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MacBeth
act ii   Scene 3
William Shakespeare
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       The same.
       Enter a Porter. Knocking within.
       PORTER
       Here's a knocking indeed! If a man were porter of Hell
       Gate, he should have old turning the key. [Knocking within.] Knock, knock, knock! Who's there, i' the name of Belzebub? Here's
       a farmer that hanged himself on th' expectation of plenty. Come
       in time! Have napkins enow about you; here you'll sweat for't.
       [Knocking within.] Knock, knock! Who's there, in th' other
       devil's name? Faith, here's an equivocator that could swear in
       both the scales against either scale, who committed treason
       enough for God's sake, yet could not equivocate to heaven. O,
       come in, equivocator. [Knocking within.] Knock, knock, knock!
       Who's there? Faith, here's an English tailor come hither, for
       stealing out of a French hose. Come in, tailor; here you may
       roast your goose. [Knocking within.] Knock, knock! Never at
       quiet! What are you? But this place is too cold for hell. I'll
       devil-porter it no further. I had thought to have let in some of
       all professions, that go the primrose way to the everlasting
       bonfire. [Knocking within.] Anon, anon! I pray you, remember the
       porter.
       Opens the gate.
       Enter Macduff and Lennox.
       MACDUFF
       Was it so late, friend, ere you went to bed,
       That you do lie so late?
       PORTER
       Faith, sir, we were carousing till the second cock; and
       drink, sir, is a great provoker of three things.
       MACDUFF
       What three things does drink especially provoke?
       PORTER
       Marry, sir, nose-painting, sleep, and urine. Lechery, sir,
       it provokes and unprovokes: it provokes the desire, but it takes
       away the performance. Therefore much drink may be said to be an
       equivocator with lechery: it makes him, and it mars him; it sets
       him on, and it takes him off; it persuades him and disheartens
       him; makes him stand to and not stand to; in conclusion,
       equivocates him in a sleep, and giving him the lie, leaves him.
       MACDUFF
       I believe drink gave thee the lie last night.
       PORTER
       That it did, sir, i' the very throat on me; but requited
       him for his lie, and, I think, being too strong for him, though
       he took up my legs sometime, yet I made shift to cast him.
       MACDUFF
       Is thy master stirring?
       Enter Macbeth.
       Our knocking has awaked him; here he comes.
       LENNOX
       Good morrow, noble sir.
       MACBETH
       Good morrow, both.
       MACDUFF
       Is the King stirring, worthy Thane?
       MACBETH
       Not yet.
       MACDUFF
       He did command me to call timely on him;
       I have almost slipp'd the hour.
       MACBETH
       I'll bring you to him.
       MACDUFF
       I know this is a joyful trouble to you,
       But yet 'tis one.
       MACBETH
       The labor we delight in physics pain.
       This is the door.
       MACDUFF
       I'll make so bold to call,
       For 'tis my limited service.
       Exit.
       LENNOX
       Goes the King hence today?
       MACBETH
       He does; he did appoint so.
       LENNOX
       The night has been unruly. Where we lay,
       Our chimneys were blown down, and, as they say,
       Lamentings heard i' the air, strange screams of death,
       And prophesying with accents terrible
       Of dire combustion and confused events
       New hatch'd to the woeful time. The obscure bird
       Clamor'd the livelong night. Some say the earth
       Was feverous and did shake.
       MACBETH
       'Twas a rough night.
       LENNOX
       My young remembrance cannot parallel
       A fellow to it.
       Re-enter Macduff.
       MACDUFF
       O horror, horror, horror! Tongue nor heart
       Cannot conceive nor name thee.
       MACBETH.
       LENNOX
       What's the matter?
       MACDUFF
       Confusion now hath made his masterpiece.
       Most sacrilegious murther hath broke ope
       The Lord's anointed temple and stole thence
       The life o' the building.
       MACBETH
       What is't you say? the life?
       LENNOX
       Mean you his Majesty?
       MACDUFF
       Approach the chamber, and destroy your sight
       With a new Gorgon. Do not bid me speak;
       See, and then speak yourselves.
       Exeunt Macbeth and Lennox.
       Awake, awake!
       Ring the alarum bell. Murther and treason!
       Banquo and Donalbain! Malcolm, awake!
       Shake off this downy sleep, death's counterfeit,
       And look on death itself! Up, up, and see
       The great doom's image! Malcolm! Banquo!
       As from your graves rise up, and walk like sprites
       To countenance this horror! Ring the bell.
