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Zuleika Dobson
CHAPTER 20
Max Beerbohm
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       _ Artistically, there is a good deal to be said for that old Greek
       friend of ours, the Messenger; and I dare say you blame me for
       having, as it were, made you an eye-witness of the death of the
       undergraduates, when I might so easily have brought some one in to
       tell you about it after it was all over . . . Some one? Whom? Are you
       not begging the question? I admit there were, that evening in Oxford,
       many people who, when they went home from the river, gave vivid
       reports of what they had seen. But among them was none who had seen
       more than a small portion of the whole affair. Certainly, I might have
       pieced together a dozen of the various accounts, and put them all into
       the mouth of one person. But credibility is not enough for Clio's
       servant. I aim at truth. And so, as I by my Zeus-given incorporeity
       was the one person who had a good view of the scene at large, you must
       pardon me for having withheld the veil of indirect narration.
       "Too late," you will say if I offer you a Messenger now. But it was
       not thus that Mrs. Batch and Katie greeted Clarence when, lamentably
       soaked with rain, that Messenger appeared on the threshold of the
       kitchen. Katie was laying the table-cloth for seven o'clock supper.
       Neither she nor her mother was clairvoyante. Neither of them knew
       what had been happening. But, as Clarence had not come home since
       afternoon-school, they had assumed that he was at the river; and
       they now assumed from the look of him that something very unusual
       had been happening there. As to what this was, they were not quickly
       enlightened. Our old Greek friend, after a run of twenty miles, would
       always reel off a round hundred of graphic verses unimpeachable in
       scansion. Clarence was of degenerate mould. He collapsed on to a
       chair, and sat there gasping; and his recovery was rather delayed than
       hastened by his mother, who, in her solicitude, patted him vigorously
       between the shoulders.
       "Let him alone, mother, do," cried Katie, wringing her hands.
       "The Duke, he's drowned himself," presently gasped the Messenger.
       Blank verse, yes, so far as it went; but delivered without the
       slightest regard for rhythm, and composed in stark defiance of those
       laws which should regulate the breaking of bad news. You, please
       remember, were carefully prepared by me against the shock of the
       Duke's death; and yet I hear you still mumbling that I didn't let the
       actual fact be told you by a Messenger. Come, do you really think your
       grievance against me is for a moment comparable with that of Mrs. and
       Miss Batch against Clarence? Did you feel faint at any moment in the
       foregoing chapter? No. But Katie, at Clarence's first words, fainted
       outright. Think a little more about this poor girl senseless on the
       floor, and a little less about your own paltry discomfort.
       Mrs. Batch herself did not faint, but she was too much overwhelmed to
       notice that her daughter had done so.
       "No! Mercy on us! Speak, boy, can't you?"
       "The river," gasped Clarence. "Threw himself in. On purpose. I was on
       the towing-path. Saw him do it."
       Mrs. Batch gave a low moan.
       "Katie's fainted," added the Messenger, not without a touch of
       personal pride.
       "Saw him do it," Mrs. Batch repeated dully. "Katie," she said, in the
       same voice, "get up this instant." But Katie did not hear her.
       The mother was loth to have been outdone in sensibility by the
       daughter, and it was with some temper that she hastened to make the
       necessary ministrations.
       "Where am I?" asked Katie, at length, echoing the words used in this
       very house, at a similar juncture, on this very day, by another lover
       of the Duke.
       "Ah, you may well ask that," said Mrs. Batch, with more force than
       reason. "A mother's support indeed! Well! And as for you," she cried,
       turning on Clarence, "sending her off like that with your--" She was
       face to face again with the tragic news. Katie, remembering it
       simultaneously, uttered a loud sob. Mrs. Batch capped this with a much
       louder one. Clarence stood before the fire, slowly revolving on one
       heel. His clothes steamed briskly.
       "It isn't true," said Katie. She rose and came uncertainly towards her
       brother, half threatening, half imploring.
       "All right," said he, strong in his advantage. "Then I shan't tell
       either of you anything more."
       Mrs. Batch through her tears called Katie a bad girl, and Clarence a
       bad boy.
       "Where did you get THEM?" asked Clarence, pointing to the ear-rings
       worn by his sister.
       "HE gave me them," said Katie. Clarence curbed the brotherly intention
       of telling her she looked "a sight" in them.
       She stood staring into vacancy. "He didn't love HER," she murmured.
       "That was all over. I'll vow he didn't love HER."
       "Who d'you mean by her?" asked Clarence.
       "That Miss Dobson that's been here."
       "What's her other name?"
       "Zuleika," Katie enunciated with bitterest abhorrence.
       "Well, then, he jolly well did love her. That's the name he called out
       just before he threw himself in. 'Zuleika!'--like that," added the
       boy, with a most infelicitous attempt to reproduce the Duke's manner.
       Katie had shut her eyes, and clenched her hands.
       "He hated her. He told me so," she said.
