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Chapter VI - Disenchantment
The family and servants were awaiting them outside the white gate with
brick supports. The post-chaise drew up and there were long and
affectionate greetings. Little mother wept; Jeanne, affected, wiped
away some tears; father nervously walked up and down.
Then, as the baggage was being unloaded, they told of their travels
beside the parlor fire. Jeanne's words flowed freely, and everything
was told, everything, in a half hour, except, perhaps, a few little
details forgotten in this rapid account.
The young wife then went to undo her parcels. Rosalie, also greatly
affected, assisted her. When this was finished and everything had been
put away, the little maid left her mistress, and Jeanne, somewhat
fatigued, sat down.
She asked herself what she was now going to do, seeking some
occupation for her mind, some work for her hands. She did not care to
go down again into the drawing-room, where her mother was asleep, and
she thought she would take a walk. But the country seemed so sad that
she felt a weight at her heart on only looking out of the window.
Then it came to her that she had no longer anything to do, never again
anything to do. All her young life at the convent had been preoccupied
with the future, busied with dreams. The constant excitement of hope
filled her hours at that time, so that she was not aware of their
flight. Then hardly had she left those austere walls, where her
illusions had unfolded, than her expectations of love were at once
realized. The longed-for lover, met, loved and married within a few
weeks, as one marries on these sudden resolves, had carried her off in
his arms, without giving her time for reflection.
But now the sweet reality of the first days was to become the everyday
reality, which closed the door on vague hopes, on the enchanting
worries of the unknown. Yes, there was nothing more to look forward
to. And there was nothing more to do, today, to-morrow, never. She
felt all this vaguely as a certain disillusion, a certain crumbling of
her dreams.
She rose and leaned her forehead against the cold window panes.
Then, after gazing for some time at the sky across which dark clouds
were passing, she decided to go out.
Was this the same country, the same grass, the same trees as in May?
What had become of the sunlit cheerfulness of the leaves and the
poetry of the green grass, where dandelions, poppies and moon daisies
bloomed and where yellow butterflies fluttered as though held by
invisible wires? And this intoxication of the air teeming with life,
with fragrance, with fertilizing pollen, existed no longer!
The avenues, soaked by the constant autumnal downpours, were covered
with a thick carpet of fallen leaves which extended beneath the
shivering bareness of the almost leafless poplars. She went as far as
the shrubbery. It was as sad as the chamber of a dying person. A green
hedge which separated the little winding walks was bare of leaves.
Little birds flew from place to place with a little chilly cry,
seeking a shelter.
The thick curtain of elm trees that formed a protection against the
sea wind, the lime tree and the plane tree with their crimson and
yellow tints seemed clothed, the one in red velvet and the other in
yellow silk.
Jeanne walked slowly up and down petite mere's avenue, alongside the
Couillards' farm. Something weighed on her spirit like a presentiment
of the long boredom of the monotonous life about to begin.
She seated herself on the bank where Julien had first told her of his
love and remained there, dreaming, scarcely thinking, depressed to the
very soul, longing to lie down, to sleep, in order to escape the
dreariness of the day.
All at once she perceived a gull crossing the sky, carried away in a
gust of wind, and she recalled the eagle she had seen down there in
Corsica, in the gloomy vale of Ota. She felt a spasm at her heart as
at the remembrance of something pleasant that is gone by, and she had
a sudden vision of the beautiful island with its wild perfume, its sun
that ripens oranges and lemons, its mountains with their rosy summits,
its azure gulfs and its ravines through which the torrents flowed.
And the moist, severe landscape that surrounded her, with the falling
leaves and the gray clouds blown along by the wind, enfolded her in
such a heavy mantle of misery that she went back to the house to keep
from sobbing.
Her mother was dozing in a torpid condition in front of the fire,
accustomed to the melancholy of the long days, and not noticing it any
longer. Her father and Julien had gone for a walk to talk about
business matters. Night was coming on, filling the large drawing-room
with gloom lighted by reflections of light from the fire.
