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Romeo and Juliet
act iv   Scene 5
William Shakespeare
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       Juliet's chamber.
       [Enter Nurse.]
       NURSE
       Mistress! what, mistress! Juliet! Fast, I warrant her, she.
       Why, lamb! why, lady! Fie, you slug-abed!
       Why, love, I say! madam! sweetheart! Why, bride!
       What, not a word? You take your pennyworths now!
       Sleep for a week;
       for the next night, I warrant,
       The County Paris hath set up his rest
       That you shall rest but little. God forgive me!
       Marry, and amen. How sound is she asleep!
       I needs must wake her. Madam, madam, madam!
       Ay, let the County take you in your bed!
       He'll fright you up, i' faith. Will it not be?
       [Draws aside the curtains.]
       What, dress'd, and in your clothes, and down again?
       I must needs wake you. Lady! lady! lady!
       Alas, alas! Help, help! My lady's dead!
       O weraday that ever I was born!
       Some aqua-vitae, ho! My lord! my lady!
       Enter Mother.
       MOTHER
       What noise is here?
       NURSE
       O lamentable day!
       MOTHER
       What is the matter?
       NURSE
       Look, look! O heavy day!
       MOTHER
       O me, O me! My child, my only life!
       Revive, look up, or I will die with thee!
       Help, help! Call help.
       Enter Father.
       FATHER
       For shame, bring Juliet forth;
       her lord is come.
       NURSE
       She's dead, deceas'd;
       she's dead! Alack the day!
       MOTHER
       Alack the day, she's dead, she's dead, she's dead!
       CAPULET
       Ha! let me see her. Out alas! she's cold,
       Her blood is settled, and her joints are stiff;
       Life and these lips have long been separated.
       Death lies on her like an untimely frost
       Upon the sweetest flower of all the field.
       NURSE
       O lamentable day!
       MOTHER
       O woful time!
       CAPULET
       Death, that hath ta'en her hence to make me wail,
       Ties up my tongue and will not let me speak.
       Enter Friar [Laurence] and the County [Paris], with Musicians.
       PARIS
       Come, is the bride ready to go to church?
       CAPULET
       Ready to go, but never to return.
       O son, the night before thy wedding day
       Hath Death lain with thy wife. See, there she lies,
       Flower as she was, deflowered by him.
       Death is my son-in-law, Death is my heir;
       My daughter he hath wedded. I will die
       And leave him all. Life, living, all is Death's.
       PARIS
       Have I thought long to see this morning's face,
       And doth it give me such a sight as this?
       MOTHER
       Accurs'd, unhappy, wretched, hateful day!
       Most miserable hour that e'er time saw
       In lasting labour of his pilgrimage!
       But one, poor one, one poor and loving child,
       But one thing to rejoice and solace in,
       And cruel Death hath catch'd it from my sight!
       NURSE
       O woe? O woful, woful, woful day!
       Most lamentable day, most woful day
       That ever ever I did yet behold!
       O day! O day! O day! O hateful day!
       Never was seen so black a day as this.
       O woful day! O woful day!
       PARIS
       Beguil'd, divorced, wronged, spited, slain!
       Most detestable Death, by thee beguil'd,
       By cruel cruel thee quite overthrown!
       O love! O life! not life, but love in death!
       CAPULET
       Despis'd, distressed, hated, martyr'd, kill'd!
       Uncomfortable time, why cam'st thou now
       To murther, murther our solemnity?
       O child! O child! my soul, and not my child!
       Dead art thou, dead! alack, my child is dead,
       And with my child my joys are buried!
       PARIS
       Peace, ho, for shame! Confusion's cure lives not
       In these confusions. Heaven and yourself
       Had part in this fair maid! now heaven hath all,
       And all the better is it for the maid.
       Your part in her you could not keep from death,
       But heaven keeps his part in eternal life.
       The most you sought was her promotion,
       For 'twas your heaven she should be advanc'd;
       And weep ye now, seeing she is advanc'd
       Above the clouds, as high as heaven itself?
       O, in this love, you love your child so ill
       That you run mad, seeing that she is well.
       She's not well married that lives married long,
       But she's best married that dies married young.
       Dry up your tears and stick your rosemary
       On this fair corse, and, as the custom is,
       In all her best array bear her to church;
       For though fond nature bids us all lament,
       Yet nature's tears are reason's merriment.
       CAPULET
       All things that we ordained festival
       Turn from their office to black funeral-
       Our instruments to melancholy bells,
       Our wedding cheer to a sad burial feast;
       Our solemn hymns to sullen dirges change;
       Our bridal flowers serve for a buried corse;
       And all things change them to the contrary.
       FRIAR
       Sir, go you in;
       and, madam, go with him;
       And go, Sir Paris. Every one prepare
       To follow this fair corse unto her grave.
       The heavens do low'r upon you for some ill;
       Move them no more by crossing their high will.
       Exeunt. Manent Musicians [and Nurse].
       FIRST MUSICIAN
       Faith, we may put up our pipes and be gone.
       Nurse. Honest good fellows, ah, put up, put up!
       For well you know this is a pitiful case.
       [Exit.]
       FIRST MUSICIAN
       Ay, by my troth, the case may be amended.
       Enter Peter.
       PETER
       Musicians, O, musicians, 'Heart's ease,' 'Heart's ease'!
       O, an you will have me live, play 'Heart's ease.'
       FIRST MUSICIAN
       Why 'Heart's ease'?
       PETER
       O, musicians, because my heart itself plays 'My heart is
       full of woe.' O, play me some merry dump to comfort me.
       FIRST MUSICIAN
       Not a dump we! 'Tis no time to play now.
       PETER
       You will not then?
       FIRST MUSICIAN
       No.
       PETER
       I will then give it you soundly.
       FIRST MUSICIAN
       What will you give us?
       PETER
       No money, on my faith, but the gleek. I will give you the
       minstrel.
       FIRST MUSICIAN
       Then will I give you the serving-creature.
       PETER
       Then will I lay the serving-creature's dagger on your
       pate. I will carry no crotchets. I'll re you, I'll fa you.
       Do you note me?
       FIRST MUSICIAN
       An you re us and fa us, you note us.
       SECOND MUSICIAN
       Pray you put up your dagger, and put out your wit.
       PETER
       Then have at you with my wit! I will dry-beat you with an
       iron wit, and put up my iron dagger. Answer me like men.
       'When griping grief the heart doth wound,
       And doleful dumps the mind oppress,
       Then music with her silver sound'-

