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The Broad Highway
book two. the woman   Chapter IX. Which Relates Somewhat of Charmian Brown
Jeffrey Farnol
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       We were sitting in the moonlight.
       "Now," said Charmian, staring up at the luminous heaven, "let us talk."
       "Willingly," I answered; "let us talk of stars."
       "No--let us talk of ourselves."
       "As you please."
       "Very well, you begin."
       "Well--I am a blacksmith."
       "Yes, you told me so before."
       "And I make horseshoes--"
       "He is a blacksmith, and makes horseshoes!" said Charmian, nodding at the moon.
       "And I live here, in this solitude, very contentedly; so that it is only reasonable to suppose that I shall continue to live here, and make horseshoes--though, really," I broke off, letting my eyes wander from my companion's upturned face back to the glowing sky, once more, "there is little I could tell you about so commonplace a person as myself that is likely to interest you."
       "No," said Charmian, "evidently not!" Here my gaze came down to her face again so quickly that I fancied I detected the ghost of a smile upon her lips.
       "Then," said I, "by all means let us talk of something else."
       "Yes," she agreed; "let us talk of the woman Charmian--Charmian --Brown." A tress of hair had come loose, and hung low above her brow, and in its shadow her, eyes seemed more elusive, more mocking than ever, and, while our glances met, she put up a hand and began to, wind this glossy tress round and round her finger.
       "Well?" said she.
       "Well," said I, "supposing you begin."
       "But is she likely to interest you?"
       "I think so--yes."
       "Aren't you sure, then?"
       "Quite sure--certainly."
       "Then why don't you say so?"
       "I thought you would take that for granted."
       "A woman should take nothing for granted, sir."
       "Then," said I, "supposing you begin."
       "I've half a mind not to," she retorted, curling the tress of hair again, and then, suddenly: "What do you think of Charmian Brown?"
       "I think of her as little as I can."
       "Indeed, sir!"
       "Indeed," said I.
       "And why, pray?"
       "Because," said I, knocking the ashes from my pipe, "because the more I think about her the more incomprehensible she becomes."
       "Have you known many women?"
       "Very few," I confessed, "but--"
       "But?"
       "I am not altogether unfamiliar with the sex--for I have known a great number--in books."
       "Our blacksmith," said Charmian, addressing the moon again, "has known many women--in books! His knowledge is, therefore, profound!" and she laughed.
       "May I ask why you laugh at me?"
       "Oh!" said she, "don't you know that women in books and women out of books are no more the same than day and night, or summer and winter?"
       "And yet there are thousands of women who exist for us in books only, Laura, Beatrice, Trojan Helen, Aspasia, the glorious Phryne, and hosts of others," I demurred.
       "Yes; but they exist for us only as their historians permit them, as their biographers saw, or imagined them. Would Petrarch ever have permitted Laura to do an ungracious act, or anything which, to his masculine understanding, seemed unfeminine; and would Dante have mentioned it had Beatrice been guilty of one? A man can no more understand a woman from the reading of books than he can learn Latin or Greek from staring at the sky."
       "Of that," said I, shaking my head, "of that I am not so sure."
       "Then--personally--you know very little concerning women?" she inquired.
       "I have always been too busy," said I. Here Charmian turned to look at me again.
       "Too busy?" she repeated, as though she had not heard aright; "too busy?"
       "Much too busy!" Now, when I said this, she laughed, and then she frowned, and then she laughed again.
       "You would much rather make a--horseshoe than talk with a woman, perhaps?"
       "Yes, I think I would."
       "Oh!" said Charmian, frowning again, but this time she did not look at me.
       "You see," I explained, turning my empty pipe over and over, rather aimlessly, "when I make a horseshoe I take a piece of iron and, having heated it, I bend and shape it, and with every hammer-stroke I see it growing into what I would have it--I am sure of it, from start to finish; now, with a woman it is--different."
       "You mean that you cannot bend, and shape her, like your horseshoe?" still without looking towards me.
       "I mean that--that I fear I should never be quite sure of a --woman, as I am of my horseshoe."
       "Why, you see," said Charmian, beginning to braid the tress of hair, "a woman cannot, at any time, be said to resemble a horseshoe--very much, can she?"
