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Omoo
part i   Chapter VIII. The Tattooers of La Dominica
Herman Melville
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       FOR a while leaving Little Jule to sail away by herself, I will here put down some curious information obtained from Hardy.
       The renegado had lived so long on the island that its customs were quite familiar; and I much lamented that, from the shortness of our stay, he could not tell us more than he did.
       From the little intelligence gathered, however, I learned to my surprise that, in some things, the people of Hivarhoo, though of the same group of islands, differed considerably from my tropical friends in the valley of Typee.
       As his tattooing attracted so much remark, Hardy had a good deal to say concerning the manner in which that art was practised upon the island.
       Throughout the entire cluster the tattooers of Hivarhoo enjoyed no small reputation. They had carried their art to the highest perfection, and the profession was esteemed most honourable. No wonder, then, that like genteel tailors, they rated their services very high; so much so that none but those belonging to the higher classes could afford to employ them. So true was this, that the elegance of one's tattooing was in most cases a sure indication of birth and riches.
       Professors in large practice lived in spacious houses, divided by screens of tappa into numerous little apartments, where subjects were waited upon in private. The arrangement chiefly grew out of a singular ordinance of the Taboo, which enjoined the strictest privacy upon all men, high and low, while under the hands of a tattooer. For the time, the slightest intercourse with others is prohibited, and the small portion of food allowed is pushed under the curtain by an unseen hand. The restriction with regard to food, is intended to reduce the blood, so as to diminish the inflammation consequent upon puncturing the skin. As it is, this comes on very soon, and takes some time to heal; so that the period of seclusion generally embraces many days, sometimes several weeks.
       All traces of soreness vanished, the subject goes abroad; but only again to return; for, on account of the pain, only a small surface can be operated upon at once; and as the whole body is to be more or less embellished by a process so slow, the studios alluded to are constantly filled. Indeed, with a vanity elsewhere unheard of, many spend no small portion of their days thus sitting to an artist.
       To begin the work, the period of adolescence is esteemed the most suitable. After casting about for some eminent tattooer, the friends of the youth take him to his house to have the outlines of the general plan laid out. It behoves the professor to have a nice eye, for a suit to be worn for life should be well cut.
       Some tattooers, yearning after perfection, employ, at large wages, one or two men of the commonest order--vile fellows, utterly regardless of appearances, upon whom they first try their patterns and practise generally. Their backs remorselessly scrawled over, and no more canvas remaining, they are dismissed and ever after go about, the scorn of their countrymen.
       Hapless wights! thus martyred in the cause of the Fine Arts.
       Beside the regular practitioners, there are a parcel of shabby, itinerant tattooers, who, by virtue of their calling, stroll unmolested from one hostile bay to another, doing their work dog-cheap for the multitude. They always repair to the various religious festivals, which gather great crowds. When these are concluded, and the places where they are held vacated even by the tattooers, scores of little tents of coarse tappa are left standing, each with a solitary inmate, who, forbidden to talk to his unseen neighbours, is obliged to stay there till completely healed. The itinerants are a reproach to their profession, mere cobblers, dealing in nothing but jagged lines and clumsy patches, and utterly incapable of soaring to those heights of fancy attained by the gentlemen of the faculty.
       All professors of the arts love to fraternize; and so, in Hannamanoo, the tattooers came together in the chapters of their worshipful order. In this society, duly organized, and conferring degrees, Hardy, from his influence as a white, was a sort of honorary Grand Master. The blue shark, and a sort of Urim and Thummim engraven upon his chest, were the seal of his initiation. All over Hivarhoo are established these orders of tattooers. The way in which the renegado's came to be founded is this. A year or two after his landing there happened to be a season of scarcity, owing to the partial failure of the breadfruit harvest for several consecutive seasons. This brought about such a falling off in the number of subjects for tattooing that the profession became quite needy. The royal ally of Hardy, however, hit upon a benevolent expedient to provide for their wants, at the same time conferring a boon upon many of his subjects.
       By sound of conch-shell it was proclaimed before the palace, on the beach, and at the head of the valley, that Noomai, King of Hannamanoo, and friend of Hardee-Hardee, the white, kept open heart and table for all tattooers whatsoever; but to entitle themselves to this hospitality, they were commanded to practise without fee upon the meanest native soliciting their services.
       Numbers at once flocked to the royal abode, both artists and sitters. It was a famous time; and the buildings of the palace being "taboo" to all but the tattooers and chiefs, the sitters bivouacked on the common, and formed an extensive encampment.
       The "Lora Tattoo," or the Time of Tattooing, will be long remembered. An enthusiastic sitter celebrated the event in verse. Several lines were repeated to us by Hardy, some of which, in a sort of colloquial chant he translated nearly thus:
       "Where is that sound? In Hannamanoo. And wherefore that sound? The sound of a hundred hammers, Tapping, tapping, tapping The shark teeth." "Where is that light? Round about the king's house, And the small laughter? The small, merry laughter it is Of the sons and daughters of the tattooed."