The baron presently appeared, followed by Julien. As soon as the
vicomte entered the room he rang the bell, saying: "Quick, quick, let
us have some light! It is gloomy in here."
And he sat down before the fire. While his wet shoes were steaming in
the warmth and the mud was drying on his soles, he rubbed his hands
cheerfully as he said: "I think it is going to freeze; the sky is
clearing in the north, and it is full moon to-night; we shall have a
stinger to-night."
Then turning to his daughter: "Well, little one, are you glad to be
back again in your own country, in your own home, with the old folks?"
This simple question upset Jeanne. She threw herself into her father's
arms, her eyes full of tears, and kissed him nervously, as though
asking pardon, for in spite of her honest attempt to be cheerful, she
felt sad enough to give up altogether. She recalled the joy she had
promised herself at seeing her parents again, and she was surprised at
the coldness that seemed to numb her affection, just as if, after
constantly thinking of those one loves, when at a distance and unable
to see them at any moment, one should feel, on seeing them again, a
sort of check of affection, until the bonds of their life in common
had been renewed.
Dinner lasted a long time. No one spoke much. Julien appeared to have
forgotten his wife.
In the drawing-room Jeanne sat before the fire in a drowsy condition,
opposite little mother, who was sound asleep. Aroused by the voices of
the men, Jeanne asked herself, as she tried to rouse herself, if she,
too, was going to become a slave to this dreary lethargy of habit that
nothing varies.
The baron approached the fire, and holding out his hands to the
glowing flame, he said, smiling: "Ah, that burns finely this evening.
It is freezing, children; it is freezing." Then, placing his hand on
Jeanne's shoulder and pointing to the fire, he said: "See here, little
daughter, that is the best thing in life, the hearth, the hearth, with
one's own around one. Nothing else counts. But supposing we retire.
You children must be tired out."
When she was in her room, Jeanne asked herself how she could feel so
differently on returning a second time to the place that she thought
she loved. Why did she feel as though she were wounded? Why did this
house, this beloved country, all that hitherto had thrilled her with
happiness, now appear so distressing?
Her eyes suddenly fell on her clock. The little bee was still swinging
from left to right and from right to left with the same quick,
continuous motion above the scarlet blossoms. All at once an impulse
of tenderness moved her to tears at sight of this little piece of
mechanism that seemed to be alive. She had not been so affected on
kissing her father and mother. The heart has mysteries that no
arguments can solve.
For the first time since her marriage she was alone, Julien, under
pretext of fatigue, having taken another room.
She lay awake a long time, unaccustomed to being alone and disturbed
by the bleak north wind which beat against the roof.
She was awakened the next morning by a bright light that flooded her
room. She put on a dressing gown and ran to the window and opened it.
An icy breeze, sharp and bracing, streamed into the room, making her
skin tingle and her eyes water. The sun appeared behind the trees on a
crimson sky, and the earth, covered with frost and dry and hard, rang
out beneath one's footsteps. In one night all the leaves had blown off
the trees, and in the distance beyond the level ground was seen the
long green line of water, covered with trails of white foam.
Jeanne dressed herself and went out, and for the sake of an object she
went to call on the farmers.
The Martins held up their hands in surprise, and Mrs. Martin kissed
her on both cheeks, and then they made her drink a glass of noyau. She
then went to the other farm. The Couillards also were surprised. Mrs.
Couillard pecked her on the ears and she had to drink a glass of
cassis. Then she went home to breakfast.
The day went by like the previous day, cold instead of damp. And the
other days of the week resembled these two days, and all the weeks of
the month were like the first week.
Little by little, however, she ceased to regret far-off lands. The
force of habit was covering her life with a layer of resignation
similar to the lime-stone formation deposited on objects by certain
springs. And a kind of interest for the thousand-and-one little
insignificant things of daily life, a care for the simple, ordinary
everyday occupations, awakened in her heart. A sort of pensive
melancholy, a vague disenchantment with life was growing up in her
mind. What did she lack? What did she want? She did not know. She had
no worldly desires, no thirst for amusement, no longing for
permissible pleasures. What then? Just as old furniture tarnishes in
time, so everything was slowly becoming faded to her eyes, everything
seemed to be fading, to be taking on pale, dreary shades.
