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The Music Master
Chapter Twenty
Charles Klein
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       _ As Von Barwig walked down Fifth Avenue on his way home to his lodgings in Houston Street he could not help contrasting his present happy existence with the miserably hopeless state in which he had found himself on his first arrival in New York. "And it is to her, Miss Stanton, that I owe all this blessedness. I am a changed man," he said to himself, almost gaily, "I live, I enjoy, for to-morrow I shall see her again. To live that one hour of restful blessedness," he thought, "is well worth the bare existence of the other twenty-three." His friends felt the change, too. They all knew that something had happened, that something had entered the life of the old professor and changed it, but not one of them attempted to pry into his secret.
       "Ma foi," said Pinac, "he shall tell himself if he wants to. If not, he shall not!"
       Fico's reply was characteristic of that Italian's sunny disposition, and it inverted a familiar saying.
       "What the hell we care, so long as he is happy," he said.
       Poons loved Von Barwig as a son, but the best of sons are self-centred when they are in love; and Poons saw nothing.
       Jenny was silent, she felt that she had lost her dear professor, but with that spirit of sacrifice of which woman alone is capable, she resigned her place in his heart to another. Be it said to her credit there was not a jealous pang, not a moment of envy, nothing but mournful regret and sweet resignation to the inevitable. As a mother gives her son to another woman in marriage, so did Jenny give up Von Barwig; to whom she knew not, nor did she seek to know.
       His secret was sacred to all his friends, all, save one, and this solitary exception led to a slight change in the Houston Street establishment. It came about as follows:
       "When a man comes home with orchids pinned to his coat," confided Mrs. Mangenborn to her friend Miss Husted, "it looks as if it was only a question of time when he would move uptown into more elegant apartments. Orchids in winter only goes with blue diamonds and yellowbacks!"
       Miss Husted shook her head. "Move upstairs more likely than uptown," replied that lady regretfully. "Why, the poor old gentleman don't even get enough to eat. You mark my word for it, some day he's going to keel over! Only yesterday morning I had to beg him almost on my bended knees to join us at dinner and then he only came in to oblige me. He ate scarcely anything, poor dear!"
       "Does he pay regularly?" inquired Mrs. Mangenborn, with a lack of sympathy noted by her friend.
       "As regularly as clockwork," snapped Miss Husted. "Half price, but how long will he be able to pay even that? Only three pupils, and only one of them pays him in cash. Oh, how people round here have changed since I first came here; how much they do expect for their money nowadays!"
       "He's out every afternoon, regularly. He's out evenings with his fiddle; home at four in the morning, he doesn't do that for nothing. I don't think he tells all he knows," concluded Mrs. Mangenborn with a significant wink of the eye, which brought her fat cheek very close to her eyebrow.
       "Well," said Miss Husted with a sigh, "of course it's no business of mine where he goes and what he does, but--whatever it is, it's all right! That you can depend on, it is all right."
       This was intended to be a rebuke to Mrs. Mangenborn, but it was entirely lost on that lady, for with the very next breath she said bluntly: "Why don't you ask him?"
       Miss Husted set her lips firmly together, and this movement might have warned a less obtuse person.
       "Why don't you ask him?" repeated Mrs. Mangenborn.
       "Because," replied Miss Husted, with more temper than she had ever exhibited before to her friend, "because, Mrs. Mangenborn, it's none of my business!"
       There was a slight pause.
       "Not wishing to give you a short answer, my dear," supplemented Miss Husted, sorry that she had been compelled to take extreme measures to stay her friend's curiosity.
       To her utter surprise Mrs. Mangenborn still persisted.
       "Well, it is your business, in a sense," went on that lady. "This is your house, and it is your duty to see that it is conducted respectably!"
       "Respectably? Am I to understand, Mrs. Mangenborn, that you intend to convey a hint that my house is not conducted respectably?" demanded Miss Husted. Her back at this moment could not have been straighter had she been leaning against the wall.
       "Why, no!" assented Mrs. Mangenborn, who saw that she had gone a little too far. "I merely said that it was your duty, and so it is! People should always do their duty," she added somewhat vaguely.
       "I trust I know my duty, Mrs. Mangenborn," said Miss Husted severely, "nor do I require to be put in the path of my duty by anybody, be it he, or be it she, be it transient, or be it permanent."
       This was a direct shot and Mrs. Mangenborn gave signs that it had gone home; for she arose. "I am very sorry," she said with heavy-weight dignity, "I am very sorry."
