_ (Pall Mall Gazette, April 14, 1886.)
After a careful perusal of 'Twixt Love and Duty, by Mr. Tighe Hopkins, we confess ourselves unable to inform anxious inquirers who it is that is thus sandwiched, and how he (or she) got into so unpleasant a predicament. The curious reader with a taste for enigmas may be advised to find out for himself--if he can. Even if he be unsuccessful, his trouble will be repaid by the pleasant writing and clever character drawing of Mr. Hopkins's tale. The plot is less praiseworthy. The whole Madeira episode seems to lead up to this dilemma, and after all it comes to nothing. We brace up our nerves for a tragedy and are treated instead to the mildest of marivaudage--which is disappointing. In conclusion, one word of advice to Mr. Hopkins: let him refrain from apostrophising his characters after this fashion: 'Oh, Gilbert Reade, what are you about that you dally with this golden chance?' and so forth. This is one of the worst mannerisms of a bygone generation of story tellers.
Mr. Gallenga has written, as he says, 'a tale without a murder,' but having put a pistol-ball through his hero's chest and left him alive and hearty notwithstanding, he cannot be said to have produced a tale without a miracle. His heroine, too, if we may judge by his descriptions of her, is 'all a wonder and a wild desire.' At the age of seventeen she 'was one of the Great Maker's masterpieces . . . a living likeness of the Dresden Madonna.' One rather shudders to think of what she may become at forty, but this is an impertinent prying into futurity. She hails from 'Maryland, my Maryland!' and has 'received a careful, if not a superior, education.' Need we add that she marries the heir to an earldom who, as aforesaid, has had himself perforated by a pistol-bullet on her behalf? Mr. Gallenga's division of this book into acts and scenes is not justified by anything specially dramatic either in its structure or its method. The dialogue, in truth, is somewhat stilted. Nevertheless, its first-hand sketches of Roman society are not without interest, and one or two characters seem to be drawn from nature.
The Life's Mistake which forms the theme of Mrs. Lovett Cameron's two volumes is not a mistake after all, but results in unmixed felicity; and as it is brought about by fraud on the part of the hero, this conclusion is not as moral as it might be. For the rest, the tale is a very familiar one. Its personages are the embarrassed squire with his charming daughter, the wealthy and amorous mortgagee, and the sailor lover who is either supposed to be drowned or falsely represented to be fickle--in Mrs. Cameron's tale he is both in succession. When we add that there is a stanza from Byron on the title-page and a poetical quotation at the beginning of each chapter, we have possessed the discerning reader of all necessary information both as to the matter and the manner of Mrs. Cameron's performance.
Mr. E. O. Pleydell-Bouverie has endowed the novel-writing fraternity with a new formula for the composition of titles. After J. S.; or, Trivialities there is no reason why we should not have A. B.; or, Platitudes, M.N.; or, Sentimentalisms, Y.Z.; or, Inanities. There are many books which these simple titles would characterise much more aptly than any high-flown phrases--as aptly, in fact, as Mr. Bouverie's title characterises the volume before us. It sets forth the uninteresting fortunes of an insignificant person, one John Stiles, a briefless barrister. The said John falls in love with a young lady, inherits a competence, omits to tell his love, and is killed by the bursting of a fowling-piece--that is all. The only point of interest presented by the book is the problem as to how it ever came to be written. We can scarcely find the solution in Mr. Bouverie's elaborately smart style which cannot be said to transmute his 'trivialities' into 'flies in amber.'
Mr. Swinburne once proposed that it should be a penal offence against literature for any writer to affix a proverb, a phrase or a quotation to a novel, by way of tag or title. We wonder what he would say to the title of 'Pen Oliver's' last book! Probably he would empty on it the bitter vial of his scorn and satire. All But is certainly an intolerable name to give to any literary production. The story, however, is quite an interesting one. At Laxenford Hall live Lord and Lady Arthur Winstanley. Lady Arthur has two children by her first marriage, the elder of whom, Walter Hope-Kennedy by name, is heir to the broad acres. Walter is a pleasant English boy, fonder of cricket than of culture, healthy, happy and susceptible. He falls in love with Fanny Taylor, a pretty village girl; is thrown out of his dog-cart one night through the machinations of a jealous rival, breaks one of his ribs and gets a violent fever. His stepfather tries to murder him by subcutaneous injections of morphia but is detected by the local doctor, and Walter recovers. However, he does not marry Fanny after all, and the story ends ineffectually. To say of a dress that 'it was rather under than over adorned' is not very pleasing English, and such a phrase as 'almost always, but by no means invariably,' is quite detestable. Still we must not expect the master of the scalpel to be the master of the stilus as well. All But is a very charming tale, and the sketches of village life are quite admirable. We recommend it to all who are tired of the productions of Mr. Hugh Conway's dreadful disciples.
(1) 'Twixt Love and Duty: A Novel. By Tighe Hopkins. (Chatto and Windus.)
(2) Jenny Jennet: A Tale Without a Murder. By A. Gallenga. (Chapman and Hall.)
(3) A Life's Mistake: A Novel. By Mrs. H. Lovett Cameron. (Ward and Downey.)
(4) J. S.; or, Trivialities: A Novel. By Edward Oliver Pleydell-Bouverie. (Griffith, Farren and Co.)
(5) All But: A Chronicle of Laxenford Life. By Pen Oliver, F.R.C.S. (Kegan Paul.) _