       Why 'silver sound'? Why 'music with her silver sound'?
       What say you, Simon Catling?
       FIRST MUSICIAN
       Marry, sir, because silver hath a sweet sound.
       PETER
       Pretty! What say you, Hugh Rebeck?
       SECOND MUSICIAN
       I say 'silver sound' because musicians sound for
       silver.
       PETER
       Pretty too! What say you, James Soundpost?
       THIRD MUSICIAN
       Faith, I know not what to say.
       PETER
       O, I cry you mercy! you are the singer. I will say for
       you. It is 'music with her silver sound' because musicians
       have no gold for sounding.
       'Then music with her silver sound
       With speedy help doth lend redress.'

       [Exit.]
       FIRST MUSICIAN
       What a pestilent knave is this same?
       SECOND MUSICIAN
       Hang him, Jack! Come, we'll in here, tarry for the
       mourners, and stay dinner.
       Exeunt.
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本书目录

Dramatis Personae
act i
   Prologue
   Scene 1
   Scene 2
   Scene 3
   Scene 4
   Scene 5
act ii
   Prologue
   Scene 1
   Scene 2
   Scene 3
   Scene 4
   Scene 5
   Scene 6
act iii
   Scene 1
   Scene 2
   Scene 3
   Scene 4
   Scene 5
act iv
   Scene 1
   Scene 2
   Scene 3
   Scene 4
   Scene 5
act v
   Scene 1
   Scene 2
   Scene 3