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Essay(s) by Arthur C. Benson
The Shadow
Arthur C.Benson
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       There surely may come a time for each of us, if we have lived with any animation or interest, if we have had any constant or even fitful desire to penetrate and grasp the significance of the strange adventure of life, a time, I say, when we may look back a little, not sentimentally or with any hope of making out an impressive case for ourselves, and interrogate the memory as to what have been the most real, vivid, and intense things that have befallen us by the way. We may try to separate the momentous from the trivial, and the important from the unimportant; to discern where and how and when we might have acted differently; to see and to say what has really mattered, what has made a deep mark on our spirit; what has hampered or wounded or maimed us. Because one of the strangest things about life seems to be our incapacity to decide beforehand, or even at the time, where the real and fruitful joys, and where the dark dangers and distresses lie. The things that at certain times filled all one's mind, kindled hope and aim, seemed so infinitely desirable, so necessary to happiness, have faded, many of them, into the lightest and most worthless of husks and phantoms, like the withered flowers that we find sometimes shut in the pages of our old books, and cannot even remember of what glowing and emotional moment they were the record!
       How impossible it is ever to learn anything by being told it! How necessary it is to pay the full price for any knowledge worth having! The anxious father, the tearful mother, may warn the little boy before he goes to school of the dangers that await him. He does not understand, he does not attend, he is looking at the pattern of the carpet, and wondering for the hundredth time whether the oddly- shaped blue thing which appears and reappears at intervals is a bird or a flower--yes, it is certainly meant for a bird perched on a bough! He wishes the talk were over, he looks at the little scar on his father's hand, and remembers that he has been told that he cut it in a cucumber-frame when he was a boy. And then, long afterwards perhaps, when he has made a mistake and is suffering for it, he sees that it was THAT of which they spoke, and wonders that they could not have explained it better.
       And this is so all along! We cannot recognise the dark tower, to which in the story Childe Roland came, by any description. We must go there ourselves; and not till we feel the teeth of the trap biting into us, do we see that it was exactly in such a place that we had been warned that it would be laid.
       There is an episode in that strange and beautiful book Phantastes, by George Macdonald, which comes often to my mind. The boy is wandering in the enchanted forest, and he is told to avoid the house where the Daughter of the Ogre lives. His morose young guide shows him where the paths divide, and he takes the one indicated to him with a sense of misgiving.
       A little while before he had been deceived by the Alder-maiden, and had given her his love in error. This has taken some of the old joy out of his heart, but he has made his escape from her, and thinks he has learned his lesson.
       But he comes at last to the long low house in the clearing; he finds within it an ancient woman reading out of an old volume; he enters, he examines the room in which she sits, and yielding to curiosity, he opens the door of the great cupboard in the corner, in spite of a muttered warning. He thinks, on first opening it, that it is just a dark cupboard; but he sees with a shock of surprise that he is looking into a long dark passage, which leads out, far away from where he stands, into the starlit night. Then a figure, which seems to have been running from a long distance, turns the corner, and comes speeding down towards him. He has not time to close the door, but stands aside to let it pass; it passes, and slips behind him; and soon he sees that it is a shadow of himself, which has fallen on the floor at his feet. He asks what has happened, and then the old woman says that he has found his shadow, a thing which happens to many people; and then for the first time she raises her head and looks at him, and he sees that her mouth is full of long white teeth; he knows where he is at last, and stumbles out, with the dark shadow at his heels, which is to haunt him so miserably for many a sad day.
       That is a very fine and true similitude of what befalls many men and women. They go astray, they give up some precious thing--their innocence perhaps--to a deluding temptation. They are delivered for a time; and then a little while after they find their shadow, which no tears or anguish of regret can take away, till the healing of life and work and purpose annuls it. Neither is it always annulled, even in length of days.
       But it is a paltry and inglorious mistake to let the shadow have its disheartening will of us. It is only a shadow, after all! And if we capitulate after our first disastrous encounter, it does not mean that we shall be for ever vanquished, though it means perhaps a long and dreary waste of shame-stained days. That is what we must try to avoid--any WASTE of time and strength. For if anything is certain, it is that we have all to fight until we conquer, and the sooner we take up the dropped sword again the better.