Her relations with Julien had completely changed. He seemed to be
quite different since they came back from their honeymoon, like an
actor who has played his part and resumes his ordinary manner. He
scarcely paid any attention to her or even spoke to her. All trace of
love had suddenly disappeared, and he seldom came into her room at
night.
He had taken charge of the money and of the house, changed the leases,
worried the peasants, cut down expenses, and having adopted the
costume of a gentleman farmer, he had lost his polish and elegance as
a fiance.
He always wore the same suit, although it was covered with spots. It
was an old velveteen shooting jacket with brass buttons, that he had
found among his former wardrobe, and with the carelessness that is
frequent with those who no longer seek to please, he had given up
shaving, and his long beard, badly cut, made an incredible change for
the worse in his appearance. His hands were never cared for, and after
each meal he drank four or five glasses of brandy.
Jeanne tried to remonstrate with him gently, but he had answered her
so abruptly: "Won't you let me alone!" that she never ventured to give
him any more advice.
She had adapted herself to these changes in a manner that surprised
herself. He had become a stranger to her, a stranger whose mind and
heart were closed to her. She constantly thought about it, asking
herself how it was that after having met, loved, married in an impulse
of affection, they should all at once find themselves almost as much
strangers as though they had never shared the same room.
And how was it that she did not feel this neglect more deeply? Was
this life? Had they deceived themselves? Did the future hold nothing
further for her?
If Julien had remained handsome, carefully dressed, elegant, she might
possibly have suffered more deeply.
It had been agreed that after the new year the young couple should
remain alone and that the father and mother should go back to spend a
few months at their house in Rouen. The young people were not to leave
the "Poplars" that winter, so as to get thoroughly settled and to
become accustomed to each other and to the place where all their life
would be passed. They had a few neighbors to whom Julien would
introduce his wife. These were the Brisevilles, the Colteliers and the
Fourvilles.
But the young people could not begin to pay calls because they had not
as yet been able to get a painter to alter the armorial bearings on
the carriage.
The old family coach had been given up to his son-in-law by the baron,
and nothing would have induced him to show himself at the neighboring
chateaux if the coat-of-arms of the De Lamares were not quartered with
those of the Le Perthuis des Vauds.
There was only one man in the district who made a specialty of
heraldic designs, a painter of Bolbec, called Bataille, who was in
demand at all the Norman castles in turn to make these precious
designs on the doors of carriages.
At length one morning in December, just as they were finishing
breakfast, they saw an individual open the gate and walk toward the
house. He was carrying a box on his back. This was Bataille.
They offered him some breakfast, and, while he was eating, the baron
and Julien made sketches of quarterings. The baroness, all upset as
soon as these things were discussed, gave her opinion. And even Jeanne
took part in the discussion, as though some mysterious interest had
suddenly awakened in her.
Bataille, while eating, gave his ideas, at times taking the pencil and
tracing a design, citing examples, describing all the aristocratic
carriages in the countryside, and seemed to have brought with him in
his ideas, even in his voice, a sort of atmosphere of aristocracy.
As soon as he had finished his coffee, they all went to the coach
house. They took off the cover of the carriage and Bataille examined
it. He then gravely gave his views as to the size he considered
suitable for the design, and after an exchange of ideas, he set to
work.
Notwithstanding the cold, the baroness had her chair brought out so as
to watch him working, and then her foot-stove, for her feet were
freezing. She then began to chat with the painter, on all the recent
births, deaths and marriages of which she had not heard, thus adding
to the genealogical tree which she carried in her memory.
Julien sat beside her, astride on a chair. He was smoking, spitting on
the ground, listening and following with his glances the emblazoning
of his rank.
Presently old Simon, who was on his way to the vegetable garden, his
spade on his shoulder, stopped to look at the work; and as Bataille's
arrival had become known at the two farms, the farmers' wives soon put
in an appearance. They went into raptures, standing one at either side
of the baroness, exclaiming: "My! it requires some cleverness all the
same to fix up those things."