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part i
   Chapter I. My Reception Aboard
   Chapter II. Some Account of the Ship
   Chapter III. Further Account of the Julia
   Chapter IV. A Scene in the Forecastle
   Chapter V. What Happened at Hytyhoo
   Chapter VI. We Touch at La Dominica
   Chapter VII. What Happened at Hannamanoo
   Chapter VIII. The Tattooers of La Dominica
   Chapter IX. We Steer to the Westward--State of Affairs
   Chapter X. A Sea-Parlour Described, With Some of Its Tenants
   Chapter XI. Doctor Long Ghost a Wag--One of His Capers
   Chapter XII. Death and Burial of Two of the Crew
   Chapter XIII. Our Destination Changed
   Chapter XIV. Rope Yarn
   Chapter XV. Chips and Bungs
   Chapter XVI. We Encounteb a Gale
   Chapter XVII. The Coral Islands
   Chapter XVIII. Tahiti
   Chapter XIX. A Surprise--More About Bembo
   Chapter XX. The Round Robin--Visitors from Shore
   Chapter XXI. Proceedings of the Consul
   Chapter XXII. The Consul's Departure
   Chapter XXIII. The Second Night Off Papeetee
   Chapter XXIV. Outbreak of the Crew
   Chapter XXV. Jermin Encounters an Old Shipmate
   Chapter XXVI. We Enter the Harbour--Jim the Pilot
   Chapter XXVII. A Glance at Papeetee--We are Sent Aboard the Frigate
   Chapter XXVIII. Reception from the Frenchman
   Chapter XXIX. The Reine Blanche
   Chapter XXX. They Take Us Ashore--What Happened There
   Chapter XXXI. The Calabooza Beretanee
   Chapter XXXII. Proceedings of the French at Tahiti
   Chapter XXXIII. We Receive Calls at the Hotel de Calabooza
   Chapter XXXIV. Life at the Calabooza
   Chapter XXXV. Visit from an Old Acquaintance
   Chapter XXXVI. We are Carried Before the Consul and Captain
   Chapter XXXVII. The French Priests Pay Their Respects
   Chapter XXXVIII. Little Julia Sails Without Us
   Chapter XXXIX. Jermin Serves Us a Good Turn--Friendships in Polynesia
part ii
   Chapter XL. We Take Unto Ourselves Friends
   Chapter XLI. We Levy Contributions on the Shipping
   Chapter XLII. Motoo-Otoo a Tahitian Casuist
   Chapter XLIII. One is Judged by the Company he Keeps
   Chapter XLIV. Cathedral of Papoar--The Church of the Cocoa-Nuts
   Chapter XLV. Missionary's Sermon; With Some Reflections
   Chapter XLVI. Something About the Kannakippers
   Chapter XLVII. How They Dress in Tahiti
   Chapter XLVIII. Tahiti As It Is
   Chapter XLIX. Same Subject Continued
   Chapter L. Something Happens to Long Ghost
   Chapter LI. Wilson Gives Us the Cut--Departure for Imeeo
   Chapter LII. The Valley of Martair
   Chapter LIII. Farming in Polynesia
   Chapter LIV. Some Account of the Wild Cattle in Polynesia
   Chapter LV. A Hunting Ramble with Zeke
   Chapter LVI. Mosquitoes
   Chapter LVII. The Second Hunt in the Mountains
   Chapter LVIII. The Hunting-Feast; and a Visit to Afrehitoo
   Chapter LIX. The Murphies
   Chapter LX. What They Thought of Us in Martair
   Chapter LXI. Preparing for the Journey
   Chapter LXII. Tamai
   Chapter LXIII. A Dance in the Valley
   Chapter LXIV. Mysterious
   Chapter LXV. The Hegira, or Flight
   Chapter LXVI. How We Were to Get to Taloo
   Chapter LXVII. The Journey Round the Beach
   Chapter LXVIII. A Dinner-Party in Imeeo
   Chapter LXIX. The Cocoa-Palm
   Chapter LXX. Life at Loohooloo
   Chapter LXXI. We Start for Taloo
   Chapter LXXII. A Dealer in the Contraband
   Chapter LXXIII. Our Reception in Partoowye
   Chapter LXXIV. Retiring for the Night--The Doctor Grows Devout
   Chapter LXXV. A Ramble Through the Settlement
   Chapter LXXVI. An Island Jilt--We Visit the Ship
   Chapter LXXVII. A Party of Rovers--Little Loo and the Doctor
   Chapter LXXVIII. Mrs. Bell
   Chapter LXXIX. Taloo Chapel--Holding Court in Polynesia
   Chapter LXXX. Queen Pomaree
   Chapter LXXXI. We Visit the Court
   Chapter LXXXII. Which Ends the Book