       And we have also to learn that no one can help us except ourselves. Other people can sympathise and console, try to soothe our injured vanity, try to persuade us that the dangers and disasters ahead are not so dreadful as they appear to be, and that the mistakes we have made are not irreparable. But no one can remove danger or regret from us, or relieve us of the necessity of facing our own troubles; the most that they can do, indeed, is to encourage us to try again.
       But we cannot hope to change the conditions of life; and one of its conditions is, as I have said, that we cannot foresee dangers. No matter how vividly they are described to us, no matter how eagerly those who love us try to warn us of peril, we cannot escape. For that is the essence of life--experience; and though we cannot rejoice when we are in the grip of it, and when we cannot see what the end will be, we can at least say to ourselves again and again, "this is at all events reality--this is business!" for it is the moments of endurance and energy and action which after all justify us in living, and not the pleasant spaces where we saunter among flowers and sunlit woods. Those are conceded to us, to tempt us to live, to make us desire to remain in the world; and we need not be afraid to take them, to use them, to enjoy them; because all things alike help to make us what we are.
       [The end]
       Arthur C. Benson's essay: The Shadow
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The Abbey
Accessibility
Affection
After Death
Ambition
Andrew Marvell
The Apocalypse
Art
Art And Morality
Art [From a College Window]
The Artist
Authorship
Authorship (from Thread of Gold)
Authorship [From a College Window]
Beauty
The Beetle
Behold, This Dreamer Cometh
Books
By The Sea Of Galilee
Canterbury Tower
Charlotte Bronte
Charm
Christina Rossetti
Contentment
Conversation
The Cripple
The Criticism Of Others
The Cuckoo
The Darkest Doubt
The Death-Bed Of Jacob
The Deserted Shrine, The Manor House
The Diplodocus
Dorsetshire
Dr. Johnson
The Dramatic Sense
Dreams
Education
Egotism
Elizabeth Barrett Browning
Emotion
Equality
Escape
The Eternal Will
The Ever-Memorable John Hales
Experience
Faith
The Faith Of Christ
The Farm-Yard
Fear Of Life
Fears Of Age
Fears Of Boyhood
Fears Of Childhood
Fears Of Middle Age
Fears Of Youth
The Fens
The Flower
Friendship
Games
Growth
Habits
Hamlet
The Hare
Henry Bradshaw
Henry More, The Platonist
Herb Moly And Heartsease
Hope
The House Of Pengersick
Humor
Humour
Ideas
Instinctive Fear
Interpretation
John Sterling
Joy
Kelmscott And William Morris
Knowledge
The Late Master Of Trinity
Leisure
Leucocholy
Life
Literary Finish
Literature And Life
The Love Of God
Memory
The Message
A Midsummer Day's Dream
A Minute Philosopher
Music
The Mystery Of Evil
The Mystery Of Suffering
The New Poets
On Growing Older
Optimism
Our Lack Of Great Men
Oxford
The Pleasures Of Work
Poetry
Poetry And Life
The Poetry Of Edmund Gosse
The Poetry Of Keble
The Point Of View
Portland
Prayer
Priests
The Principle Of Beauty
Progress
The Red Spring
Religion
Renewal
Retrospect
The Scene
Schooldays
Science
A Sealed Spirit
The Secret
The Sense Of Beauty
Serenity
The Shadow
Shapes Of Fear
Shyness
The Simple Life
Simplicity
Sin
Sociabilities
Specialism
A Speech Day
Spiritualism
Spring-Time
The Statue
A Strange Gathering
Sunset
Symbols
Sympathy
Tennyson, Ruskin, Carlyle
That Other One
Thomas Gray
Thought
Travel
Until The Evening
The Use Of Fear
Villages
Vincent Bourne
Visions
The Visitant
Vulnerability
Walt Whitman
The Well And The Chapel
William Blake
Wordsworth
Work
Young Love