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Love’s Labour’s Lost
act iii   Scene I.
William Shakespeare
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       The park
       Enter ARMADO and MOTH
       ARMADO
       Warble, child; make passionate my sense of hearing.
       [MOTH sings Concolinel]
       ARMADO
       Sweet air! Go, tenderness of years, take this key, give
       enlargement to the swain, bring him festinately hither; I must
       employ him in a letter to my love.
       MOTH
       Master, will you win your love with a French brawl?
       ARMADO
       How meanest thou? Brawling in French?
       MOTH
       No, my complete master; but to jig off a tune at the tongue's
       end, canary to it with your feet, humour it with turning up your
       eyelids, sigh a note and sing a note, sometime through the
       throat, as if you swallowed love with singing love, sometime
       through the nose, as if you snuff'd up love by smelling love,
       with your hat penthouse-like o'er the shop of your eyes, with
       your arms cross'd on your thin-belly doublet, like a rabbit on a
       spit, or your hands in your pocket, like a man after the old
       painting; and keep not too long in one tune, but a snip and away.
       These are complements, these are humours; these betray nice
       wenches, that would be betrayed without these; and make them men
       of note- do you note me?- that most are affected to these.
       ARMADO
       How hast thou purchased this experience?
       MOTH
       By my penny of observation.
       ARMADO
       But O- but O-
       MOTH
       The hobby-horse is forgot.
       ARMADO
       Call'st thou my love 'hobby-horse'?
       MOTH
       No, master; the hobby-horse is but a colt, and your love
       perhaps a hackney. But have you forgot your love?
       ARMADO
       Almost I had.
       MOTH
       Negligent student! learn her by heart.
       ARMADO
       By heart and in heart, boy.
       MOTH
       And out of heart, master; all those three I will prove.
       ARMADO
       What wilt thou prove?
       MOTH
       A man, if I live; and this, by, in, and without, upon the
       instant. By heart you love her, because your heart cannot come by
       her; in heart you love her, because your heart is in love with
       her; and out of heart you love her, being out of heart that you
       cannot enjoy her.
       ARMADO
       I am all these three.
       MOTH
       And three times as much more, and yet nothing at all.
       ARMADO
       Fetch hither the swain; he must carry me a letter.
       MOTH
       A message well sympathiz'd- a horse to be ambassador for an
       ass.
       ARMADO
       Ha, ha, what sayest thou?
       MOTH
       Marry, sir, you must send the ass upon the horse, for he is
       very slow-gaited. But I go.
       ARMADO
       The way is but short; away.
       MOTH
       As swift as lead, sir.
       ARMADO
       The meaning, pretty ingenious?
       Is not lead a metal heavy, dull, and slow?
       MOTH
       Minime, honest master; or rather, master, no.
       ARMADO
       I say lead is slow.
       MOTH
       You are too swift, sir, to say so:
       Is that lead slow which is fir'd from a gun?
       ARMADO
       Sweet smoke of rhetoric!
       He reputes me a cannon; and the bullet, that's he;
       I shoot thee at the swain.
       MOTH
       Thump, then, and I flee.
       Exit
       ARMADO
       A most acute juvenal; volable and free of grace!
       By thy favour, sweet welkin, I must sigh in thy face;
       Most rude melancholy, valour gives thee place.
       My herald is return'd.
       Re-enter MOTH with COSTARD
       MOTH
       A wonder, master! here's a costard broken in a shin.
       ARMADO
       Some enigma, some riddle; come, thy l'envoy; begin.
       COSTARD
       No egma, no riddle, no l'envoy; no salve in the mail, sir.
       O, sir, plantain, a plain plantain; no l'envoy, no l'envoy; no
       salve, sir, but a plantain!
       ARMADO
       By virtue thou enforcest laughter; thy silly thought, my
       spleen; the heaving of my lungs provokes me to ridiculous
       smiling. O, pardon me, my stars! Doth the inconsiderate take
       salve for l'envoy, and the word 'l'envoy' for a salve?
       MOTH
       Do the wise think them other? Is not l'envoy a salve?
       ARMADO
       No, page; it is an epilogue or discourse to make plain
       Some obscure precedence that hath tofore been sain.
       I will example it:
       The fox, the ape, and the humble-bee,
       Were still at odds, being but three.
       There's the moral. Now the l'envoy.
       MOTH
       I will add the l'envoy. Say the moral again.
       ARMADO
       The fox, the ape, and the humble-bee,
       Were still at odds, being but three.
       MOTH
       Until the goose came out of door,
       And stay'd the odds by adding four.
       Now will I begin your moral, and do you follow with my l'envoy.
       The fox, the ape, and the humble-bee,
       Were still at odds, being but three.
       ARMADO
       Until the goose came out of door,
       Staying the odds by adding four.
       MOTH
       A good l'envoy, ending in the goose; would you desire more?
       COSTARD
       The boy hath sold him a bargain, a goose, that's flat.
       Sir, your pennyworth is good, an your goose be fat.
       To sell a bargain well is as cunning as fast and loose;
       Let me see: a fat l'envoy; ay, that's a fat goose.