The two doors could not be finished before the next day about eleven
o'clock. Every one was on hand; and they dragged the carriage outside
so as to get a better view of it.
It was perfect. Bataille was complimented, and went off with his box
on his back. They all agreed that the painter had great ability, and
if circumstances had been favorable would doubtless have been a great
artist.
Julien, by way of economy, had introduced great reforms which
necessitated making some changes. The old coachman had been made
gardener, Julien undertaking to drive himself, having sold the
carriage horses to avoid buying feed for them. But as it was necessary
to have some one to hold the horses when he and his wife got out of
the carriage, he had made a little cow tender named Marius into a
groom. Then in order to get some horses, he introduced a special
clause into the Couillards' and Martins' leases, by which they were
bound to supply a horse each, on a certain day every month, the date
to be fixed by him; and this would exempt them from their tribute of
poultry.
So the Couillards brought a big yellow horse, and the Martins a small
white animal with long, unclipped coat, and the two were harnessed up
together. Marius, buried in an old livery belonging to old Simon, led
the carriage up to the front door.
Julien, looking clean and brushed up, looked a little like his former
self; but his long beard gave him a common look in spite of all. He
looked over the horses, the carriage, and the little groom, and seemed
satisfied, the only really important thing to him being the newly
painted escutcheon.
The baroness came down leaning on her husband's arm and got into the
carriage. Then Jeanne appeared. She began to laugh at the horses,
saying that the white one was the son of the yellow horse; then,
perceiving Marius, his face buried under his hat with its cockade, his
nose alone preventing it from covering his face altogether, his hands
hidden in his long sleeves, and the tail of his coat forming a skirt
round his legs, his feet encased in immense shoes showing in a comical
manner beneath it, and then when he threw his head back so as to see,
and lifted up his leg to walk as if he were crossing a river, she
burst into a fit of uncontrollable laughter.
The baron turned round, glanced at the little bewildered groom and he,
too, burst out laughing, calling to his wife: "Look at Ma-Ma-Marius!
Is he not comical? Heavens, how funny he looks!"
The baroness, looking out of the carriage window, was also convulsed,
so that the carriage shook on its springs.
But Julien, pale with anger, asked: "What makes you laugh like that?
Are you crazy?"
Jeanne, quite convulsed and unable to stop laughing, sat down on the
doorstep; the baron did the same, while, in the carriage, spasmodic
sneezes, a sort of constant chuckling, told that the baroness was
choking. Presently there was a motion beneath Marius' livery. He had,
doubtless, understood the joke, for he was shaking with laughter
beneath his hat.
Julien darted forward in exasperation. With a box on the ear he sent
the boy's hat flying across the lawn; then, turning toward his
father-in-law, he stammered in a voice trembling with rage: "It seems
to me that you should be the last to laugh. We should not be where we
are now if you had not wasted your money and ruined your property.
Whose fault is it if you are ruined?"
The laughter ceased at once, and no one spoke. Jeanne, now ready to
cry, got into the carriage and sat beside her mother. The baron,
silent and astonished, took his place opposite the two ladies, and
Julien sat on the box after lifting to the seat beside him the weeping
boy, whose face was beginning to swell.
The road was dreary and appeared long. The occupants of the carriage
were silent. All three sad and embarrassed, they would not acknowledge
to one another what was occupying their thoughts. They felt that they
could not talk on indifferent subjects while these thoughts had
possession of them, and preferred to remain silent than to allude to
this painful subject.
They drove past farmyards, the carriage jogging along unevenly with
the ill-matched animals, putting to flight terrified black hens who
plunged into the bushes and disappeared, occasionally followed by a
barking wolf-hound.
At length they entered a wide avenue of pine trees, at the end of
which was a white, closed gate. Marius ran to open it, and they drove
in round an immense grass plot, and drew up before a high, spacious,
sad-looking building with closed shutters.