       "Surely," said I, "surely you know what I mean--?"
       "There are Laura and Beatrice and Helen and Aspasia and Phryne, and hosts of others," said Charmian, nodding to the moon again. "Oh, yes--our blacksmith has read of so many women in books that he has no more idea of women out of books than I of Sanscrit."
       And, in a little while, seeing I was silent, she condescended to glance towards me:
       "Then I suppose, under the circumstances, you have never been--in love?"
       "In love?" I repeated, and dropped my pipe.
       "In love."
       "The Lord forbid!"
       "Why, pray?"
       "Because Love is a disease--a madness, coming between a man and his life's work. Love!" said I, "it is a calamity!"
       "Never having been in love himself, our blacksmith, very naturally, knows all about it!" said Charmian to the moon.
       "I speak only of such things as I have read--" I began.
       "More books!" she sighed.
       "--words of men, much wiser than I--poets and philosophers, written--"
       "When they were old and gray-headed," Charmian broke in; "when they were quite incapable of judging the matter--though many a grave philosopher loved; now didn't he?"
       "To be sure," said I, rather hipped, "Dionysius Lambienus, I think, says somewhere that a woman with a big mouth is infinitely sweeter in the kissing--and--"
       "Do you suppose he read that in a book?" she inquired, glancing at me sideways.
       "Why, as to that," I answered, "a philosopher may love, but not for the mere sake of loving."
       "For whose sake then, I wonder?"
       "A man who esteems trifles for their own sake is a trifler, but one who values them, rather, for the deductions that may be drawn from them--he is a philosopher."
       Charmian rose, and stood looking down at me very strangely.
       "So!" said she, throwing back her head, "so, throned in lofty might, superior Mr. Smith thinks Love a trifle, does he?"
       "My name is Vibart, as I think you know," said I, stung by her look or her tone, or both.
       "Yes," she answered, seeming to look down at me from an immeasurable attitude, "but I prefer to know him, just now, as Superior Mr. Smith."
       "As you will," said I, and rose also; but, even then, though she had to look up to me, I had the same inward conviction that her eyes were regarding me from a great height; wherefore I, attempted--quite unsuccessfully to light my pipe.
       And after I had struck flint and steel vainly, perhaps a dozen times, Charmian took the box from me, and, igniting the tinder, held it for me while I lighted my tobacco.
       "Thank you!" said I, as she returned the box, and then I saw that she was smiling. "Talking of Charmian Brown--" I began.
       "But we are not."
       "Then suppose you begin?"
       "Do you really wish to hear about that--humble person?"
       "Very much!"
       "Then you must know, in the first place, that she is old, sir, dreadfully old!"
       "But," said I, "she really cannot be more than twenty-three--or four at the most."
       "She is just twenty-one!" returned Charmian, rather hastily, I thought.
       "Quite a child!"
       "No, indeed--it is experience that ages one--and by experience she is quite--two hundred!"
       "The wonder is that she still lives."
       "Indeed it is!" "And, being of such a ripe age, it is probable that she, at any rate, has--been in love."
       "Scores of times!"
       "Oh!" said I, puffing very hard at my pipe
       "Or fancied so," said Charmian. "That," I replied, "that is a very different thing!"
       "Do you think so?"
       "Well--isn't it?"
       "Perhaps."
       "Very well, then, continue, I beg."
       "Now, this woman," Charmian went on, beginning to curl the tress of hair again, "hating the world about her with its shams, its hypocrisy, and cruelty, ran away from it all, one day, with a villain."
       "And why with a villain?"
       "Because he was a villain!"
       "That," said I, turning to look at her, "that I do not understand!"
       "No, I didn't suppose you would," she answered.
       "Hum!" said I, rubbing my chin. "And why did you run away from him?"
       "Because he was a villain."
       "That was very illogical!" said I.
       "But very sensible, sir."
       Here there fell a silence between us, and, as we walked, now and then her gown would brush my knee, or her shoulder touch mine, for the path was very narrow.
       "And--did you--" I began suddenly, and stopped.
       "Did I--what, sir?"
       "Did you love him?" said I, staring straight in front of me.
       "I--ran away from him."
       "And--do you--love him?"
