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The Last Woman
Chapter 17. Cross-Purposes At Cedarcrest
Ross Beeckman
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       _ CHAPTER XVII. CROSS-PURPOSES AT CEDARCREST
       At Cedarcrest, the night was still young. Patricia, and then Morton, had arrived at the country home of the Gardners while the several guests were still at table, and the scenes which followed their coming had passed with such stunning rapidity that every one of the party was more or less affected by them, each one in his or her separate manner. The men of the party were silent and preoccupied. The scene enacted just before the departure of Morton weighed more or less heavily upon them, and while each one felt that the young ranchman had "got what was coming to him," there was not one among them who did not experience a thrill of sympathy for the young fellow, who had been so well liked by the new acquaintances he had made in the East.
       The two gentlemen strangers, who had brought Morton to the house in their car, were the first to take their departure, after Morton's dramatic exit, although they remained long enough to imbibe a whisky-and-soda, and to hear what Jack Gardner still had to say. That was not so very much, but, like all he had said that night, it was straight to the point.
       "Gentlemen," he said to them, standing with his glass in hand and addressing all, impersonally, "what I have to say now, is said to all, alike. Two of you are strangers to me; the others are more or less intimately my friends. It is my particular wish that we should all bind ourselves to secrecy, concerning what has happened at Cedarcrest, and in this vicinity, to-night. It happens that no real harm has been done; no one has been injured; amends have been made to Miss Langdon, so far as it has been possible to make them, and I am quite sure of her desire never to hear the subject mentioned again."
       There was a generally affirmative nodding of heads about him as he spoke, and after an instant, he continued:
       "In what has occurred in this room, I have had to assume a triple obligation: that of host, that of self-appointed champion of the young woman who received the affront from another of my guests, and that of a life-long acquaintance with the man whom I was compelled, by circumstances, to expel from my house. The last was the most difficult of all to fill. There is not one of you who could not readily have assumed two of the responsibilities; the last one I have named has been distinctly unpleasant. I have known and liked Dick Morton, since we were boys. We hail from the same state, and from a locality there where we were near neighbors, during our youth. He is somewhat younger than I--about two years, I think--and, until to-night, I have never known him to be otherwise than a brave and chivalrous fellow, ready to fight at the drop of the hat. We must agree that no matter what his conduct was, prior to the scene in this room, he conducted himself, while here, in a manner that was beyond reproach. He realized the enormity of the outrage he had committed, and he took his medicine, I think, as a fighter should. He is gone now, and I doubt if any of us see him again. That is all, I think, that need be said." It was then that Roderick Duncan silently put aside his glass, and went out of the room, unnoticed by the others. He knew that a general discussion of the incidents of the evening would follow, and he had no wish to take part in it. He anticipated that the two gentlemen who had brought Morton to the house, would be asked to remain, and that he would therefore see them again, later on, and so he took the opportunity that was afforded him to escape unseen and unnoticed.
       The whole affair weighed heavily upon him. He realized much better than Patricia did that she alone was to blame for it all; and the fear lest the responsibility of it should come home to her drove him to seek her at once, even before Morton had had time to get beyond the gates of Cedarcrest. Patricia was, of course, unaware of the scene that had taken place at Duncan's rooms just before the informal invitations to Cedarcrest were issued, but Duncan recalled that circumstance now, with a deeper understanding of all that had happened as a sequel to it; and he believed that the time was ripe for a better understanding between himself and Patricia. Therefore, he left the room to seek her.
       Outside the door, he came to a pause, in doubt which direction to take. From where he stood, he could see into a part of the dining-room, and instinct told him that it was deserted, save by the butler, who was yet at his post. He approached the music-room, and, screened by a Japanese curtain that hung across the entrance, peered inside. Beatrice and Sally were there, with the other ladies of the party, but Patricia was nowhere to be seen. It occurred to him that she might have sought solitude in some other part of the great house, and he had turned away, striving to think where he might find her, when the whirr of an automobile engine came to him through an open window from the rear of the building.
       He guessed, at once, that it would be Morton's roadster, ready to take him away, and, impelled by a sudden spasm of pity for the man who was now tabooed he hurried toward the front entrance--and fate willed it that he should arrive at the threshold just at the very instant when Patricia took that impulsive step nearer to Morton, reaching her arms out toward him, as she did so, and Duncan plainly heard the words she uttered, "Good bye, Dick; and God bless you." He had heard no word which preceded them; he had seen nothing till that instant; but he did see the tears in Patricia's eyes, and hear the pathos in her voice when she spoke those last words to the man who was supposed to have offended her past forgiveness: and he saw Morton leap into the roadway and start toward the garage to meet his machine.
       Duncan waited a moment before he advanced farther; watching Patricia from his sheltered place near the door. Then, he stepped forward to meet the young woman to whom he was betrothed--stepped forward to plead with her once more, and to be rebuffed in the manner we have seen.