The hall door opened abruptly, and an old, paralyzed servant wearing a
black waistcoat with red stripes partially covered by his working
apron slowly descended the slanting steps. He took the visitors' names
and led them into an immense reception room, and opened with
difficulty the Venetian blinds which were always kept closed. The
furniture had covers on it, and the clock and candelabra were wrapped
in white muslin. An atmosphere of mildew, an atmosphere of former
days, damp and icy, seemed to permeate one's lungs, heart and skin
with melancholy.
They all sat down and waited. They heard steps in the hall above them
that betokened unaccustomed haste. The hosts were hurriedly dressing.
The baroness, who was chilled, sneezed constantly. Julien paced up and
down. Jeanne, despondent, sat beside her mother. The baron leaned
against the marble mantelpiece with his head bent down.
Finally, one of the tall doors opened, and the Vicomte and Vicomtesse
de Briseville appeared. They were both small, thin, vivacious, of no
age in particular, ceremonious and embarrassed.
After the first greetings, there seemed to be nothing to say. So they
began to congratulate each other for no special reason, and hoped that
these friendly relations would be kept up. It was a treat to see
people when one lived in the country the year round.
The icy atmosphere pierced to their bones and made their voices
hoarse. The baroness was coughing now and had stopped sneezing. The
baron thought it was time to leave. The Brisevilles said: "What, so
soon? Stay a little longer." But Jeanne had risen in spite of Julien's
signals, for he thought the visit too short.
They attempted to ring for the servant to order the carriage to the
door, but the bell would not ring. The host started out himself to
attend to it, but found that the horses had been put in the stable.
They had to wait. Every one tried to think of something to say.
Jeanne, involuntarily shivering with cold, inquired what their hosts
did to occupy themselves all the year round. The Brisevilles were much
astonished; for they were always busy, either writing letters to their
aristocratic relations, of whom they had a number scattered all over
France, or attending to microscopic duties, as ceremonious to one
another as though they were strangers, and talking grandiloquently of
the most insignificant matters.
At last the carriage passed the windows with its ill-matched team. But
Marius had disappeared. Thinking he was off duty until evening, he had
doubtless gone for a walk.
Julien, perfectly furious, begged them to send him home on foot, and
after a great many farewells on both sides, they set out for the
"Poplars."
As soon as they were inside the carriage, Jeanne and her father, in
spite of Julien's brutal behavior of the morning which still weighed
on their minds, began to laugh at the gestures and intonations of the
Brisevilles. The baron imitated the husband, and Jeanne the wife. But
the baroness, a little touchy in these particulars, said: "You are
wrong to ridicule them thus; they are people of excellent family."
They were silent out of respect for little mother, but nevertheless,
from time to time, Jeanne and her father began again. The baroness
could not forbear smiling in her turn, but she repeated: "It is not
nice to laugh at people who belong to our class."
Suddenly the carriage stopped, and Julien called out to someone behind
it. Then Jeanne and the baron, leaning out, saw a singular creature
that appeared to be rolling along toward them. His legs entangled in
his flowing coattails, and blinded by his hat which kept falling over
his face, shaking his sleeves like the sails of a windmill, and
splashing into puddles of water, and stumbling against stones in the
road, running and bounding, Marius was following the carriage as fast
as his legs could carry him.
As soon as he caught up with it, Julien, leaning over, seized him by
the collar of his coat, sat him down beside him, and letting go the
reins, began to shower blows on the boy's hat, which sank down to his
shoulders with the reverberations of a drum. The boy screamed, tried
to get away, to jump from the carriage, while his master, holding him
with one hand, continued beating him with the other.
Jeanne, dumfounded, stammered: "Father--oh, father!" And the baroness,
wild with indignation, squeezed her husband's arm. "Stop him, Jack!"
she exclaimed. The baron quickly lowered the front window, and seizing
hold of his son-in-law's sleeve, he sputtered out in a voice trembling
with rage: "Have you almost finished beating that child?"
Julien turned round in astonishment: "Don't you see what a condition
his livery is in?"