       "I suppose," said Charmian, speaking very slowly, "I suppose you cannot understand a woman hating and loving a man, admiring and despising him, both at the same time?"
       "No, I can't."
       "Can you understand one glorying in the tempest that may destroy her, riding a fierce horse that may crush her, or being attracted by a will strong and masterful, before which all must yield or break?"
       "I think I can."
       "Then," said Charmian, "this man is strong and wild and very masterful, and so--I ran away with him."
       "And do you--love him?"
       We walked on some distance ere she answered:
       "I--don't know."
       "Not sure, then?"
       "No."
       After this we fell silent altogether, yet once, when I happened to glance at her, I saw that her eyes were very bright beneath the shadow of her drooping lashes, and that her lips were smiling; and I pondered very deeply as to why this should be.
       Re-entering the cottage, I closed the door, and waited the while she lighted my candle.
       And, having taken the candle from her hand, I bade her "Good night," but paused at the door of my chamber.
       "You feel--quite safe here?"
       "Quite safe!"
       "Despite the color of my hair and eyes--you have no fear of --Peter Smith?"
       "None!"
       "Because--he is neither fierce nor wild nor masterful!"
       "Because he is neither fierce nor wild," she echoed.
       "Nor masterful!" said I.
       "Nor masterful!" said Charmian, with averted head. So I opened the door, but, even then, must needs turn back again.
       "Do you think I am so very--different--from him?"
       "As different as day from night, as the lamb from the wolf," said she, without looking at me. "Good night, Peter!"
       "Good night!" said I, and so, going into my room, I closed the door behind me.
       "A lamb!" said I, tearing off my neckcloth, and sat, for some time listening to her footstep and the soft rustle of her petticoats going to and fro.
       "A lamb!" said I again, and slowly drew off my coat. As I did so, a little cambric handkerchief fell to the floor, and I kicked it, forthwith, into a corner.
       "A lamb!" said I, for the third time, but, at this moment, came a light tap upon the door.
       "Yes?" said I, without moving.
       "Oh, how is your injured thumb?"
       "Thank you, it is as well as can be expected."
       "Does it pain you very much?"
       "It is not unbearable!" said I.
       "Good night, Peter!" and I heard her move away. But presently she was back again.
       "Oh, Peter?"
       "Well?"
       "Are you frowning?"
       "I--I think I was--why?"
       "When you frown, you are very like--him, and have the same square set of the mouth and chin, when you are angry--so don't, please don't frown, Peter--Good night!"
       "Good night, Charmian!" said I, and stooping, I picked up the little handkerchief and thrust it under my pillow.
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Ante Scriptum
book one
   Chapter I. Chiefly Concerning My Uncle's Last Will and Testament
   Chapter II. I Set Out
   Chapter III. Concerns Itself Mainly with a Hat
   Chapter IV. I Meet with a Great Misfortune
   Chapter V. The Bagman
   Chapter VI. What Befell Me at "The White Hart"
   Chapter VII. Of the Further Puzzling Behavior of Tom Cragg, the Pugilist
   Chapter VIII. Which Concerns Itself with a Farmer's Whiskers and a Waistcoat
   Chapter IX. In Which I Stumble Upon an Affair of Honor.
