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Selections From the Works of John Ruskin
Selections From Lectures On Art   Selections From Lectures On Art - Intro
John Ruskin
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       _ Ruskin was first elected to the Slade Professorship of Fine Art in Oxford in 1869, and held the chair continuously until 1878, when he resigned because of ill-health, and again from 1883 to 1885. The _Lectures on Art_ were announced in the _Oxford University Gazette_ of January 28, 1870, the general subject of the course being "The Limits and Elementary Practice of Art," with Leonardo's _Trattato della Pittura_ as the text-book. The lectures were delivered between February 8 and March 23, 1870. They appeared in book form in July of the same year. These lectures contain much of his best and most mature thought, of his most painstaking research and keenest analysis. Talking with a friend in later years, he said: "I have taken more pains with the Oxford Lectures than with anything else I have ever done": and in the preface to the edition of 1887 he began: "The following lectures were the most important piece of my literary work, done with unabated power, best motive, and happiest concurrence of circumstance." Ruskin took his professorship very seriously. He spent almost infinite labour in composing his more formal lectures, and during the eight years in which he held the chair he published six volumes of them, not to mention three Italian guide-books, which came under his interpretation of his professional duties;--"the real duty involved in my Oxford Professorship cannot be completely done by giving lectures in Oxford only, but ... I ought also to give what guidance I may to travellers in Italy." Not only by lecturing and writing did he fill the chair, but he taught individuals, founded and endowed a Drawing mastership, and presented elaborately catalogued collections to illustrate his subject. His lecture classes were always large, and his work had a marked influence in the University. _
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本书目录

Preface
Introduction
   Introduction - I. The Life Of Ruskin
   Introduction - II. The Unity Of Ruskin's Writings
   Introduction - III. Ruskin's Style
Selections From Modern Painters
   Selections From Modern Painters - Intro.
   Selections From Modern Painters - The Earth-Veil
   Selections From Modern Painters - The Mountain Glory
   Selections From Modern Painters - Sunrise On The Alps
   Selections From Modern Painters - The Grand Style
   Selections From Modern Painters - Of Realization
   Selections From Modern Painters - Of The Novelty Of Landscape
   Selections From Modern Painters - Of The Pathetic Fallacy
   Selections From Modern Painters - Of Classical Landscape
   Selections From Modern Painters - Of Modern Landscape
   Selections From Modern Painters - The Two Boyhoods
Selections From The Stones Of Venice
   Selections From The Stones Of Venice - Intro.
   Selections From The Stones Of Venice - The Throne
   Selections From The Stones Of Venice - St. Mark's
   Selections From The Stones Of Venice - Characteristics Of Gothic Architecture
Selections From The Seven Lamps Of Architecture
   Selections From The Seven Lamps Of Architecture - Intro
   Selections From The Seven Lamps Of Architecture - The Lamp Of Memory
   Selections From The Seven Lamps Of Architecture - The Lamp Of Obedience
Selections From Lectures On Art
   Selections From Lectures On Art - Intro
   Selections From Lectures On Art - Inaugural
   Selections From Lectures On Art - The Relation Of Art To Morals
   Selections From Lectures On Art - The Relation Of Art To Use
Art And History
Traffic
Life And Its Arts