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Hamlet
act iii   Scene 4
William Shakespeare
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       The Queen's closet.
       Enter Queen and Polonius.
       POLONIUS
       He will come straight. Look you lay home to him.
       Tell him his pranks have been too broad to bear with,
       And that your Grace hath screen'd and stood between
       Much heat and him. I'll silence me even here.
       Pray you be round with him.
       HAMLET
       (within) Mother, mother, mother!
       QUEEN
       I'll warrant you; fear me not. Withdraw; I hear him coming.
       [Polonius hides behind the arras.]
       Enter Hamlet.
       HAMLET
       Now, mother, what's the matter?
       QUEEN
       Hamlet, thou hast thy father much offended.
       HAMLET
       Mother, you have my father much offended.
       QUEEN
       Come, come, you answer with an idle tongue.
       HAMLET
       Go, go, you question with a wicked tongue.
       QUEEN
       Why, how now, Hamlet?
       HAMLET
       What's the matter now?
       QUEEN
       Have you forgot me?
       HAMLET
       No, by the rood, not so!
       You are the Queen, your husband's brother's wife,
       And (would it were not so!) you are my mother.
       QUEEN
       Nay, then I'll set those to you that can speak.
       HAMLET
       Come, come, and sit you down. You shall not budge;
       You go not till I set you up a glass
       Where you may see the inmost part of you.
       QUEEN
       What wilt thou do? Thou wilt not murther me?
       Help, help, ho!
       POLONIUS
       [behind] What, ho! help, help, help!
       HAMLET
       [draws] How now? a rat? Dead for a ducat, dead!
       [Makes a pass through the arras and] kills Polonius.
       POLONIUS
       [behind] O, I am slain!
       QUEEN
       O me, what hast thou done?
       HAMLET
       Nay, I know not. Is it the King?
       QUEEN
       O, what a rash and bloody deed is this!
       HAMLET
       A bloody deed- almost as bad, good mother,
       As kill a king, and marry with his brother.
       QUEEN
       As kill a king?
       HAMLET
       Ay, lady, it was my word.
       [Lifts up the arras and sees Polonius.]
       Thou wretched, rash, intruding fool, farewell!
       I took thee for thy better. Take thy fortune.
       Thou find'st to be too busy is some danger.
       Leave wringing of your hands. Peace! sit you down
       And let me wring your heart; for so I shall
       If it be made of penetrable stuff;
       If damned custom have not braz'd it so
       That it is proof and bulwark against sense.
       QUEEN
       What have I done that thou dar'st wag thy tongue
       In noise so rude against me?
       HAMLET
       Such an act
       That blurs the grace and blush of modesty;
       Calls virtue hypocrite; takes off the rose
       From the fair forehead of an innocent love,
       And sets a blister there; makes marriage vows
       As false as dicers' oaths. O, such a deed
       As from the body of contraction plucks
       The very soul, and sweet religion makes
       A rhapsody of words! Heaven's face doth glow;
       Yea, this solidity and compound mass,
       With tristful visage, as against the doom,
       Is thought-sick at the act.
       QUEEN
       Ah me, what act,
       That roars so loud and thunders in the index?
       HAMLET
       Look here upon th's picture, and on this,
       The counterfeit presentment of two brothers.
       See what a grace was seated on this brow;
       Hyperion's curls; the front of Jove himself;
       An eye like Mars, to threaten and command;
       A station like the herald Mercury
       New lighted on a heaven-kissing hill:
       A combination and a form indeed
       Where every god did seem to set his seal
       To give the world assurance of a man.
       This was your husband. Look you now what follows.
       Here is your husband, like a mildew'd ear
       Blasting his wholesome brother. Have you eyes?
       Could you on this fair mountain leave to feed,
       And batten on this moor? Ha! have you eyes
       You cannot call it love; for at your age
       The heyday in the blood is tame, it's humble,
       And waits upon the judgment; and what judgment
       Would step from this to this? Sense sure you have,
       Else could you not have motion; but sure that sense
       Is apoplex'd; for madness would not err,
       Nor sense to ecstacy was ne'er so thrall'd
       But it reserv'd some quantity of choice
       To serve in such a difference. What devil was't
       That thus hath cozen'd you at hoodman-blind?
       Eyes without feeling, feeling without sight,
       Ears without hands or eyes, smelling sans all,
       Or but a sickly part of one true sense
       Could not so mope.
       O shame! where is thy blush? Rebellious hell,
       If thou canst mutine in a matron's bones,
       To flaming youth let virtue be as wax
       And melt in her own fire. Proclaim no shame
       When the compulsive ardour gives the charge,
       Since frost itself as actively doth burn,
       And reason panders will.
       QUEEN
       O Hamlet, speak no more!
       Thou turn'st mine eyes into my very soul,
       And there I see such black and grained spots
       As will not leave their tinct.
       HAMLET
       Nay, but to live
       In the rank sweat of an enseamed bed,
       Stew'd in corruption, honeying and making love
       Over the nasty sty!
       QUEEN
       O, speak to me no more!
       These words like daggers enter in mine ears.
       No more, sweet Hamlet!
       HAMLET
       A murtherer and a villain!
       A slave that is not twentieth part the tithe
       Of your precedent lord; a vice of kings;
       A cutpurse of the empire and the rule,
       That from a shelf the precious diadem stole
       And put it in his pocket!
       QUEEN
       No more!
       Enter the Ghost in his nightgown.
       HAMLET
       A king of shreds and patches!-
       Save me and hover o'er me with your wings,
       You heavenly guards! What would your gracious figure?
       QUEEN
       Alas, he's mad!
