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BOOK I - THE OLD ORDER: CHAPTER 1
Prima che incontro alla festosa fronte
I lugubri suoi lampi il ver baleni.
It was very still in the small neglected chapel. The noises of the farm
came faintly through closed doors--voices shouting at the oxen in the
lower fields, the querulous bark of the old house-dog, and Filomena's
angry calls to the little white-faced foundling in the kitchen.
The February day was closing, and a ray of sunshine, slanting through a
slit in the chapel wall, brought out the vision of a pale haloed head
floating against the dusky background of the chancel like a water-lily
on its leaf. The face was that of the saint of Assisi--a sunken ravaged
countenance, lit with an ecstasy of suffering that seemed not so much to
reflect the anguish of the Christ at whose feet the saint knelt, as the
mute pain of all poor down-trodden folk on earth.
When the small Odo Valsecca--the only frequenter of the chapel--had been
taunted by the farmer's wife for being a beggar's brat, or when his ears
were tingling from the heavy hand of the farmer's son, he found a
melancholy kinship in that suffering face; but since he had fighting
blood in him too, coming on the mother's side of the rude Piedmontese
stock of the Marquesses di Donnaz, there were other moods when he turned
instead to the stout Saint George in gold armour, just discernible
through the grime and dust of the opposite wall.
The chapel of Pontesordo was indeed as wonderful a storybook as fate
ever unrolled before the eyes of a neglected and solitary child. For a
hundred years or more Pontesordo, a fortified manor of the Dukes of
Pianura, had been used as a farmhouse; and the chapel was never opened
save when, on Easter Sunday, a priest came from the town to say mass. At
other times it stood abandoned, cobwebs curtaining the narrow windows,
farm tools leaning against the walls, and the dust deep on the sea-gods
and acanthus volutes of the altar. The manor of Pontesordo was very old.
The country people said that the great warlock Virgil, whose
dwelling-place was at Mantua, had once shut himself up for a year in the
topmost chamber of the keep, engaged in unholy researches; and another
legend related that Alda, wife of an early lord of Pianura, had thrown
herself from its battlements to escape the pursuit of the terrible
Ezzelino. The chapel adjoined this keep, and Filomena, the farmer's
wife, told Odo that it was even older than the tower and that the walls
had been painted by early martyrs who had concealed themselves there
from the persecutions of the pagan emperors.
On such questions a child of Odo's age could obviously have no
pronounced opinion, the less so as Filomena's facts varied according to
the seasons or her mood, so that on a day of east wind or when the worms
were not hatching well, she had been known to affirm that the pagans had
painted the chapel under Virgil's instruction, to commemorate the
Christians they had tortured. In spite of the distance to which these
conflicting statements seemed to relegate them, Odo somehow felt as
though these pale strange people--youths with ardent faces under their
small round caps, damsels with wheat-coloured hair and boys no bigger
than himself, holding spotted dogs in leash--were younger and nearer to
him than the dwellers on the farm: Jacopone the farmer, the shrill
Filomena, who was Odo's foster-mother, the hulking bully their son and
the abate who once a week came out from Pianura to give Odo religious
instruction and who dismissed his questions with the invariable
exhortation not to pry into matters that were beyond his years. Odo had
loved the pictures in the chapel all the better since the abate, with a
shrug, had told him they were nothing but old rubbish, the work of the
barbarians.
Life at Pontesordo was in truth not very pleasant for an ardent and
sensitive little boy of nine, whose remote connection with the reigning
line of Pianura did not preserve him from wearing torn clothes and
eating black bread and beans out of an earthen bowl on the kitchen
doorstep.
"Go ask your mother for new clothes!" Filomena would snap at him, when
his toes came through his shoes and the rents in his jacket-sleeves had
spread beyond darning. "These you are wearing are my Giannozzo's, as you
well know, and every rag on your back is mine, if there were any law for
poor folk, for not a copper of pay for your keep or a stitch of clothing
for your body have we had these two years come Assumption--. What's
that? You can't ask your mother, you say, because she never comes here?
True enough--fine ladies let their brats live in cow-dung, but they must
have Indian carpets under their own feet. Well, ask the abate, then--he
has lace ruffles to his coat and a naked woman painted on his snuff
box--What? He only holds his hands up when you ask? Well, then, go ask
your friends on the chapel-walls--maybe they'll give you a pair of
shoes--though Saint Francis, for that matter, was the father of the
discalced, and would doubtless tell you to go without!" And she would
add with a coarse laugh: "Don't you know that the discalced are shod
with gold?"
