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Essay(s) by Arthur C. Benson
Leucocholy
Arthur C.Benson
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       I have had to taste, during the last few days, I know not why, of the cup of what Gray called Leucocholy; it is not Melancholy, only the pale shadow of it. That dark giant is, doubtless, stalking somewhere in the background, and the shadow cast by his misshapen head passes over my little garden ground.
       I do not readily submit to this mood, and I would wish it away. I would rather feel joyful and free from blame; but Gray called it a good easy state, and it certainly has its compensations. It does not, like Melancholy, lay a dark hand on duties and pleasures alike; it is possible to work, to read, to talk, to laugh when it is by. But it sends flowing through the mind a gentle current of sad and weary images and thoughts, which still have a beauty of their own; it tinges one's life with a sober greyness of hue; it heightens perception, though it prevents enjoyment. In such a mood one can sit silent a long time, with one's eyes cast upon the grass; one sees the delicate forms of the tender things that spring softly out of the dark ground; one hears with a poignant delight the clear notes of birds; something of the spring languors move within the soul. There is a sense, too, of reaching out to light and joy, a stirring of the vague desires of the heart, a tender hope, an upward-climbing faith; the heart sighs for a peace that it cannot attain.
       To-day I walked slowly and pensively by little woods and pastures, taking delight in all the quiet life I saw, the bush pricked with points of green, the boughs thickened with small reddening buds, the slow stream moving through the pasture; all the tints faint, airy, and delicate; the life of the world seemed to hang suspended, waiting for the forward leap. In a little village I stood awhile to watch the gables of an ancient house, the wing of a ruined grange, peer solemnly over the mellow brick wall that guarded a close of orchard trees. A little way behind, the blunt pinnacles of the old church-tower stood up, blue and dim, over the branching elms; beyond all ran the long, pure line of the rising wold. Everything seemed so still, so serene, as a long, pale ray of the falling sun, which laboured among flying clouds, touched the westward gables with gold--and mine the only troubled, unquiet spirit. Hard by there was an old man tottering about in a little garden, fumbling with some plants, like Laertes on the upland farm. His worn face, his ragged beard, his pitifully-patched and creased garments made him a very type of an ineffectual sadness. Perhaps his thoughts ran as sadly as my own, but I do not think it was so, because the minds of many country-people, and of almost all the old, of whatever degree, seem to me free from what is the curse of delicately-trained and highly-strung temperaments--namely, the temptation to be always reverting to the past, or forecasting the future. Simple people and aged people put that aside, and live quite serenely in the moment; and that is what I believe we ought all to attempt, for most moments are bearable, if one only does not import into them the weight of the future and the regret of the past. To seize the moment with all its conditions, to press the quality out of it, that is the best victory. But, alas! we are so made that though we may know that a course is the wise, the happy, the true course, we cannot always pursue it. I remember a story of a public man who bore his responsibilities very hardly, worried and agonised over them, saying to Mr Gladstone, who was at that time in the very thick of a fierce political crisis: "But don't you find you lie awake at night, thinking how you ought to act, and how you ought to have acted?" Mr Gladstone turned his great, flashing eyes upon his interlocutor, and said, with a look of wonder: "No, I don't; where would be the use of that?" And again I remember that old Canon Beadon--who lived, I think, to his 104th year--said to a friend that the secret of long life in his own case was that he had never thought of anything unpleasant after ten o'clock at night. Of course, if you have a series of compartments in your brain, and at ten o'clock can turn the key quietly upon the room that holds the skeletons and nightmares, you are a very fortunate man.
       But still, we can all of us do something. If one has the courage and good sense, when in a melancholy mood, to engage in some piece of practical work, it is wonderful how one can distract the great beast that, left to himself, crops and munches the tender herbage of the spirit. For myself I have generally a certain number of dull tasks to perform, not in themselves interesting, and out of which little pleasure can be extracted, except the pleasure which always results from finishing a piece of necessary work. When I am wise, I seize upon a day in which I am overhung with a shadow of sadness to clear off work of this kind. It is in itself a distraction, and then one has the pleasure both of having fought the mood and also of having left the field clear for the mind, when it has recovered its tone, to settle down firmly and joyfully to more congenial labours.