       "There is nothing to be sorry for, only this, Mrs. Mangenborn! I'd like it to be thoroughly understood that no person in this living world can besmirch the character of Professor Von Barwig without besmirching me," and Miss Husted folded her arms somewhat defiantly.
       "Oh, Miss Husted, Miss Husted, how can you say such a thing! Did I besmirch even a particle of his character? Just prove your words, please; did I, did I?"
       Mrs. Mangenborn now came slightly closer to Miss Husted and for a moment it looked as though there would be a personal altercation between the two ladies.
       "You said that his hours were not respectable hours, and that he didn't tell all he knew, and--and--oh, I can't remember all you said, Mrs. Mangenborn, nor does it matter in the least! Pray, why should he tell all he knows? It's no lady's business--what he knows! For that matter, do you tell all you know? No," went on Miss Husted, now thoroughly aroused, "but you tell a great many things that you don't know! Not one of your fortunes has come true, lately, not one!"
       The cards had toppled over, there were no more fortunes in them, and Mrs. Mangenborn saw that her reign had come to an end.
       "I do not care to discuss the question any further," she said loftily, and giving a wide sweep to her skirts she added somewhat grandiloquently:
       "Kindly send my bill to my room, and please consider yourself at perfect liberty to dispose of it to some one else."
       "With great pleasure, Mrs. Mangenborn," replied Miss Husted, "with very great pleasure! And I may add I was going to ask you for your room this very evening."
       Mrs. Mangenborn's only answer was a loud and prolonged laugh, which she kept up all the way to her room and which only ceased when she had shut her door with a loud bang.
       "Good riddance!" thought Miss Husted, "a very good riddance!"
       Thus the friendship of years was sundered.
       [Illustration: Helene prepares her trousseau.]
       At this precise moment the innocent object of their strife let himself in at the front door.
       "Ah, my dear Professor Von Barwig, I was just thinking of you," said Miss Husted, as she followed him into his rooms. "I've got rid of her at last; Mrs. Mangenborn is going."
       Von Barwig smiled. "Is she?" he said simply, "I am glad for your sake. Now you will be mistress of your own establishment."
       "I was always mistress of my own establishment, professor," replied Miss Husted with dignity. "Always."
       "Except sometimes when the cards would direct the policy of the house," said Von Barwig. "Whenever there is a superstition, dear lady," he went on, "there is no freedom! We become slaves of our own beliefs."
       "Well, I'm glad she's going, anyway," said Miss Husted, not quite comprehending, but not wishing to dispute with Von Barwig. "Why, professor!" and Miss Husted started. She had just noticed that his clothes and books were packed into bundles, as if ready to be carried away. "Professor, professor!" she gasped, "what is the meaning of that?" and she pointed to a big stack of music tied up, "and that, and that, and that," pointing to various articles.
       "It means, dear lady, that I'm going to move," said Von Barwig complacently.
       "Move!" almost shrieked Miss Husted.
       "Yes, as the top floor will not come down to me, I shall move up to the top floor. You see I am nearly all ready. Pinac and Fico will help me; and up I shall go! It is one way of getting up in the world, eh, Miss Husted?" he said with a little laugh, and he looked at her as if he expected her to laugh, too, but she did not join in his merriment.
       "There's no room upstairs," she said at last, as if determined he should not go.
       "Oh, yes, in the hallway; a nice little room, large enough for my wants."
       "But that is a storeroom," cried Miss Husted.
       "When I occupy it, it will be a bedroom," laughed Von Barwig, "and just think," he added, "I shall be nearer my friends! They can visit me without running up and down stairs. I shall have additional advantages, at a less rental."
       Miss Husted looked at him sorrowfully. She knew it was useless to argue with him, so she gave her consent, but insisted on taking a very small sum for her room. And so Von Barwig moved from the ground floor to the attic. This floor with its huge atelier window on the roof and its stair running down at the back had been used by an artist on account of the splendid light. Although a hallway, it was fitted up as a room. There was a stove, a sink, a large cupboard, and other conveniences for light housekeeping. There were four bedroom doors opening into this hallway, three of which were occupied by Pinac, Fico and Poons, and the fourth Von Barwig took possession of. They all begged him to take their rooms, but he shook his head and smiled and they knew it was useless to ask him, so the skylight musketeers, as they called themselves, had complete possession of the hall, which served them as a common parlour.