It was after such a scene that the beggar-noble, as they called him at
Pontesordo, would steal away to the chapel and, seating himself on an
upturned basket or a heap of pumpkins, gaze long into the face of the
mournful saint.
There was nothing unusual in Odo's lot. It was that of many children in
the eighteenth century, especially those whose parents were cadets of
noble houses, with an appanage barely sufficient to keep their wives and
themselves in court finery, much less to pay their debts and clothe and
educate their children. All over Italy at that moment, had Odo Valsecca
but known it, were lads whose ancestors, like his own, had been dukes
and crusaders, but who, none the less, were faring, as he fared, on
black bread and hard blows, and the half-comprehended taunts of unpaid
foster-parents. Many, doubtless, there were who cared little enough, as
long as they might play morro with the farmer's lads and ride the colt
bare-back through the pasture and go bird-netting and frog-hunting with
the village children; but some perhaps, like Odo, suffered in a dumb
animal way, without understanding why life was so hard on little boys.
Odo, for his part, had small taste for the sports in which Gianozzo and
the village lads took pleasure. He shrank from any amusement associated
with the frightening or hurting of animals, and his bosom swelled with
the fine gentleman's scorn of the clowns who got their fun in so coarse
a way. Now and then he found a moment's glee in a sharp tussle with one
of the younger children who had been tormenting a frog or a beetle; but
he was still too young for real fighting, and could only hang on the
outskirts when the bigger boys closed, and think how some day he would
be at them and break their lubberly heads. There were thus many hours
when he turned to the silent consolations of the chapel. So familiar had
he grown with the images on its walls that he had a name for every one:
the King, the Knight, the Lady, the children with guinea-pigs, basilisks
and leopards, and lastly the Friend, as he called Saint Francis. An
almond-faced lady on a white palfrey with gold trappings represented his
mother, whom he had seen too seldom for any distinct image to interfere
with the illusion; a knight in damascened armour and scarlet cloak was
the valiant captain, his father, who held a commission in the ducal
army; and a proud young man in diadem and ermine, attended by a retinue
of pages, stood for his cousin, the reigning Duke of Pianura.
A mist, as usual at that hour, was rising from the marshes between
Pontesordo and Pianura, and the light soon ebbed from the saint's face,
leaving the chapel in obscurity. Odo had crept there that afternoon with
a keener sense than usual of the fact that life was hard on little boys;
and though he was cold and hungry and half afraid, the solitude in which
he cowered seemed more endurable than the noisy kitchen where, at that
hour, the farm hands were gathering for their polenta, and Filomena was
screaming at the frightened orphan who carried the dishes to the table.
He knew, of course, that life at Pontesordo would not last for
ever--that in time he would grow up and be mysteriously transformed into
a young gentleman with a sword and laced coat, who would go to court and
perhaps be an officer in the Duke's army or in that of some neighbouring
prince; but, viewed from the lowliness of his nine years, that dazzling
prospect was too remote to yield much solace for the cuffs and sneers,
the ragged shoes and sour bread of the present. The fog outside had
thickened, and the face of Odo's friend was now discernible only as a
spot of pallor in the surrounding dimness. Even he seemed farther away
than usual, withdrawn into the fog as into that mist of indifference
which lay all about Odo's hot and eager spirit. The child sat down among
the gourds and medlars on the muddy floor and hid his face against his
knees.
He had sat there a long time when the noise of wheels and the crack of a
postillion's whip roused the dogs chained in the stable. Odo's heart
began to beat. What could the sounds mean? It was as though the
flood-tide of the unknown were rising about him and bursting open the
chapel door to pour in on his loneliness. It was, in fact, Filomena who
opened the door, crying out to him in an odd Easter Sunday voice, the
voice she used when she had on her silk neckerchief and gold chain or
when she was talking to the bailiff.
Odo sprang up and hid his face in her lap. She seemed, of a sudden,
nearer to him than any one else--a last barrier between himself and the
mystery that awaited him outside.
"Come, you poor sparrow," she said, dragging him across the threshold of
the chapel, "the abate is here asking for you;" and she crossed herself,
as though she had named a saint.
Odo pulled away from her with a last wistful glance at Saint Francis,
who looked back at him in an ecstasy of commiseration.
"Come, come," Filomena repeated, dropping to her ordinary key as she
felt the resistance of the little boy's hand. "Have you no heart, you
wicked child? But, to be sure, the poor innocent doesn't know! Come
cavaliere, your illustrious mother waits."
"My mother?" The blood rushed to his face; and she had called him
"cavaliere"!
