiam.
       [The end]
       Isaac Disraeli's essay: Political Forgeries And Fictions
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"Critical Sagacity," And "Happy Conjecture;" Or, Bentley's Milton
"Political Religionism"
"Taxation No Tyranny!"
Abelard And Eloisa
Abridgers
The Absent Man
Acajou And Zirphile
Alchymy
Amusements Of The Learned
Ancient And Modern Saturnalia
Ancient Cookery, And Cooks
Anecdotes Of Abstraction Of Mind
Anecdotes Of Censured Authors
Anecdotes Of European Manners
Anecdotes Of Fashion
Anecdotes Of Prince Henry, The Son Of James I
Anecdotes Of The Fairfax Family
Angelo Politian
Anne Bullen
Apology For The Parisian Massacre
The Arabic Chronicle
Ariosto And Tasso
Aristotle And Plato
The Astrea
An Authentic Narrative Of The Last Hours Of Sir Walter Rawleigh
Authors By Profession: Guthrie And Amhurst--Drake--Smollett
Autographs
Bayle
Ben Jonson On Translation
Ben Jonson, Feltham, And Randolph
The Bible Prohibited And Improved
A Bibliognoste
The Bibliomania
Bolingbroke And Mallet's Posthumous Quarrel With Pope
Bonaventure De Periers
The Book Of Death
Boyle And Bentley
Buckingham's Political Coquetry With The Puritans
Buildings In The Metropolis, And Residence In The Country
Camden And Brooke
Cardinal Richelieu
The Case Of Authors Stated, Including The History Of Literary Property
Catholic And Protestant Dramas
A Catholic's Refutation
Cause And Pretext
Cervantes
Characteristics Of Bayle
Characters Described By Musical Notes
Charles The First
Charles The First's Love Of The Fine Arts
The Chinese Language
Cicero Viewed As A Collector
Cicero's Puns
The Comedy Of A Madman
Condemned Poets
Confusion Of Words
A Contrivance In Dramatic Dialogue
Cowley Of His Melancholy
Critical History Of Poverty
Critics
D'avenant And A Club Of Wits
Danger Incurred By Giving The Result Of Literary Inquiries
De La Rochefoucault
The Death Of Charles IX
Dedications
The Despair Of Young Poets
Destruction Of Books
Dethroned Monarchs
Diaries--Moral, Historical, And Critical
The Diary Of A Master Of The Ceremonies
The Dictionary Of Trevoux
Disappointed Genius Takes A Fatal Direction By Its Abuse
Discoveries Of Secluded Men
Domestic History Of Sir Edward Coke
The Domestic Life Of A Poet.--Shenstone Vindicated
Douglas
Dreams At The Dawn Of Philosophy
Drinking-Customs In England
Duke Of Buckingham
The Early Drama
Early Printing
Edward The Fourth
Elizabeth
Elizabeth And Her Parliament
An English Academy Of Literature
English Astrologers
Errata
Explanation Of The Fac-Simile
Expression Of Suppressed Opinion
Extemporal Comedies
Fame Contemned
Felton, The Political Assassin
Female Beauty And Ornaments
Feudal Customs
Fire, And The Origin Of Fireworks
Gaming
General Monk And His Wife
Genius And Erudition The Victims Of Immoderate Vanity
Genius The Dupe Of Its Passions
Geographical Style
A Glance Into The French Academy
The Good Advice Of An Old Literary Sinner
The Goths And Huns
Grotius
Hell
The History Of Gloves
History Of New Words
The History Of The Caracci
History Of The Skeleton Of Death
The History Of The Theatre During Its Suppression
The History Of Writing-Masters
Hobbes's Quarrels With Dr. Wallis The Mathematician
Hobbes, And His Quarrels; Including An Illustration Of His Character
The Illusions Of Writers In Verse
Imitators
Imprisonment Of The Learned
The Indiscretion Of An Historian Thomas Carte
Inequalities Of Genius
Influence Of A Bad Temper In Criticism
Influence Of A Name
The Inquisition
Introducers Of Exotic Flowers, Fruits, Etc
Introduction Of Tea, Coffee, And Chocolate
The Italian Historians
James The First
James The First As A Father And A Husband
A Jansenist Dictionary
The Jews Of York
Jocular Preachers
Johnson's Hints For The Life Of Pope
Jonson And Decker
Laborious Authors
Legends
Libraries
Licensers Of The Press
Life And Habits Of A Literary Antiquary.--Oldys And His Manuscripts
The Life Of An Authoress
Lintot's Account-Book
Literary Anecdotes
Literary Blunders
Literary Composition
Literary Controversy
Literary Disappointments Disordering The Intellect
Literary Dutch
Literary Fashions
Literary Follies
Literary Forgeries
Literary Friendships
Literary Hatred Exhibiting A Conspiracy Against An Author
Literary Impostures
Literary Journals
Literary Parallels
Literary Quarrels From Personal Motives
Literary Residences
Literary Ridicule Illustrated By Some Account Of A Literary Satire
Literary Scotchmen
Literary Unions
A Literary Wife
Little Books
Local Descriptions
Love And Folly, An Ancient Morality
The Lover's Heart
The Loves Of "The Lady Arabella"
Magliabechi
The Maladies Of Authors
The Man Of One Book