       To-day, little by little, the cloudy mood drew off and left me smiling. The love of the peaceful and patient earth came to comfort me. How pure and free were the long lines of ploughland, the broad back of the gently-swelling down! How clear and delicate were the February tints, the aged grass, the leafless trees! What a sense of coolness and repose! I stopped a long time upon a rustic-timbered bridge to look at a little stream that ran beneath the road, winding down through a rough pasture-field, with many thorn-thickets. The water, lapsing slowly through withered flags, had the pure, gem-like quality of the winter stream; in summer it will become dim and turbid with infusorial life, but now it is like a pale jewel. How strange, I thought, to think of this liquid gaseous juice, which we call water, trickling in the cracks of the earth! And just as the fish that live in it think of it as their world, and have little cognisance of what happens in the acid, unsubstantial air above, except the occasional terror of the dim, looming forms which come past, making the soft banks quiver and stir, so it may be with us; there may be a great mysterious world outside of us, of which we sometimes see the dark manifestations, and yet of the conditions of which we are wholly unaware.
       And now it grew dark; the horizon began to redden and smoulder; the stream gleamed like a wan thread among the distant fields. It was time to hurry home, to dip in the busy tide of life again. Where was my sad mood gone? The clear air seemed to have blown through my mind, hands had been waved to me from leafless woods, quiet voices of field and stream had whispered me their secrets; "We would tell, if we could," they seemed to say. And I, listening, had learnt patience, too--for awhile.
       [The end]
       Arthur C. Benson's essay: Leucocholy
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The Abbey
Accessibility
Affection
After Death
Ambition
Andrew Marvell
The Apocalypse
Art
Art And Morality
Art [From a College Window]
The Artist
Authorship
Authorship (from Thread of Gold)
Authorship [From a College Window]
Beauty
The Beetle
Behold, This Dreamer Cometh
Books
By The Sea Of Galilee
Canterbury Tower
Charlotte Bronte
Charm
Christina Rossetti
Contentment
Conversation
The Cripple
The Criticism Of Others
The Cuckoo
The Darkest Doubt
The Death-Bed Of Jacob
The Deserted Shrine, The Manor House
The Diplodocus
Dorsetshire
Dr. Johnson
The Dramatic Sense
Dreams
Education
Egotism
Elizabeth Barrett Browning
Emotion
Equality
Escape
The Eternal Will
The Ever-Memorable John Hales
Experience
Faith
The Faith Of Christ
The Farm-Yard
Fear Of Life
Fears Of Age
Fears Of Boyhood
Fears Of Childhood
Fears Of Middle Age
Fears Of Youth
The Fens
The Flower
Friendship
Games
Growth
Habits
Hamlet
The Hare
Henry Bradshaw
Henry More, The Platonist
Herb Moly And Heartsease
Hope
The House Of Pengersick
Humor
Humour
Ideas
Instinctive Fear
Interpretation
John Sterling
Joy
Kelmscott And William Morris
Knowledge
The Late Master Of Trinity
Leisure
Leucocholy
Life
Literary Finish
Literature And Life
The Love Of God
Memory
The Message
A Midsummer Day's Dream
A Minute Philosopher
Music
The Mystery Of Evil
The Mystery Of Suffering
The New Poets
On Growing Older
Optimism
Our Lack Of Great Men
Oxford
The Pleasures Of Work
Poetry
Poetry And Life
The Poetry Of Edmund Gosse
The Poetry Of Keble
The Point Of View
Portland
Prayer
Priests
The Principle Of Beauty
Progress
The Red Spring
Religion
Renewal
Retrospect
The Scene
Schooldays
Science
A Sealed Spirit
The Secret
The Sense Of Beauty
Serenity
The Shadow
Shapes Of Fear
Shyness
The Simple Life
Simplicity
Sin
Sociabilities
Specialism
A Speech Day
Spiritualism
Spring-Time
The Statue
A Strange Gathering
Sunset
Symbols
Sympathy
Tennyson, Ruskin, Carlyle
That Other One
Thomas Gray
Thought
Travel
Until The Evening
The Use Of Fear
Villages
Vincent Bourne
Visions
The Visitant
Vulnerability
Walt Whitman
The Well And The Chapel
William Blake
Wordsworth
Work
Young Love