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Essay(s) by Alice Meynell
Letters
Alice Meynell
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       The letter exacted from a child is usually a letter of thanks; somebody has sent him a box of chocolates. The thanks tend to stiffen a child's style; but in any case a letter is the occasion of a sudden self-consciousness, newer to a child than his elders know. They speak prose and know it. But a young child possesses his words by a different tenure; he is not aware of the spelt and written aspect of the things he says every day; he does not dwell upon the sound of them. He is so little taken by the kind and character of any word that he catches the first that comes at random. A little child to whom a peach was first revealed, whispered to his mother, "I like that kind of turnip." Compelled to write a letter, the child finds the word of daily life suddenly a stranger.
       The fresher the mind the duller the sentence; and the younger the fingers the older, more wrinkled, and more sidling the handwriting. Dickens, who used his eyes, remarked the contrast. The hand of a child and his face are full of rounds; but his written O is tottering and haggard.
       His phrases are ceremonious without the dignity of ceremony. The child chatters because he wants his companion to hear; but there is no inspiration in the act of writing to a distant aunt about whom he probably has some grotesque impression because he cannot think of anyone, however vague and forgotten, without a mental image. As like as not he pictures all his relatives at a distance with their eyes shut. No boy wants to write familiar things to a forgotten aunt with her eyes shut. His thoughtless elders require him not only to write to her under these discouragements, but to write to her in an artless and childlike fashion.
       The child is unwieldy of thought, besides. He cannot send the conventional messages but he loses his way among the few pronouns: "I send them their love," "They sent me my love," "I kissed their hand to me." If he is stopped and told to get the words right, he has to make a long effort. His precedent might be cited to excuse every politician who cannot remember whether he began his sentence with "people" in the singular or the plural, and who finishes it otherwise than as he began it. Points of grammar that are purely points of logic baffle a child completely. He is as unready in the thought needed for these as he is in the use of his senses.
       It is not true--though it is generally said--that a young child's senses are quick. This is one of the unverified ideas that commend themselves, one knows not why. We have had experiments to compare the relative quickness of perception proved by men and women. The same experiments with children would give curious results, but they can hardly, perhaps, be made, because the children would be not only slow to perceive but slow to announce the perception; so the moment would go by, and the game be lost. Not even amateur conjuring does so baffle the slow turning of a child's mind as does a little intricacy of grammar.
       [The end]
       Alice Meynell's essay: Letters
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Addresses
Anima Pellegrina!
At Monastery Gates
The Audience
Authorship
The Barren Shore
The Boy
By The Railway Side
The Century Of Moderation
Ceres' Runaway
Charlotte And Emily Bronte
Charmian
The Child Of Subsiding Tumult
The Child Of Tumult
Children In Burlesque
Children In Midwinter
Cloud
The Colour Of Life
Composure
A Counterchange
The Daffodil
Decivilized
A Derivation
Domus Angusta
Donkey Races
Dr. Oliver Wendell Holmes
Dry Autumn
Eleonora Duse
Expression
Eyes
Fair And Brown
Fellow Travellers With A Bird
The Fields
The Flower
Flower of the Mind
The Foot
Grass
Habits And Consciousness
Harlequin Mercutio
Have Patience, Little Saint
The Honours Of Mortality
The Horizon
The Hours Of Sleep
Illness
The Illusion Of Historic Time
Innocence And Experience
James Russell Lowell
July
The Ladies Of The Idyll
The Lady Of The Lyrics
Laughter
The Lesson Of Landscape
Letters
The Letters Of Marceline Valmore
The Little Language
Madame Roland
The Man With Two Heads
Mr. Coventry Patmore's Odes
Mrs. Dingley
Mrs. Johnson
A Northern Fancy
Out Of Town
Pathos
Penultimate Caricature
The Plaid
Pocket Vocabularies
A Point Of Biography
The Point Of Honour
Popular Burlesque
Prue
Rain
Real Childhood
Rejection
A Remembrance
The Rhythm Of Life
Rushes And Reeds
The Sea Wall
The Seventeenth Century
Shadows
Solitude
Some Thoughts Of A Reader Of Tennyson
The Spirit Of Place
The Sun
Swinburne's Lyrical Poetry
Symmetry And Incident
The Tethered Constellations
That Pretty Person
Tithonus
The Tow Path
Two Burdens
Under The Early Stars
The Unit Of The World
The Unready
Unstable Equilibrium
A Vanquished Man
Victorian Caricature
Wells
Winds Of The World
A Woman In Grey
The Young Children