       ARMADO
       Come hither, come hither. How did this argument begin?
       MOTH
       By saying that a costard was broken in a shin.
       Then call'd you for the l'envoy.
       COSTARD
       True, and I for a plantain. Thus came your argument in;
       Then the boy's fat l'envoy, the goose that you bought;
       And he ended the market.
       ARMADO
       But tell me: how was there a costard broken in a shin?
       MOTH
       I will tell you sensibly.
       COSTARD
       Thou hast no feeling of it, Moth; I will speak that
       l'envoy.
       I, Costard, running out, that was safely within,
       Fell over the threshold and broke my shin.
       ARMADO
       We will talk no more of this matter.
       COSTARD
       Till there be more matter in the shin.
       ARMADO
       Sirrah Costard. I will enfranchise thee.
       COSTARD
       O, Marry me to one Frances! I smell some l'envoy, some
       goose, in this.
       ARMADO
       By my sweet soul, I mean setting thee at liberty,
       enfreedoming thy person; thou wert immured, restrained,
       captivated, bound.
       COSTARD
       True, true; and now you will be my purgation, and let me
       loose.
       ARMADO
       I give thee thy liberty, set thee from durance; and, in
       lieu thereof, impose on thee nothing but this: bear this
       significant [giving a letter] to the country maid Jaquenetta;
       there is remuneration, for the best ward of mine honour is
       rewarding my dependents. Moth, follow.
       Exit
       MOTH
       Like the sequel, I. Signior Costard, adieu.
       COSTARD
       My sweet ounce of man's flesh, my incony Jew!
       [Exit MOTH]
       Now will I look to his remuneration. Remuneration! O, that's the
       Latin word for three farthings. Three farthings- remuneration.
       'What's the price of this inkle?'- 'One penny.'- 'No, I'll give
       you a remuneration.' Why, it carries it. Remuneration! Why, it is
       a fairer name than French crown. I will never buy and sell out of
       this word.
       Enter BEROWNE
       BEROWNE
       My good knave Costard, exceedingly well met!
       COSTARD
       Pray you, sir, how much carnation ribbon may a man buy for
       a remuneration?
       BEROWNE
       What is a remuneration?
       COSTARD
       Marry, sir, halfpenny farthing.
       BEROWNE
       Why, then, three-farthing worth of silk.
       COSTARD
       I thank your worship. God be wi' you!
       BEROWNE
       Stay, slave; I must employ thee.
       As thou wilt win my favour, good my knave,
       Do one thing for me that I shall entreat.
       COSTARD
       When would you have it done, sir?
       BEROWNE
       This afternoon.
       COSTARD
       Well, I will do it, sir; fare you well.
       BEROWNE
       Thou knowest not what it is.
       COSTARD
       I shall know, sir, when I have done it.
       BEROWNE
       Why, villain, thou must know first.
       COSTARD
       I will come to your worship to-morrow morning.
       BEROWNE
       It must be done this afternoon.
       Hark, slave, it is but this:
       The Princess comes to hunt here in the park,
       And in her train there is a gentle lady;
       When tongues speak sweetly, then they name her name,
       And Rosaline they call her. Ask for her,
       And to her white hand see thou do commend
       This seal'd-up counsel. There's thy guerdon; go.
       [Giving him a shilling]
       COSTARD
       Gardon, O sweet gardon! better than remuneration; a
       'leven-pence farthing better; most sweet gardon! I will do it,
       sir, in print. Gardon- remuneration!
       Exit
       BEROWNE
       And I, forsooth, in love; I, that have been love's whip;
       A very beadle to a humorous sigh;
       A critic, nay, a night-watch constable;
       A domineering pedant o'er the boy,
       Than whom no mortal so magnificent!
       This wimpled, whining, purblind, wayward boy,
       This senior-junior, giant-dwarf, Dan Cupid;
       Regent of love-rhymes, lord of folded arms,
       Th' anointed sovereign of sighs and groans,
       Liege of all loiterers and malcontents,
       Dread prince of plackets, king of codpieces,
       Sole imperator, and great general
       Of trotting paritors. O my little heart!
       And I to be a corporal of his field,
       And wear his colours like a tumbler's hoop!
       What! I love, I sue, I seek a wife-
       A woman, that is like a German clock,
       Still a-repairing, ever out of frame,
       And never going aright, being a watch,
       But being watch'd that it may still go right!
       Nay, to be perjur'd, which is worst of all;
       And, among three, to love the worst of all,
       A whitely wanton with a velvet brow,
       With two pitch balls stuck in her face for eyes;
       Ay, and, by heaven, one that will do the deed,
       Though Argus were her eunuch and her guard.
       And I to sigh for her! to watch for her!
       To pray for her! Go to; it is a plague
       That Cupid will impose for my neglect
       Of his almighty dreadful little might.
       Well, I will love, write, sigh, pray, sue, and groan:
       Some men must love my lady, and some Joan.
       Exit
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本书目录

Dramatis Personae.
act i
   Scene I.
   Scene II.
act ii
   Scene I.
act iii
   Scene I.
act iv
   Scene I.
   Scene II.
   Scene III.
act v
   Scene I.
   Scene II.