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The Sisters’ Tragedy
At the Funeral of a Minor Poet
Thomas Bailey Aldrich
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       [One of the Bearers soliloquizes:]
       . . . Room in your heart for him, O Mother Earth,
       Who loved each flower and leaf that made you fair,
       And sang your praise in verses manifold
       And delicate, with here and there a line
       From end to end in blossom like a bough
       The May breathes on, so rich it was. Some thought
       The workmanship more costly than the thing
       Moulded or carved, as in those ornaments
       Found at Mycaene. And yet Nature's self
       Works in this wise; upon a blade of grass,
       Or what small note she lends the woodland thrush,
       Lavishing endless patience. He was born
       Artist, not artisan, which some few saw
       And many dreamed not. As he wrote no odes
       When Croesus wedded or Maecenas died,
       And gave no breath to civic feasts and shows,
       He missed the glare that gilds more facile men--
       A twilight poet, groping quite alone,
       Belated, in a sphere where every nest
       Is emptied of its music and its wings.
       Not great his gift; yet we can poorly spare
       Even his slight perfection in an age
       Of limping triolets and tame rondeaux.
       He had at least ideals, though unreached,
       And heard, far off, immortal harmonies,
       Such as fall coldly on our ear to-day.
       The mighty Zolaistic Movement now
       Engrosses us--a miasmatic breath
       Blown from the slums. We paint life as it is,
       The hideous side of it, with careful pains,
       Making a god of the dull Commonplace.
       For have we not the old gods overthrown
       And set up strangest idols? We could clip
       Imagination's wing and kill delight,
       Our sole art being to leave nothing out
       That renders art offensive. Not for us
       Madonnas leaning from their starry thrones
       Ineffable, nor any heaven-wrought dream
       Of sculptor or of poet; we prefer
       Such nightmare visions as in morbid brains
       Take shape and substance, thoughts that taint the air
       And make all life unlovely. Will it last?
       Beauty alone endures from age to age,
       From age to age endures, handmaid of God.
       Poets who walk with her on earth go hence
       Bearing a talisman. You bury one,
       With his hushed music, in some Potter's Field;
       The snows and rains blot out his very name,
       As he from life seems blotted: through Time's glass
       Slip the invisible and magic sands
       That mark the century, then falls a day
       The world is suddenly conscious of a flower,
       Imperishable, ever to be prized,
       Sprung from the mould of a forgotten grave.
       'Tis said the seeds wrapt up among the balms
       And hieroglyphics of Egyptian kings
       Hold strange vitality, and, planted, grow
       After the lapse of thrice a thousand years.
       Some day, perchance, some unregarded note
       Of our poor friend here--some sweet minor chord
       That failed to lure our more accustomed ear--
       May witch the fancy of an unborn age.
       Who knows, since seeds have such tenacity?
       Meanwhile he's dead, with scantiest laurel won
       And little of our Nineteenth Century gold.
       So, take him, Earth, and this his mortal part,
       With that shrewd alchemy thou hast, transmute
       To flower and leaf in thine unending Springs!