       "I was always a mother to him," sobbed Mrs. Batch, rocking to and fro
       on a chair in a corner. "Why didn't he come to me in his trouble?"
       "He kissed me," said Katie, as in a trance. "No other man shall ever
       do that."
       "He did?" exclaimed Clarence. "And you let him?"
       "You wretched little whipper-snapper!" flashed Katie.
       "Oh, I am, am I?" shouted Clarence, squaring up to his sister. "Say
       that again, will you?"
       There is no doubt that Katie would have said it again, had not her
       mother closed the scene with a prolonged wail of censure.
       "You ought to be thinking of ME, you wicked girl," said Mrs. Batch.
       Katie went across, and laid a gentle hand on her mother's shoulder.
       This, however, did but evoke a fresh flood of tears. Mrs. Batch had a
       keen sense of the deportment owed to tragedy. Katie, by bickering with
       Clarence, had thrown away the advantage she had gained by fainting.
       Mrs. Batch was not going to let her retrieve it by shining as a
       consoler. I hasten to add that this resolve was only sub-conscious in
       the good woman. Her grief was perfectly sincere. And it was not the
       less so because with it was mingled a certain joy in the greatness of
       the calamity. She came of good sound peasant stock. Abiding in her was
       the spirit of those old songs and ballads in which daisies and
       daffodillies and lovers' vows and smiles are so strangely inwoven with
       tombs and ghosts, with murders and all manner of grim things. She had
       not had education enough to spoil her nerve. She was able to take the
       rough with the smooth. She was able to take all life for her province,
       and death too.
       The Duke was dead. This was the stupendous outline she had grasped:
       now let it be filled in. She had been stricken: now let her be racked.
       Soon after her daughter had moved away, Mrs. Batch dried her eyes, and
       bade Clarence tell just what had happened. She did not flinch. Modern
       Katie did.
       Such had ever been the Duke's magic in the household that Clarence had
       at first forgotten to mention that any one else was dead. Of this
       omission he was glad. It promised him a new lease of importance.
       Meanwhile, he described in greater detail the Duke's plunge. Mrs.
       Batch's mind, while she listened, ran ahead, dog-like, into the
       immediate future, ranging around: "the family" would all be here
       to-morrow, the Duke's own room must be "put straight" to-night, "I
       was of speaking" . . .
       Katie's mind harked back to the immediate past--to the tone of that
       voice, to that hand which she had kissed, to the touch of those lips
       on her brow, to the door-step she had made so white for him, day by
       day . . .
       The sound of the rain had long ceased. There was the noise of a
       gathering wind.
       "Then in went a lot of others," Clarence was saying. "And they all
       shouted out 'Zuleika!' just like he did. Then a lot more went in.
       First I thought it was some sort of fun. Not it!" And he told how, by
       inquiries further down the river, he had learned the extent of the
       disaster. "Hundreds and hundreds of them--ALL of them," he summed up.
       "And all for the love of HER," he added, as with a sulky salute to
       Romance.
       Mrs. Batch had risen from her chair, the better to cope with such
       magnitude. She stood with wide-spread arms, silent, gaping. She
       seemed, by sheer force of sympathy, to be expanding to the dimensions
       of a crowd.
       Intensive Katie recked little of all these other deaths. "I only
       know," she said, "that he hated her."
       "Hundreds and hundreds--ALL," intoned Mrs. Batch, then gave a sudden
       start, as having remembered something. Mr. Noaks! He, too! She
       staggered to the door, leaving her actual offspring to their own
       devices, and went heavily up the stairs, her mind scampering again
       before her. . . . If he was safe and sound, dear young gentleman,
       heaven be praised! and she would break the awful news to him, very
       gradually. If not, there was another "family" to be solaced; "I'm a
       mother myself, Mrs. Noaks" . . .
       The sitting-room door was closed. Twice did Mrs. Batch tap on the
       panel, receiving no answer. She went in, gazed around in the dimness,
       sighed deeply, and struck a match. Conspicuous on the table lay a
       piece of paper. She bent to examine it. A piece of lined paper, torn
       from an exercise book, it was neatly inscribed with the words "What is
       Life without Love?" The final word and the note of interrogation were
       somewhat blurred, as by a tear. The match had burnt itself out. The
       landlady lit another, and read the legend a second time, that she
       might take in the full pathos of it. Then she sat down in the arm-
       chair. For some minutes she wept there. Then, having no more, tears,
       she went out on tip-toe, closing the door very quietly.
       As she descended the last flight of stairs, her daughter had just shut
       the front-door, and was coming along the hall.
       "Poor Mr. Noaks--he's gone," said the mother.
       "Has he?" said Katie listlessly.
       "Yes he has, you heartless girl. What's that you've got in your hand?
       Why, if it isn't the black-leading! And what have you been doing with
       that?"
       "Let me alone, mother, do," said poor Katie. She had done her lowly
       task. She had expressed her mourning, as best she could, there where
       she had been wont to express her love. _