   Chapter X. Which Relates the End of an Honorable Affair
   Chapter XI. Which Relates a Brief Passage-at-Arms at "The Chequers" Inn
   Chapter XII. The One-Legged Soldier
   Chapter XIII. In Which I Find an Answer to My Riddle
   Chapter XIV. Further Concerning the Gentleman in the Battered Hat
   Chapter XV. In Which I Meet with a Pedler by the Name of "Gabbing" Dick
   Chapter XVI. How I Heard the Steps of One Who Dogged Me in the Shadows
   Chapter XVII. How I Talked with a Madman in a Wood by Moonlight
   Chapter XVIII. The Hedge-Tavern
   Chapter XIX. In Which I Become a Squire of Dames
   Chapter XX. Concerning Daemons in General and One in Particular
   Chapter XXI. "Journeys End in Lovers' Meetings"
   Chapter XXII. In Which I Meet with a Literary Tinker
   Chapter XXIII. Concerning Happiness, a Ploughman, and Silver Buttons
   Chapter XXIV. Which Introduces the Reader to the Ancient
   Chapter XXV. Of Black George, the Smith, and How We Threw the Hammer
   Chapter XXVI. Wherein I Learn More Concerning the GHost of the Ruined Hut
   Chapter XXVII. Which Tells How and in What MAnner I Saw the Ghost
   Chapter XXVIII. The Highland Piper
   Chapter XXIX. How Black George and I Shook Hands
   Chapter XXX. In Which I Forswear Myself and Am Accused of Possessing the "Evil Eye"
   Chapter XXXI. In Which Donald Bids Me Farewell
   Chapter XXXII. In Which This First Book Begins to Draw to a Close
   Chapter XXXIII. In Which We Draw Yet Nearer to the End of This First Book
   Chapter XXXIV. Which Describes Sundry Happenings at the Fair, and Ends This First Book
   A Word to the Reader
book two. the woman
   Chapter I. Of Storm, and TEmpest, and of the Coming of Charmian
   Chapter II. The Postilion
   Chapter III. Which Bears Ample Testimony to the Strength of the Gentleman's Fists
   Chapter IV. Which, Among Other Matters, Has to Do with Bruises and Bandages
   Chapter V. In Which I Hear Ill News of George
   Chapter VI. In Which I Learn of an Impending Danger
   Chapter VII. Which Narrates a Somewhat Remarkable Conversation
   Chapter VIII. In Which I See a Vision in the Glory of the Moon, and Eat of a Poached Rabbit
   Chapter IX. Which Relates Somewhat of Charmian Brown
   Chapter X. I Am Suspected of the Black Art
   Chapter XI. A Shadow in the Hedge
   Chapter XII. Who Comes?
   Chapter XIII. A Pedler in Arcadia
   Chapter XIV. Concerning Black George's Letter
   Chapter XV. Which, Being in Parenthesis, May Be Skipped if the Reader so Desire
   Chapter XVI. Concerning, Among Other Matters, the Price of Beef, and the Lady Sophia Sefton of Cambourne
   Chapter XVII. The Omen
   Chapter XVIII. In Which I Hear News of Sir Maurice Vibart
   Chapter XIX. How I Met Black George Again, and Wherein the Patient Reader Shall Find a "Little Blood"
   Chapter XX. How I Came Up Out of the Dark
   Chapter XXI. Of the Opening of the Door, and How Charmian Blew Out the Light
   Chapter XXII. In Which the Ancient Discourses on Love
   Chapter XXIII. How Gabbing Dick, the Pedler, Set a Hammer Going in My Head
   Chapter XXIV. The Virgil Book
   Chapter XXV. In Which the Reader Shall Find Little to Do with the Story, and May, Therefore, Skip
   Chapter XXVI. Of Storm, and Tempest, and How I Met One Praying in the Dawn
   Chapter XXVII. The Epileptic
   Chapter XXVIII. In Which I Come to a Determination
   Chapter XXIX. In Which Charmian Answers My Question
   Chapter XXX. Concerning the Fate of Black George
   Chapter XXXI. In Which the Ancient is Surprised
   Chapter XXXII. How We Set Out for Burnham Hall
   Chapter XXXIII. In Which I Fall from Folly into Madness
   Chapter XXXIV. In Which I Find Peace and Joy and an Abiding Sorrow
   Chapter XXXV. How Black George Found Prudence in the Dawn
   Chapter XXXVI. Which Sympathizes with a Brass Jack, a Brace of Cutlasses, and Divers Pots and Pans
   Chapter XXXVII. The Preacher
   Chapter XXXVIII. In Which I Meet My Cousin, Sir Maurice Vibart
   Chapter XXXIX. How I Went Down into the Shadows
   Chapter XL. How, in Place of Death, I Found the Fulness of Life
   Chapter XLI. Light and Shadow
   Chapter XLII. How Sir Maurice Kept His Word
   Chapter XLIII. How I Set Out to Face My Destiny
   Chapter XLIV. The Bow Street Runners
   Chapter XLV. Which Concerns Itself, Among Other Matters, with the Boots of the Saturnine Jeremy
   Chapter XLVI. How I Came to London
   Chapter XLVII. In Which this History is Ended