       HAMLET
       Do you not come your tardy son to chide,
       That, laps'd in time and passion, lets go by
       Th' important acting of your dread command?
       O, say!
       GHOST
       Do not forget. This visitation
       Is but to whet thy almost blunted purpose.
       But look, amazement on thy mother sits.
       O, step between her and her fighting soul
       Conceit in weakest bodies strongest works.
       Speak to her, Hamlet.
       HAMLET
       How is it with you, lady?
       QUEEN
       Alas, how is't with you,
       That you do bend your eye on vacancy,
       And with th' encorporal air do hold discourse?
       Forth at your eyes your spirits wildly peep;
       And, as the sleeping soldiers in th' alarm,
       Your bedded hairs, like life in excrements,
       Start up and stand an end. O gentle son,
       Upon the heat and flame of thy distemper
       Sprinkle cool patience! Whereon do you look?
       HAMLET
       On him, on him! Look you how pale he glares!
       His form and cause conjoin'd, preaching to stones,
       Would make them capable.- Do not look upon me,
       Lest with this piteous action you convert
       My stern effects. Then what I have to do
       Will want true colour- tears perchance for blood.
       QUEEN
       To whom do you speak this?
       HAMLET
       Do you see nothing there?
       QUEEN
       Nothing at all; yet all that is I see.
       HAMLET
       Nor did you nothing hear?
       QUEEN
       No, nothing but ourselves.
       HAMLET
       Why, look you there! Look how it steals away!
       My father, in his habit as he liv'd!
       Look where he goes even now out at the portal!
       Exit Ghost.
       QUEEN
       This is the very coinage of your brain.
       This bodiless creation ecstasy
       Is very cunning in.
       HAMLET
       Ecstasy?
       My pulse as yours doth temperately keep time
       And makes as healthful music. It is not madness
       That I have utt'red. Bring me to the test,
       And I the matter will reword; which madness
       Would gambol from. Mother, for love of grace,
       Lay not that flattering unction to your soul
       That not your trespass but my madness speaks.
       It will but skin and film the ulcerous place,
       Whiles rank corruption, mining all within,
       Infects unseen. Confess yourself to heaven;
       Repent what's past; avoid what is to come;
       And do not spread the compost on the weeds
       To make them ranker. Forgive me this my virtue;
       For in the fatness of these pursy times
       Virtue itself of vice must pardon beg-
       Yea, curb and woo for leave to do him good.
       QUEEN
       O Hamlet, thou hast cleft my heart in twain.
       HAMLET
       O, throw away the worser part of it,
       And live the purer with the other half,
       Good night- but go not to my uncle's bed.
       Assume a virtue, if you have it not.
       That monster, custom, who all sense doth eat
       Of habits evil, is angel yet in this,
       That to the use of actions fair and good
       He likewise gives a frock or livery,
       That aptly is put on. Refrain to-night,
       And that shall lend a kind of easiness
       To the next abstinence; the next more easy;
       For use almost can change the stamp of nature,
       And either [master] the devil, or throw him out
       With wondrous potency. Once more, good night;
       And when you are desirous to be blest,
       I'll blessing beg of you.- For this same lord,
       I do repent; but heaven hath pleas'd it so,
       To punish me with this, and this with me,
       That I must be their scourge and minister.
       I will bestow him, and will answer well
       The death I gave him. So again, good night.
       I must be cruel, only to be kind;
       Thus bad begins, and worse remains behind.
       One word more, good lady.
       QUEEN
       What shall I do?
       HAMLET
       Not this, by no means, that I bid you do:
       Let the bloat King tempt you again to bed;
       Pinch wanton on your cheek; call you his mouse;
       And let him, for a pair of reechy kisses,
       Or paddling in your neck with his damn'd fingers,
       Make you to ravel all this matter out,
       That I essentially am not in madness,
       But mad in craft. 'Twere good you let him know;
       For who that's but a queen, fair, sober, wise,
       Would from a paddock, from a bat, a gib
       Such dear concernings hide? Who would do so?
       No, in despite of sense and secrecy,
       Unpeg the basket on the house's top,
       Let the birds fly, and like the famous ape,
       To try conclusions, in the basket creep
       And break your own neck down.
       QUEEN
       Be thou assur'd, if words be made of breath,
       And breath of life, I have no life to breathe
       What thou hast said to me.
       HAMLET
       I must to England; you know that?
       QUEEN
       Alack,
       I had forgot! 'Tis so concluded on.
       HAMLET
       There's letters seal'd; and my two schoolfellows,
       Whom I will trust as I will adders fang'd,
       They bear the mandate; they must sweep my way
       And marshal me to knavery. Let it work;
       For 'tis the sport to have the enginer
       Hoist with his own petar; and 't shall go hard
       But I will delve one yard below their mines
       And blow them at the moon. O, 'tis most sweet
       When in one line two crafts directly meet.
       This man shall set me packing.
       I'll lug the guts into the neighbour room.-
       Mother, good night.- Indeed, this counsellor
       Is now most still, most secret, and most grave,
       Who was in life a foolish peating knave.
       Come, sir, to draw toward an end with you.
       Good night, mother.
       [Exit the Queen. Then] Exit Hamlet, tugging in Polonius.
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Dramatis Personae
act i
   Scene 1
   Scene 2
   Scene 3
   Scene 4
   Scene 5
act ii
   Scene 1
   Scene 2
act iii
   Scene 1
   Scene 2
   Scene 3
   Scene 4
act iv
   Scene 1
   Scene 2
   Scene 3
   Scene 4
   Scene 5
   Scene 6
   Scene 7
act v
   Scene 1
   Scene 2