Manuscripts And Books
The Marriage Of The Arts
Martin Mar-Prelate
Masques
Massinger, Milton, And The Italian Theatre
Masterly Imitators
Medical Music
Medicine And Morals
Men Of Genius Deficient In Conversation
A Mendicant Author, And The Patrons Of Former Times
Metempsychosis
Milton
The Minister--Duke Of Buckingham, Lord Admiral, Lord General
The Minister--The Cardinal Duke Of Richelieu
Minute Writing
The Miseries Of Successful Authors
The Miseries Of The First English Commentator
Modern Literature--Bayle's Critical Dictionary
Modern Platonism
Modes Of Salutation, And Amicable Ceremonies, Observed In Various Nations
Monarchs
Mysteries, Moralities, Farces, And Sotties
Names Of Our Streets
A Narrative Of ExtraordinaryTransactions Respecting Publication Of Pope's Letters
A National Work Which Could Find No Patronage
Natural Productions Resembling Artificial Compositions
Nobility
Noblemen Turned Critics
Numerical Figures
Of A Biography Painted
Of A History Of Events Which Have Not Happened
Of Anagrams And Echo Verses
Of Coke's Style, And His Conduct
Of Des Maizeaux, And The Secret History Of Anthony Collins's Manuscripts
Of False Political Reports
Of Lenglet Du Fresnoy
Of Literary Filchers
Of Lord Bacon At Home
Of Palaces Built By Ministers
Of Suppressors And Dilapidators Of Manuscripts
Of The Titles Of Illustrious, Highness, And Excellence
On Puck The Commentator
On The Custom Of Kissing Hands
On The Custom Of Saluting After Sneezing
On The Hero Of Hudibras; Butler Vindicated
On The Ridiculous Titles Assumed By Italian Academies
The Origin Of Dante's Inferno
Origin Of Newspapers
Origin Of The Materials Of Writing
Orthography Of Proper Names
The Pains Of Fastidious Egotism
Pamphlets
The Pantomimical Characters
The Paper-Wars Of The Civil Wars
Parker And Marvell
Parodies
Pasquin And Marforio
Patrons
The Pearl Bibles And Six Thousand Errata
Perpetual Lamps Of The Ancients
The Persecuted Learned
Peter Corneille
Philip And Mary
Philosophical Descriptive Poems
The Philosophy Of Proverbs
Physiognomy
Poetical And Grammatical Deaths
The Poetical Garland Of Julia
Poetical Imitations And Similarities
Poets
Poets Laureat
Poets, Philosophers, And Artists, Made By Accident
Political Criticism On Literary Compositions
Political Forgeries And Fictions
Political Nicknames
Pope And Addison
Pope And Cibber; Containing A Vindication Of The Comic Writer
Pope's Earliest Satire
Pope, And His Miscellaneous Quarrels
Popes
The Port-Royal Society
Portraits Of Authors
Poverty Of The Learned
Prediction
Prefaces
Prior's Hans Carvel
The Productions Of The Mind Not Seizable By Creditors
Professors Of Plagiarism And Obscurity
The Progress Of Old Age In New Studies
Psalm-Singing
Quadrio's Account Of English Poetry
Quodlibets, Or Scholastic Disquisitions
Quotation
Rabbinical Stories
Recovery Of Manuscripts
Relics Of Saints
Religious Nouvellettes
Reliquiae Gethinianae
The Rewards Of Oriental Students
Richardson
The Rival Biographers Of Heylin
Robinson Crusoe
Romances
Royal Divinities
Royal Proclamations
Royal Promotions
The Royal Society
The Rump
Saint Evremond
Scarron
The Scuderies
Secret History Of An Elective Monarchy
Secret History Of Authors Who Have Ruined Their Booksellers
Secret History Of Charles The First And His First Parliaments
Secret History Of Charles The First, And His Queen Henrietta
Secret History Of Edward Vere, Earl Of Oxford
Secret History Of Sir Walter Rawleigh
Secret History Of The Building Of Blenheim
Secret History Of The Death Of Queen Elizabeth
A Senate Of Jesuits
Sentimental Biography
Shenstone's School-Mistress
Singularities Observed By Various Nations In Their Repasts
Sir Edward Coke's Exceptions Against The High Sheriff's Oath
Sir John Hill, With The Royal Society, Fielding, Smart, &c.
The Six Follies Of Science
Sketches Of Criticism
Solitude
Solomon And Sheba
Some Notices Of Lost Works
Songs Of Trades, Or Songs For The People
The Sovereignty Of The Seas
Spanish Etiquette
Spanish Poetry
Spenser, Jonson, And Shakspeare
The Student In The Metropolis
The Sufferings Of Authors
Supplement To Martin Mar-Prelate
The Talmud
Titles Of Books
Titles Of Sovereigns
Toleration
Tom O' Bedlams
Tragic Actors
Trials And Proofs Of Guilt In Superstitious Ages
True Sources Of Secret History
The Turkish Spy
Undue Severity Of Criticism
Usurers Of The Seventeenth Century
Vicars Of Bray
Vida
The View Of A Particular Period Of The State Of Religion In Our Civil Wars
Virginity
A Voluminous Author Without Judgment
Warburton, And His Quarrels; Including An Illustration Of his Literary Character
Wax-Work
Whether Allowable To Ruin Oneself?