       Bell rings.
       Enter Lady Macbeth.
       LADY MACBETH
       What's the business,
       That such a hideous trumpet calls to parley
       The sleepers of the house? Speak, speak!
       MACDUFF
       O gentle lady,
       'Tis not for you to hear what I can speak:
       The repetition in a woman's ear
       Would murther as it fell.
       Enter Banquo.
       O Banquo, Banquo!
       Our royal master's murther'd.
       LADY MACBETH
       Woe, alas!
       What, in our house?
       BANQUO
       Too cruel anywhere.
       Dear Duff, I prithee, contradict thyself,
       And say it is not so.
       Re-enter Macbeth and Lennox, with Ross.
       MACBETH
       Had I but died an hour before this chance,
       I had lived a blessed time, for from this instant
       There's nothing serious in mortality.
       All is but toys; renown and grace is dead,
       The wine of life is drawn, and the mere lees
       Is left this vault to brag of.
       Enter Malcolm and Donalbain.
       DONALBAIN
       What is amiss?
       MACBETH
       You are, and do not know't.
       The spring, the head, the fountain of your blood
       Is stopped, the very source of it is stopp'd.
       MACDUFF
       Your royal father's murther'd.
       MALCOLM
       O, by whom?
       LENNOX
       Those of his chamber, as it seem'd, had done't.
       Their hands and faces were all badged with blood;
       So were their daggers, which unwiped we found
       Upon their pillows.
       They stared, and were distracted; no man's life
       Was to be trusted with them.
       MACBETH
       O, yet I do repent me of my fury,
       That I did kill them.
       MACDUFF
       Wherefore did you so?
       MACBETH
       Who can be wise, amazed, temperate and furious,
       Loyal and neutral, in a moment? No man.
       The expedition of my violent love
       Outrun the pauser reason. Here lay Duncan,
       His silver skin laced with his golden blood,
       And his gash'd stabs look'd like a breach in nature
       For ruin's wasteful entrance; there, the murtherers,
       Steep'd in the colors of their trade, their daggers
       Unmannerly breech'd with gore. Who could refrain,
       That had a heart to love, and in that heart
       Courage to make 's love known?
       LADY MACBETH
       Help me hence, ho!
       MACDUFF
       Look to the lady.
       MALCOLM
       [Aside to Donalbain.] Why do we hold our tongues,
       That most may claim this argument for ours?
       DONALBAIN
       [Aside to Malcolm.] What should be spoken here, where
       our fate,
       Hid in an auger hole, may rush and seize us?
       Let's away,
       Our tears are not yet brew'd.
       MALCOLM
       [Aside to Donalbain.] Nor our strong sorrow
       Upon the foot of motion.
       BANQUO
       Look to the lady.
       Lady Macbeth is carried out.
       And when we have our naked frailties hid,
       That suffer in exposure, let us meet
       And question this most bloody piece of work
       To know it further. Fears and scruples shake us.
       In the great hand of God I stand, and thence
       Against the undivulged pretense I fight
       Of treasonous malice.
       MACDUFF
       And so do I.
       ALL
       So all.
       MACBETH
       Let's briefly put on manly readiness
       And meet i' the hall together.
       ALL
       Well contented.
       Exeunt all but Malcolm and Donalbain.
       MALCOLM
       What will you do? Let's not consort with them.
       To show an unfelt sorrow is an office
       Which the false man does easy. I'll to England.
       DONALBAIN
       To Ireland, I; our separated fortune
       Shall keep us both the safer. Where we are
       There's daggers in men's smiles; the near in blood,
       The nearer bloody.
       MALCOLM
       This murtherous shaft that's shot
       Hath not yet lighted, and our safest way
       Is to avoid the aim. Therefore to horse;
       And let us not be dainty of leave-taking,
       But shift away. There's warrant in that theft
       Which steals itself when there's no mercy left.
       Exeunt.
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Dramatis Personae
act i
   Scene 1
   Scene 2
   Scene 3
   Scene 4
   Scene 5
   Scene 6
   Scene 7
act ii
   Scene 1
   Scene 2
   Scene 3
   Scene 4
act iii
   Scene 1
   Scene 2
   Scene 3
   Scene 4
   Scene 5
   Scene 6
act iv
   Scene 1
   Scene 2
   Scene 3
act v
   Scene 1
   Scene 2
   Scene 3
   Scene 4
   Scene 5
   Scene 6
   Scene 7
   Scene 8
   Scene 9