       It was roomy and airy in the summer, but draughty and cold in the winter; as it was now warm weather, Von Barwig and his friends did not suffer any inconvenience at this time. The men did not see much of each other in these days. Pinac and Fico had secured engagements on an excursion steamboat that plied its way to Coney Island and back. They were away all day, and when they came back late at night Von Barwig was at the Museum. He saw more of Poons than he did of the others, for that young man had no regular engagement, but played now and then as substitute in one of the downtown theatre orchestras, so he just about managed to eke out an existence on a cash basis, and the three older men were as proud of this fact as if he were their own son. Von Barwig was strangely happy; he took no interest whatever in his physical existence. His immediate surroundings, the people he saw, the food he ate, made no mental impression upon him. Life was a mechanical process, a routine existence to him till midday, when he would, to quote his own words, "begin to live," that is, he would start uptown on his walk to Fifty-seventh Street. Rain or shine he would not ride, for the motion of riding on the bumpy stages interfered with the flow of his thoughts. "Now begins my day," he would say to himself as he started on his journey to his pupil's house, some four or five miles from Miss Husted's establishment. The old man was happy; happy in going, happy when there, happy when thinking that the next day he would see her again. So when, for the third successive time, in as many days, Joles informed him that Miss Stanton was not at home, Von Barwig experienced a feeling of disappointment accompanied by a sense of fear.
       "She--Miss Stanton is well?" faltered he to the dignified Mr. Joles, who was regarding him with a haughty expression, not unaccompanied with disdain.
       "I beg your pardon!" said Joles in anything but an apologetic manner.
       "Miss Stanton is well?" repeated Von Barwig.
       "Oh, yes," replied Joles. "Indeed, yes." His answer intended to convey to Von Barwig that such a question was entirely unnecessary, not to say uncalled for.
       "It's very strange," Von Barwig mused as he walked home. "She always writes me a little note or leaves a message for me with one of the servants, letting me know when to come for the next lesson."
       Then he tried to assure himself that it was all right, that in the stress of her social obligations she had forgotten.
       "It's all right, Barwig, you make yourself miserable for nothing. You expect too much. She is a petted, pampered, feted young lady of fortune, the daughter of a Croesus; do you think she can always think of you? Who are you that she should spare you so much time? You overrate yourself; you--you idiot." People stopped in the streets to look at the old man, who was walking so rapidly and gesticulating so excitedly. When Von Barwig saw that he was observed, he calmed down. "It's all right," he said. "To-morrow! I shall see her to-morrow!"
       That evening at the Museum the night professor was strangely inattentive. So deeply was he engrossed in his own thoughts that he entirely forgot to play when Bosco was announced. He was rewarded by that young lady with a look that was intended to annihilate him on the spot, but the professor did not happen to be looking that way. "She will be there to-morrow, or she will leave a message," he was saying to himself.
       "Bites their heads off; bites their heads off! Holy gee! Don't you hear, profess'? It's her cue," came in thundering tones from the throat of Mr. Al Costello. "What the hell's the matter, profess'? Eats 'em alive, eats 'em alive!" he bawled, glaring at Von Barwig, and then the night professor "found himself."
       "Oh, my gracious," he thought as he banged on the piano--the chords intended to depict musically the armless wonder's cannibalistic proclivities. Bosco not only bit their heads off, she bit her lips with vexation. It was too late; not a hand applauded when she came on and the fat lady laughed aloud and fanned herself vigorously. She hated Miss Bosco, who, being a headliner, had lorded it over the rest of the unfortunate freaks in a manner deeply resented by them; so the fat lady was glad to see Bosco's act fall down. The skeleton looked wise and tapped his bony forehead with his bony fingers.
       "Dippy," he articulated. "All musicians are dippy," he added.
       The midgets looked serious, for they loved the professor. Tears started in the little lady's eyes; she expected a storm, for she was terribly afraid of Bosco.
       "I do hope that Mr. Costello won't haul him over the coals," said the albino to the tattooed girl. "He's such a nice old guy!"
       After the show Mr. Costello listened to Von Barwig's apology in silence, and silence meant a great deal of self-restraint for him.
       "It's all right if she don't raise a holler," he said, taking his diamond ring off his necktie and placing it on his finger for the night. "But you must keep awake, see? It looks like blazes to see the profess' asleep! It not only sets the audience a bad example, but it looks as if we was givin' a bum show." Then he added warningly, "We had one profess' last year who went to sleep on us regular, and snored so that we used his noise instead of the snare drums. Well, we left him sound asleep after the show one night and turned the lights off. When he woke up he thought the wax figures was ghosts, and he threw a fit right on the piano. Holy Mackerel! It took nearly two quarts of whiskey to get him right for the next show; so don't do it again, profess'," he ended solemnly.