"Not here, my poor lamb! The abate is here; don't you see the lights of
the carriage? There, there, go to him. I haven't told him, your
reverence; it's my silly tender-heartedness that won't let me. He's
always been like one of my own creatures to me--" and she confounded Odo
by bursting into tears.
The abate stood on the doorstep. He was a tall stout man with a hooked
nose and lace ruffles. His nostrils were stained with snuff and he took
a pinch from a tortoise-shell box set with the miniature of a lady; then
he looked down at Odo and shrugged his shoulders.
Odo was growing sick with apprehension. It was two days before the
appointed time for his weekly instruction and he had not prepared his
catechism. He had not even thought of it--and the abate could use the
cane. Odo stood silent and envied girls, who are not disgraced by
crying. The tears were in his throat, but he had fixed principles about
crying. It was his opinion that a little boy who was a cavaliere might
weep when he was angry or sorry, but never when he was afraid; so he
held his head high and put his hand to his side, as though to rest it on
his sword.
The abate sneezed and tapped his snuff-box.
"Come, come, cavaliere, you must be brave--you must be a man; you have
duties, you have responsibilities. It's your duty to console your
mother--the poor lady is plunged in despair. Eh? What's that? You
haven't told him? Cavaliere, your illustrious father is no more."
Odo stared a moment without understanding; then his grief burst from him
in a great sob, and he hid himself against Filomena's apron, weeping for
the father in damascened armour and scarlet cloak.
"Come, come," said the abate impatiently. "Is supper laid? for we must
be gone as soon as the mist rises." He took the little boy by the hand.
"Would it not distract your mind to recite the catechism?" he inquired.
"No, no!" cried Odo with redoubled sobs.
"Well, then, as you will. What a madman!" he exclaimed to Filomena. "I
warrant it hasn't seen its father three times in its life. Come in,
cavaliere; come to supper."
Filomena had laid a table in the stone chamber known as the bailiff's
parlour, and thither the abate dragged his charge and set him down
before the coarse tablecloth covered with earthen platters. A tallow dip
threw its flare on the abate's big aquiline face as he sat opposite Odo,
gulping the hastily prepared frittura and the thick purple wine in its
wicker flask. Odo could eat nothing. The tears still ran down his cheeks
and his whole soul was possessed by the longing to steal back and see
whether the figure of the knight in the scarlet cloak had vanished from
the chapel wall. The abate sat in silence, gobbling his food like the
old black pig in the yard. When he had finished he stood up, exclaiming:
"Death comes to us all, as the hawk said to the chicken. You must be a
man, cavaliere." Then he stepped into the kitchen, and called out for
the horses to be put to.
The farm hands had slunk away to one of the outhouses, and Filomena and
Jacopone stood bowing and curtseying as the carriage drew up at the
kitchen door. In a corner of the big vaulted room the little foundling
was washing the dishes, heaping the scraps in a bowl for herself and the
fowls. Odo ran back and touched her arm. She gave a start and looked at
him with frightened eyes. He had nothing to give her, but he said:
"Good-bye, Momola"; and he thought to himself that when he was grown up
and had a sword he would surely come back and bring her a pair of shoes
and a panettone. The abate was calling him, and the next moment he found
himself lifted into the carriage, amid the blessings and lamentations of
his foster-parents; and with a great baying of dogs and clacking of
whipcord the horses clattered out of the farmyard, and turned their
heads toward Pianura.
The mist had rolled back and fields and vineyards lay bare to the winter
moon. The way was lonely, for it skirted the marsh, where no one lived;
and only here and there the tall black shadow of a crucifix ate into the
whiteness of the road. Shreds of vapour still hung about the hollows,
but beyond these fold on fold of translucent hills melted into a sky
dewy with stars. Odo cowered in his corner, staring out awestruck at the
unrolling of the strange white landscape. He had seldom been out at
night, and never in a carriage; and there was something terrifying to
him in this flight through the silent moon-washed fields, where no oxen
moved in the furrows, no peasants pruned the mulberries, and not a
goat's bell tinkled among the oaks. He felt himself alone in a ghostly
world from which even the animals had vanished, and at last he averted
his eyes from the dreadful scene and sat watching the abate, who had
fixed a reading-lamp at his back, and whose hooked-nosed shadow, as the
springs jolted him up and down, danced overhead like the huge Pulcinella
at the fair of Pontesordo.
Content of BOOK I - THE OLD ORDER: CHAPTER 1 [Edith Wharton's novel: The Valley Of Decision]
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