But the baron, placing his head between them, said: "Well, what do I
care? There is no need to be brutal like that!"
Julien got angry again: "Let me alone, please; this is not your
affair!" And he was raising his hand again when his father-in-law
caught hold of it and dragged it down so roughly that he knocked it
against the wood of the seat, and he roared at him so loud: "If you do
not stop, I shall get out, and I will see that you stop it, myself,"
that Julien calmed down at once, and shrugging his shoulders without
replying, he whipped up the horses, who set out at a quick trot.
The two women, pale as death, did not stir, and one could hear
distinctly the thumping of the baroness' heart.
At dinner Julien was more charming than usual, as though nothing had
occurred. Jeanne, her father, and Madame Adelaide, pleased to see him
so amiable, fell in with his mood, and when Jeanne mentioned the
Brisevilles, he laughed at them himself, adding, however: "All the
same, they have the grand air."
They made no more visits, each one fearing to revive the Marius
episode. They decided, to send New Year's cards, and to wait until the
first warm days of spring before paying any more calls.
At Christmas they invited the cure, the mayor and his wife to dinner,
and again on New Year's Day. These were the only events that varied
the monotony of their life. The baron and his wife were to leave "The
Poplars" on the ninth of January. Jeanne wanted to keep them, but
Julien did not acquiesce, and the baron sent for a post-chaise from
Rouen, seeing his son-in-law's coolness.
The day before their departure, as it was a clear frost, Jeanne and
her father decided to go to Yport, which they had not visited since
her return from Corsica. They crossed the wood where she had strolled
on her wedding-day, all wrapped up in the one whose lifelong companion
she had become; the wood where she had received her first kiss,
trembled at the first breath of love, had a presentiment of that
sensual love of which she did not become aware until she was in the
wild vale of Ota beside the spring where they mingled their kisses as
they drank of its waters. The trees were now leafless, the climbing
vines dead.
They entered the little village. The empty, silent streets smelled of
the sea, of wrack, of fish. Huge brown nets were still hanging up to
dry outside the houses, or stretched out on the shingle. The gray,
cold sea, with its eternal roaring foam, was going out, uncovering the
green rocks at the foot of the cliff toward Fecamp.
Jeanne and her father, motionless, watched the fishermen setting out
in their boats in the dusk, as they did every night, risking their
lives to keep from starving, and so poor, nevertheless, that they
never tasted meat.
The baron, inspired at the sight of the ocean, murmured: "It is
terrible, but it is beautiful. How magnificent this sea is on which
the darkness is falling, and on which so many lives are in peril, is
it not, Jeannette?"
She replied with a cold smile: "It is nothing to the Mediterranean."
Her father, indignant, exclaimed: "The Mediterranean! It is oil, sugar
water, bluing water in a washtub. Look at this sea, how terrible it is
with its crests of foam! And think of all those men who have set out
on it, and who are already out of sight."
Jeanne assented with a sigh: "Yes, if you think so." But this name,
"Mediterranean," had wrung her heart afresh, sending her thoughts back
to those distant lands where her dreams lay buried.
Instead of returning home by the woods, they walked along the road,
mounting the ascent slowly. They were silent, sad at the thought of
the approaching separation. As they passed along beside the farmyards
an odor of crushed apples, that smell of new cider which seems to
pervade the atmosphere in this season all through Normandy, rose to
their nostrils, or else a strong smell of the cow stables. A small
lighted window at the end of the yard indicated the farmhouse.
It seemed to Jeanne that her mind was expanding, was beginning to
understand the psychic meaning of things; and these little scattered
gleams in the landscape gave her, all at once, a keen sense of the
isolation of all human lives, a feeling that everything detaches,
separates, draws one far away from the things they love.
She said, in a resigned tone: "Life is not always cheerful."
The baron sighed: "How can it be helped, daughter? We can do nothing."
The following day the baron and his wife went away, and Jeanne and
Julien were left alone.
* * * * *
Content of Chapter VI - Disenchantment [Guy De Maupassant's novel: Une Vie; or, The History of a Heart]
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