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Life on the Mississippi
Chapter 47. Uncle Remus and Mr. Cable
Mark Twain
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       Mr. Joel Chandler Harris ('Uncle Remus') was to arrive from Atlanta at seven o'clock Sunday morning; so we got up and received him. We were able to detect him among the crowd of arrivals at the hotel-counter by his correspondence with a description of him which had been furnished us from a trustworthy source. He was said to be undersized, red-haired, and somewhat freckled. He was the only man in the party whose outside tallied with this bill of particulars. He was said to be very shy. He is a shy man. Of this there is no doubt. It may not show on the surface, but the shyness is there. After days of intimacy one wonders to see that it is still in about as strong force as ever. There is a fine and beautiful nature hidden behind it, as all know who have read the Uncle Remus book; and a fine genius, too, as all know by the same sign. I seem to be talking quite freely about this neighbor; but in talking to the public I am but talking to his personal friends, and these things are permissible among friends.
       He deeply disappointed a number of children who had flocked eagerly to Mr. Cable's house to get a glimpse of the illustrious sage and oracle of the nation's nurseries. They said--
       'Why, he 's white! '
       They were grieved about it. So, to console them, the book was brought, that they might hear Uncle Remus's Tar-Baby story from the lips of Uncle Remus himself--or what, in their outraged eyes, was left of him. But it turned out that he had never read aloud to people, and was too shy to venture the attempt now. Mr. Cable and I read from books of ours, to show him what an easy trick it was; but his immortal shyness was proof against even this sagacious strategy, so we had to read about Brer Rabbit ourselves.
       Mr. Harris ought to be able to read the negro dialect better than anybody else, for in the matter of writing it he is the only master the country has produced. Mr. Cable is the only master in the writing of French dialects that the country has produced; and he reads them in perfection. It was a great treat to hear him read about Jean-ah Poquelin, and about Innerarity and his famous 'pigshoo' representing 'Louisihanna rif-fusing to Hanter the Union,' along with passages of nicely-shaded German dialect from a novel which was still in manuscript.
       It came out in conversation, that in two different instances Mr. Cable got into grotesque trouble by using, in his books, next-to-impossible French names which nevertheless happened to be borne by living and sensitive citizens of New Orleans. His names were either inventions or were borrowed from the ancient and obsolete past, I do not now remember which; but at any rate living bearers of them turned up, and were a good deal hurt at having attention directed to themselves and their affairs in so excessively public a manner.
       Mr. Warner and I had an experience of the same sort when we wrote the book called 'The Gilded Age.' There is a character in it called 'Sellers.' I do not remember what his first name was, in the beginning; but anyway, Mr. Warner did not like it, and wanted it improved. He asked me if I was able to imagine a person named 'Eschol Sellers.' Of course I said I could not, without stimulants. He said that away out West, once, he had met, and contemplated, and actually shaken hands with a man bearing that impossible name--'Eschol Sellers.' He added--
       'It was twenty years ago; his name has probably carried him off before this; and if it hasn't, he will never see the book anyhow. We will confiscate his name. The name you are using is common, and therefore dangerous; there are probably a thousand Sellerses bearing it, and the whole horde will come after us; but Eschol Sellers is a safe name--it is a rock.'
       So we borrowed that name; and when the book had been out about a week, one of the stateliest and handsomest and most aristocratic looking white men that ever lived, called around, with the most formidable libel suit in his pocket that ever--well, in brief, we got his permission to suppress an edition of ten million [Figures taken from memory, and probably incorrect. Think it was more.] copies of the book and change that name to 'Mulberry Sellers' in future editions.
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本书目录

The 'Body of the Nation'
Chapter 1. The River and Its History
Chapter 2. The River and Its Explorers
Chapter 3. Frescoes from the Past
Chapter 4. The Boys' Ambition
Chapter 5. I Want to be a Cub-pilot
Chapter 6. A Cub-pilot's Experience
Chapter 7. A Daring Deed
Chapter 8. Perplexing Lessons
Chapter 9. Continued Perplexities
Chapter 10. Completing My Education
Chapter 11. The River Rises
Chapter 12. Sounding
Chapter 13. A Pilot's Needs
Chapter 14. Rank and Dignity of Piloting
Chapter 15. The Pilots' Monopoly
Chapter 16. Racing Days
Chapter 17. Cut-offs and Stephen
Chapter 18. I Take a Few Extra Lessons
Chapter 19. Brown and I Exchange Compliments
Chapter 20. A Catastrophe
Chapter 21. A Section in My Biography
Chapter 22. I Return to My Muttons
Chapter 23. Traveling Incognito
Chapter 24. My Incognito is Exploded
Chapter 25. From Cairo to Hickman
Chapter 26. Under Fire
Chapter 27. Some Imported Articles
Chapter 28. Uncle Mumford Unloads
Chapter 29. A Few Specimen Bricks
Chapter 30. Sketches by the Way
Chapter 31. A Thumb-print and What Came of It
Chapter 32. The Disposal of a Bonanza
Chapter 33. Refreshments and Ethics
Chapter 34. Tough Yarns
Chapter 35. Vicksburg During the Trouble
Chapter 36. The Professor's Yarn
Chapter 37. The End of the 'Gold Dust'
Chapter 38. The House Beautiful
Chapter 39. Manufactures and Miscreants
Chapter 40. Castles and Culture
Chapter 41. The Metropolis of the South
Chapter 42. Hygiene and Sentiment
Chapter 43. The Art of Inhumation
Chapter 44. City Sights
Chapter 45. Southern Sports
Chapter 46. Enchantments and Enchanters
Chapter 47. Uncle Remus and Mr. Cable
Chapter 48. Sugar and Postage
Chapter 49. Episodes in Pilot Life
Chapter 50. The 'Original Jacobs'
Chapter 51. Reminiscences
Chapter 52. A Burning Brand
Chapter 53. My Boyhood's Home
Chapter 54. Past and Present
Chapter 55. A Vendetta and Other Things
Chapter 56. A Question of Law
Chapter 57. An Archangel
Chapter 58. On the Upper River
Chapter 59. Legends and Scenery
Chapter 60. Speculations and Conclusions
Appendix A
Appendix B
Appendix C
Appendix D