       Von Barwig promised that he would not--but he made up his mind that just as soon as terms for teaching Mrs. Cruger's nieces were arranged, he would at once give Mr. Costello notice of his determination to resign from the night professorship at the Museum. This thought contributed in no small degree to his peace of mind, for he had begun to loathe the very thought of this place.
       When Von Barwig arrived home he found a letter on the hall table. He went up to his little room, lit the candle, sat down on his bed and read the following:
       
"Mrs. Cruger presents her compliments to Herr Von Barwig, and regrets to inform him that unexpected circumstances have arisen which will obviate the necessity of his calling upon her in regard to her nieces' studies."

       "Very well," he said to himself, as he folded up the letter. "I shall have more time to think of her," and he went to bed and slept peacefully.
       A week elapsed. Each day he had patiently gone uptown to Miss Stanton's house. He had started out full of hope and returned home in despair. On each occasion he had been informed by Mr. Joles that Miss Stanton was out, that she had left no message for him, and that he did not know when she would return. Finally he wrote to her and waited patiently for an answer; but there was no word. The old man's hope of seeing her again gradually grew smaller and smaller until at last the old feeling of dull despair, the old gnawing pain of unsatisfied affection came back to him again. "I am doomed," he thought; "doomed to live my life alone!" He would sit for hours and hours and try to think out why she did not see him, why she did not answer his letter. Was she away? If so, why did she not let him know? Had she found out that he played in a Bowery museum? Or did she suspect that he knew that she did not need lessons? If so, was that sufficient cause for her neglect? No, he could not reason it out on those lines! Why did Mrs. Cruger send him a note dismissing him after practically promising to engage him as music master to her nieces? Did Mrs. Cruger dismiss him at all, or had circumstances arisen that obviated the necessity of engaging him? Was it merely a coincidence that she should dismiss him at the same time that Helene avoided seeing him? Were these two conditions in any way connected with each other? Was Helene really trying to avoid him? Had she received his letter? Did she really know? This last question gave him much comfort and he persistently dwelt on that phase of the situation. To believe that she knew; it was inconceivable to him. She would surely have written. "Did I address the letters properly? Did I put stamps on?" he asked himself. "There is a mistake somewhere," he concluded; "a mistake that time will surely adjust."
       The next day, after going through the usual performance of asking for Miss Stanton and being informed by Mr. Joles of the young lady's absence, Von Barwig ventured to extend the field of his inquiry.
       "Is Mr. Stanton in?" he asked in a low voice, scarcely knowing why he should ask for her father, or what he should say if he was fortunate enough to obtain an interview with him.
       "Mr. Stanton!" repeated Mr. Joles, almost horrified at the idea of Von Barwig's asking for his master.
       "Mr. Stanton?" he repeated. "Have you an appointment with him?"
       Von Barwig admitted that he had not.
       "Mr. Stanton sees no one without an appointment," said Mr. Joles, slowly recovering from the shock Von Barwig had given him. "Besides which, he is at present at Bar Harbour."
       "Are you sure there is no message for me?" pleaded Von Barwig.
       "Quite sure," responded Mr. Joles.
       "But there must be," pleaded the old man. He was desperate now. "Did she get my note?"
       "My advice is for you to go home and wait till Miss Stanton signifies that your presence is required. That's the best thing to do--really." Mr. Joles volunteered this advice, which contained little comfort, but Von Barwig's lip quivered and he nodded his head thankfully. Even the advice to go away and stay away contained more hope than the cold stolid stone-wall indifference he had encountered day after day from Mr. Joles.
       "Thank you, Mr. Joles! I will, I will," and Von Barwig plodded his way wearily back to Houston Street. For one whole week he did not go near the Stanton house. He contented himself with hoping. He would sit in his little room and rush out every time he heard the letter-carrier's whistle, but no letter came. One day, when he could no longer restrain himself, he carefully brushed his clothes and prepared to walk uptown again.
       "She must be in, she must be in; and she will see me. This time I know she will see me; I am sure of it; sure of it," he kept repeating to himself. "She can't be so cruel!"
       He found himself looking into a florist's window and started with a cry of joy.
       "That's a good omen, a very good omen! You're all right, Barwig; she will see you."
       He had recognised the florist in Union Square that he had bought the violets he presented her with on the day he first called upon her. He went in and bought a bunch of violets.
