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Essay(s) by Arthur C. Benson
The Hare
Arthur C.Benson
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       I have just read a story that has moved me strangely, with a helpless bewilderment and a sad anger of mind. When the doors of a factory, in the heart of a northern town, were opened one morning, a workman, going to move a barrel that stood in a corner, saw something crouching behind it that he believed to be a dog or cat. He pushed it with his foot, and a large hare sprang out. I suppose that the poor creature had been probably startled by some dog the evening before, in a field close to the town, had fled in the twilight along the streets, frightened and bewildered, and had slipped into the first place of refuge it had found; had perhaps explored its prison in vain, when the doors were shut, with many dreary perambulations, and had then sunk into an uneasy sleep, with frequent timid awakenings, in the terrifying unfamiliar place.
       The man who had disturbed it shouted aloud to the other workmen who were entering; the doors were shut, and the hare was chased by an eager and excited throng from corner to corner; it fled behind some planks; the planks were taken up; it made, in its agony of fear, a great leap over the men who were bending down to catch it; it rushed into a corner behind some tanks, from which it was dislodged with a stick. For half an hour the chase continued, until at last it was headed into a work-room, where it relinquished hope; it crouched panting, with its long ears laid back, its pretty brown eyes wide open, as though wondering desperately what it had done to deserve such usage; until it was despatched with a shower of blows, and the limp, bleeding body handed over to its original discoverer.
       Not a soul there had a single thought of pity for the creature; they went back to work pleased, excited, amused. It was a good story to tell for a week, and the man who had struck the last blows became a little hero for his deftness. The old savage instinct for prey had swept fiercely up from the bottom of these rough hearts--hearts capable, too, of tenderness and grief, of compassion for suffering, gentle with women and children. It seems to be impossible to blame them, and such blame would have been looked upon as silly and misplaced sentiment. Probably not even an offer of money, far in excess of the market value of the dead body, if the hare could be caught unharmed, would have prevailed at the moment over the instinct for blood.
       There are many hares in the world, no doubt, and _nous sommes tous condamnes_. But that the power which could call into being so harmless, pretty, and delicately organised a creature does not care or is unable to protect it better, is a strange mystery. It cannot be supposed that the hare's innocent life deserved such chastisement; and it is difficult to believe that suffering, helplessly endured at one point of the creation, can be remedial at another. Yet one cannot bear to think that the extremity of terror and pain, thus borne by a sensitive creature, either comes of neglect, or of cruel purpose, or is merely wasted. And yet the chase and the slaughter of the unhappy thing cannot be anything but debasing to those who took part in it. And at the same time, to be angry and sorry over so wretched an episode seems like trying to be wiser than the mind that made us. What single gleam of brightness is it possible to extract from the pitiful little story? Only this: that there must lie some tender secret, not only behind what seems a deed of unnecessary cruelty, but in the implanting in us of the instinct to grieve with a miserable indignation over a thing we cannot cure, and even in the withholding from us any hope that might hint at the solution of the mystery.
       But the thought of the seemly fur stained and bedabbled, the bright hazel eyes troubled with the fear of death, the silky ears, in which rang the horrid din of pursuit, rises before me as I write, and casts me back into the sad mood, that makes one feel that the closer that one gazes into the sorrowful texture of the world, the more glad we may well be to depart.
       [The end]
       Arthur C. Benson's essay: Hare
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The Abbey
Accessibility
Affection
After Death
Ambition
Andrew Marvell
The Apocalypse
Art
Art And Morality
Art [From a College Window]
The Artist
Authorship
Authorship (from Thread of Gold)
Authorship [From a College Window]
Beauty
The Beetle
Behold, This Dreamer Cometh
Books
By The Sea Of Galilee
Canterbury Tower
Charlotte Bronte
Charm
Christina Rossetti
Contentment
Conversation
The Cripple
The Criticism Of Others
The Cuckoo
The Darkest Doubt
The Death-Bed Of Jacob
The Deserted Shrine, The Manor House
The Diplodocus
Dorsetshire
Dr. Johnson
The Dramatic Sense
Dreams
Education
Egotism
Elizabeth Barrett Browning
Emotion
Equality
Escape
The Eternal Will
The Ever-Memorable John Hales
Experience
Faith
The Faith Of Christ
The Farm-Yard
Fear Of Life
Fears Of Age
Fears Of Boyhood
Fears Of Childhood
Fears Of Middle Age
Fears Of Youth
The Fens
The Flower
Friendship
Games
Growth
Habits
Hamlet
The Hare
Henry Bradshaw
Henry More, The Platonist
Herb Moly And Heartsease
Hope
The House Of Pengersick
Humor
Humour
Ideas
Instinctive Fear
Interpretation
John Sterling
Joy
Kelmscott And William Morris
Knowledge
The Late Master Of Trinity
Leisure
Leucocholy
Life
Literary Finish
Literature And Life
The Love Of God
Memory
The Message
A Midsummer Day's Dream
A Minute Philosopher
Music
The Mystery Of Evil
The Mystery Of Suffering
The New Poets
On Growing Older
Optimism
Our Lack Of Great Men
Oxford
The Pleasures Of Work
Poetry
Poetry And Life
The Poetry Of Edmund Gosse
The Poetry Of Keble
The Point Of View
Portland
Prayer
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The Principle Of Beauty
Progress
The Red Spring
Religion
Renewal
Retrospect
The Scene
Schooldays
Science
A Sealed Spirit
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Serenity
The Shadow
Shapes Of Fear
Shyness
The Simple Life
Simplicity
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A Speech Day
Spiritualism
Spring-Time
The Statue
A Strange Gathering
Sunset
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Tennyson, Ruskin, Carlyle
That Other One
Thomas Gray
Thought
Travel
Until The Evening
The Use Of Fear
Villages
Vincent Bourne
Visions
The Visitant
Vulnerability
Walt Whitman
The Well And The Chapel
William Blake
Wordsworth
Work
Young Love