_ CHAPTER XIII. OF NEWSPAPERS
Father Payne was a very irregular reader of the newspaper; he was not greedy of news, and he was incurious about events, while he disliked the way in which they were professionally dished up for human consumption. At times, however, he would pore long and earnestly over a daily paper with knitted brows and sighs. "You seem to be suffering a good deal over your paper to-day, Father!" said Barthrop once, regarding him with amusement. Father Payne lifted up his head, and then broke into a smile. "It's all right, my boy!" he said. "I don't despair of the world itself, but I feel that if the average newspaper represents the mind of the average man, the human race is very feeble--not worth saving! This sort of thing"--indicating the paper with a wave of his hand--"makes me realise how many things there are that don't interest me--and I can't get at them either through the medium of these writers' minds. They don't seem to want simply to describe the facts, but to manipulate them; they try to make you uncomfortable about the future, and contented with the past. It ought to be just the other way! And then I ask myself, 'Ought I, as a normal human being, to be as one-sided, as submissive, as trivial, as sentimental as this?' These vast summaries of public opinion, do they represent anyone's opinion at all, or are they simply the sort of thing you talk about in a railway-carriage with a man you don't know? Does anyone's mind really dwell on such things and ponder them? The newspapers do not really know what is happening--everything takes them by surprise. The ordinary person is interested in his work, his amusements, the people he lives with--in real things. There seems to be nothing real here; it is all shadowy, I want to get at men's minds, not at what journalists think is in men's minds. The human being in the newspapers seems to me an utterly unreal person, picturesque, theatrical, fatuous, slobbering, absurd. Does not the newspaper-convention misrepresent us as much as the book-convention misrepresents us? We straggle irregularly along, we are capable of entertaining at the same moment two wholly contrary opinions, we do what we don't intend to do, we don't carry out our hopes or our purposes. The man in the papers is agitated, excited, wild, inquisitive--the ordinary person is calm, indifferent, and on the whole fairly happy, unless some one frightens him. I can't make it out, because it isn't a conspiracy to deceive, and yet it does deceive; and what is more, most people don't even seem to know that they are being misrepresented. It all seems to me to differ as much from real life as the Morning Service read in church differs from the thoughts of the congregation!"
"How would you mend it?" said Barthrop. "It seems to me it must represent _something_."
"Something!" said Father Payne. "I don't know! I don't believe we are so stupid and so ignoble! As to mending it, that's another question. Writing is such a curious thing--it seems to represent anything in the world except the current of a man's thoughts. Reverie--has anyone ever tried to represent that? I have been out for a walk sometimes, and reflected when I came in that if what has passed through my mind were all printed in full in a book, it would make a large octavo volume--and precious stuff, too! Yet the few thoughts which do stand out when it is all over, the few bright flashes, they are things which can hardly be written down--at least they never are written down."
"But what would you do?" I said--"with the newspapers, I mean."
"Well," said Father Payne, "a great deal of the news most worth telling can be told best in pictures. I believe very much in illustrated papers. They really do help the imagination. That's the worst of words--a dozen scratches on a bit of paper do more to make one realise a scene than columns of description. I would do a lot with pictures, and a bit of print below to tell people what to notice. Then we must have a number of bare facts and notices--weather, business, trade, law--the sort of thing that people concerned must read. But I would make a clean sweep of fashion, and all sensational intelligence--murders, accidents, sudden deaths. I would have much more biography of living people as well as dead, and a few of the big speeches. Then I would have really good articles with pictures about foreign countries--we ought to know what the world looks like, and how the other people live. And then I would have one or two really fine little essays every day by the very best people I could get, amusing, serious, beautiful articles about nature and art and books and ideas and qualities--some real, good, plain, wise, fine, simple thinking. You want to get people in touch with the best minds!"
"And how many people would read such a paper?" I said.
"Oh, I don't know, I'm sure," said Father Payne with a groan. "I would for one! I want to have the feeling of being in touch day by day with the clever, interesting, lively, active-minded people, as if I had been listening to good talk. Isn't that possible? Instead of which I sit here, day after day, overflowing with my own ridiculous thoughts--and the world discharging all its staleness and stupidity like a sewer in these horrible documents. Take it away from me, someone! I'm fascinated by the disgusting smell of it!" I withdrew the paper from under his hands. "Thank you," said Father Payne feebly. "That's the horror of it--that the world isn't a dull place or a sensational place or a nasty place--and those papers make me feel it is all three!"
"I'm sorry you are so low about it," said Barthrop.
"Yes, because journalism ought to be the finest thing in the world," said Father Payne. "Just imagine! The power of talking, without any of the inconveniences of personality, to half-a-million people."
"But why doesn't it improve?" said Barthrop. "You always say that the public finds out what it wants, and will have it."
"In books, yes!" said Father Payne; "but in daily life we are all so damnably afraid of the truth--that's what is the matter with us, and it is that which journalism caters for. Suppress the truth, pepper it up, flavour it, make it appetising--try to persuade people that the world is romantic--that's the aim of the journalist. He flies from the truth, he makes a foolish tale out of it, he makes people despise the real interests of life, he makes us all want to escape from life into something that never has been and never will be. I loathe romance with all my heart. The way of escape is within, and not without."
"You had better go for a walk," said Barthrop soothingly.
"I must," said Father Payne. "I'm drunk and drugged with unreality. I will go and have a look round the farm--no, I won't have any company, thank you. I shall only go on fuming and stewing, if I have sympathetic listeners. You are too amiable, you fellows. You encourage me to talk, when you ought to stop your ears and run from me." And Father Payne swung out of the room. _