       "We begin all over again," he said to himself. "We forget all this weary waiting, all this stupid fear. Now, Miss Helene, we are prepared for our lesson," he said, as he took the box of flowers and walked uptown with renewed hope. His heart beat very rapidly as he walked up the steps.
       "Courage, Barwig," he said to himself; "the tide turns I You will see!"
       He rang the bell. There was no answer. Several times he repeated this action; each time he waited several minutes. Finally he rang the bell, and added to it a loud knock. His persistence was rewarded, for Mr. Joles came to the door. He did not wait for Von Barwig to speak, as he usually did, but proceeded to inform the old man that his actions were "simply disgraceful."
       "Miss Stanton is not in and what's more she is not liable to be in," he said severely. "Some people cannot take a hint! If Miss Stanton wanted to see you, Miss Stanton would have sent for you," added Mr. Joles, and his manner was quite ruffled. He took it as a personal offence that Mr. Von Barwig should so persist in calling at a house where it was evident he was not wanted.
       Von Barwig was speechless; he could make no reply. Insulted, turned away, humiliated by her servants! She must know, he felt sure she knew now and his degradation was complete. The old man turned to go now desiring only to get away, somewhere, anywhere, where he could hide his head, where he could hide his grief from the world. Joles shut the door with a bang. He evidently intended that the music master's dismissal should be final. That door bang put a new idea into Von Barwig's bewildered brain.
       "That does not come from her," he cried, "she does not insult, she does not lacerate the heart, she would not purposely humiliate me. No, this last degradation could emanate only from one who has the soul of a servant. This is revenge! He hates me, but why? Good God! Why? I've done nothing to him," and the old man groaned aloud in his misery. "I'll wait and see, perhaps she is at Bar Harbour with her father. How do I know? How do I know?"
       After this, Von Barwig did something that he had never done before in his whole life; he hid himself in the shadow of the opposite corner, and watched. "It is a mean action," he said to himself, "but she will forgive, she will forgive!"
       For hours he stood there watching and waiting, and the time slipped by almost without his being conscious of it, until the shadows of night began to fall. Once a policeman, seeing him crouched in the corner, stopped and looked at him.
       "What are you doing there?" he asked.
       Von Barwig turned his pale, tear-stained countenance and looked at the officer; then a gentle smile crept over his face.
       "I am waiting," he said simply.
       There was such utter pathos in the old man's voice, such gentle dignity in his manner, such a pleading look in his eyes that it seemed to satisfy the guardian of the law, for he walked on without uttering another word.
       Von Barwig's weary vigil soon came to an end. A pair of horses and a carriage drove up to the Stanton mansion and stopped at its doors. Von Barwig instantly recognised the Stanton livery, but the carriage was empty.
       "It is waiting for some one," he muttered to himself. "Courage, courage! We shall soon see!"
       It was now nearly dark, and he could approach nearer to the house without fear of being seen. The carriage stood there quite a time, during which the horses pawed the ground impatiently.
       "Patience, patience," said Von Barwig to himself. "You soon see."
       His patience was rewarded, for the door opened, and Helene Stanton issued forth, clad in a handsome evening costume. To Von Barwig's fevered mind, she looked more radiantly beautiful, more tranquilly happy than he had ever before seen her. She walked rapidly down the brown stone steps, stepped quickly into the carriage and was whirled away before Von Barwig could realise what had happened. The old man could have shrieked aloud in his agony.
       "She knows, she knows, she knows!" he kept saying to himself, as he groped his way toward home. He was dazed, benumbed. The many figures coming and going, this way and that way, seemed like a spectral vision to him. How he got as far as Union Square he never knew, but the first place he recognised was the open square. A large piano organ was playing and quite a number of people were grouped around it. This music recalled him to himself.
       "I know the worst now; the sword of hope no longer hangs over my head. At least my suspense is over," he said, "thank God it is over!"
       He now realised what had happened.
       "No more waiting and watching for the word that never comes!" he thought. "My dream is over! I am awake again, I will think no more of it."
       He was walking across the square now. The evening was warm and sultry and all the benches were crowded with people except one on which a woman was seated holding a babe that was crying.
       "Either people do not want to disturb her, or they do not want to be disturbed by the crying infant," thought Von Barwig, mechanically taking in the situation. He was now acutely conscious of things going on around him.
       "What is the matter with that baby?" he wondered. He stooped and looked at the infant. It was crying piteously, so he looked at the woman and was struck by the fact that she was taking no notice of her child. She seemed to be absolutely unconscious of the fact that it was crying.
       "How strange!" thought Von Barwig.
       She was a young, girlish woman with rather attractive features, but pale and wan. Von Barwig could not help noticing the look of abject despair on her face. The child cried on, but she seemed oblivious of the fact.
       "Can she hear it?" he asked himself. "Is she the mother and yet allows the babe to suffer without trying to help it?" Von Barwig's interest was aroused and he determined to speak to her.
       "I beg your pardon," he said gently to the girl. "Can I not do something for you?"
       She turned to him and shook her head.
       "Can I do something for the child? It--it suffers."
       "Yes," responded the girl in a hoarse voice. "I suppose it does--it's hungry!"
       Instinctively Von Barwig put his hand in his pocket, but the girl shook her head.
       "Not that, not that!" she said quickly. "I have enough to eat, but--" She looked at him more closely, looked into his eyes, and felt rather than saw that it was not mere idle curiosity that was prompting his question.
       "It's very kind of you to take an interest in a stranger. I'm feeding the child myself," she said after a pause; "but I can't now, I can't!" The girl tried hard to keep back her tears. "It would poison her if I did! I dare not until I feel different. I'm full of hate and misery and hell, and I dare not feed it to the child. Mother's milk is poison when the mother feels as I do!" she cried, striking her breast in her misery.
       The old man took her hand. "Don't, please don't," he said gently; "unless you want the child to die. Compose yourself, my dear girl, and tell me what has happened. I'm a stranger to you, yes, but misery brings us together and makes us old friends." He seated himself beside her. "Tell me; I am old enough to be your father! You have none, eh?"
       "Yes," said the girl, "I have, but--" she broke off suddenly. Then she said, "My husband has left me, and the child not eight weeks old. Isn't that hard luck? Left me--for another! Oh, I know it's an old story, but it's new enough to me. God knows it's new enough to me!"
       Von Barwig comforted her as well as he could, and when the girl quieted down she told him her story. It was conventional enough. She had run away from home and married a young fellow she met in a Harlem dance hall. She knew nothing of his people or of his early life. She simply married him, and now he had deserted her after the arrival of her child. There was nothing uncommon or strange either in her story or her way of telling it. Von Barwig had heard such stories hundreds of times, but to him the pathos of the situation lay in the inability of the young mother to feed the crying child owing to her distracted mental condition. Further, the fact that she was sufficiently acquainted with the laws of physiology to realise this truth showed Von Barwig that the girl had received a better education than most of her class.
       "Have you money?" he asked her.
       "A little," the girl replied listlessly. "Oh, God, if the child would only stop crying," she said as she kissed and fondled the babe. Then she sighed. "I feel better now," she said, "much better. Perhaps in a little while I shall be myself again." Von Barwig handed her a five dollar bill.
       "You will buy the little fellow something with the compliments of a stranger. What do you call him?" he said quickly, for he saw that his generous action had brought tears to the girl's eyes and he wanted to prevent her crying. "He's a fine little chap," he added.
       "It's a girl," she said, the ghost of a smile coming into her face. "Her name is Annie. I'll take this for her sake. Thank you, sir, thank you!"
       "A little girl," he said in his low, gentle voice; "a little girl! I had a little girl once," and he stifled the sob that came into his throat. The girl heard this sob and squeezed his hand gently in sympathy.
       "Let me tell you a story, my child, it may help you to bear the burden of life, as your story has helped me!"
       Von Barwig reseated himself by the girl's side and recounted to her the whole story of his miserable unhappy existence from beginning to end. This stranger was the only one to whom he had ever told it all. The girl was intensely interested, and it had the desired effect of taking her thoughts off her own misery. When Von Barwig took his leave of her an hour or so later, the colour had come into her waxen cheeks and she was quietly nursing her baby.
       "I have been asleep," he said to himself, "but I am awake now. Life is all about me; I must not be blind to it again!"
       As Von Barwig turned the corner of Houston Street and the Bowery, he glanced at the clock in the watchmaker's on the corner. It was eleven o'clock. He did not go to the Museum that night.
       "Are you quite sure there is no letter for me, Joles?" Helene asked anxiously, as she came in late that night.
       "Quite sure, miss."
       Helene thought a moment. "It's very strange," she said. "I've written to him so many times."
       Joles's face expressed nothing. Helene shook her f head slowly and walked upstairs. Before she went to bed that night she sent the following note:
       
"MY DEAREST BEVERLY: Come to-morrow morning and take me to lunch. I want you to do a little diplomatic work for me.
       "Your loving
       "HELENE."
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