       When she had left him, he dropped upon one of the veranda chairs, and with his head upon his hand gave himself up to bitter thought--bitter, because of his utter inadequacy to cope with the conditions by which he was surrounded.
       Duncan was aroused, presently, by the approach of Beatrice and Sally. They came through the door with their arms encircling each other's waist, and walked forward together until they stood at the edge of the top step, under the porte cochere.
       "It's a shame," Beatrice was saying, impulsively. "I feel that the whole thing is more or less my fault, Sally, and--" a warning cough from Duncan told them that they were not alone; and also, at that moment, the other guests trooped out upon the broad veranda; all save Patricia, who did not appear.
       The two gentlemen who had brought Morton to the house after he was deserted by Patricia on the road, declined to remain, pleading other engagements, and soon their car whirred itself away down the road, and was gone. Nesbit Farnham contrived to secure a solitude-a-deux with Beatrice, who, however, turned an indifferent shoulder to his eager words; Agnes and Frances Houston strolled into obscurity with the two "extras" who had been asked there to fill out Sally's original plan; Sally disappeared into the house, evidently in search of Patricia; Jack Gardner and the lawyer lighted cigars and betook themselves to an "S" chair at a far corner of the veranda. Duncan remained where he was, alone, screened from view by overhanging vines, as desolate in spirit as any man can be, who is suddenly brought face to face with an unpleasant truth.
       Nothing had mattered much, in a comparative sense, until this last scene with Patricia. He had been convinced all along, until now, that Patricia loved him and that her strange conduct during the last upheaval in their relations had been the result of wounded pride, only; it had not even remotely occurred to him that she did not love him. They had been together all their lives; he had never known a time when he did not love her; he believed that there had never been a time, since their childhood, when she did not expect some day to become his wife.
       But that short scene he had witnessed on the veranda, when Patricia bade Morton good-bye, had changed all this. He doubted the correctness of his previous convictions. He saw another and an entirely different explanation for Patricia's conduct toward him, for her attitude in the matter of the engagement contract which Melvin had been compelled to draw, and which he, himself, had likewise been compelled to sign. He read in that last scene between the ranchman and Patricia a fondness on her part for the young cattle-king which had been forced into the "open" of her own convictions, by the principal episode of the evening. He saw the utter wreck of his own hopes, of his entire scheme of life.
       While he sat there in the shadow of the vine, unseen and unseeing, he made still another discovery, a grim one, which brought with it a better realization of Morton's incentives, than anything else could have done. He realized that he hated Morton; hated him wholly and absolutely--hated him suddenly and vehemently. He knew, then, why Morton had attempted to kill him, for, if Morton had made a reappearance at that moment, Roderick Duncan would have taken the initiative, and would have been the one to do the killing.
       Yet, he made no move. If you had been watching him from beyond the screen of vines, no indication of what was passing in his thoughts would have been noticeable. The fierce hatred he so suddenly experienced was not made manifest by any act or expression, although it was none the less pronounced, for all that. And, strangely enough, it did not lead him to any greater consideration of Morton, or of his acts; rather the contrary.
       Once, while he was preoccupied in this manner, he was again conscious of the distant whirr of an automobile engine, but he gave it no thought, till afterward. He did notice that Jack Gardner also heard it, and took his cigar from his mouth while he listened to it; but at once resumed his conversation with the lawyer. Soon afterward, Roderick left his chair under the vine, and passed inside the house.
       "Hello, Rod," Jack called after him. "I didn't know you were there. Won't you join Melvin and me, in our cozy corner?" to which Duncan called back some casual reply, and passed on.
       He had made up his mind that he would seek out Patricia, at once, and tell her of the discovery he had just made; that he had been a fool not to realize before, that Morton was the man of her choice, and that she could have the fellow if she wanted him; that he would not only release her from the tentative engagement, but that he would repudiate the contract entirely, and that, as soon as he could secure his own copy of it from the strong-box where he had put it, he would tear it into ten thousand pieces; that he would have no more of her, on any conditions, and that--oh, well, he thought of many bitter and biting things that he would say to her the moment he should find her--possibly in tears because of Morton's enforced departure from Cedarcrest, or in the act of weeping out the truth on Sally Gardner's shoulder. He thought he understood the situation now, as he had not seen it before.
       Duncan searched in the drawing-room, the music-room, the dining-room; he explored the snuggery, the library, and even Jack's own particular den; he sought the side piazzas; he went outside among the trees to certain hidden nooks he knew. But Patricia was nowhere to be discovered. Neither had he been able to see Sally anywhere about, and the conviction became stronger upon him that the two were somewhere together, and that Patricia, her pride forgotten, was keeping the young hostess with her while she told of the terrible predicament in which she now found herself to be enmeshed; for it would be a most stupendous predicament for Patricia to face--the realization that she was in love with Morton, in spite of the contract in writing she had forced Roderick Duncan to sign with her.
       Returning to the house, he found the butler, and was about to send him in search of his mistress, when he discovered Sally, descending the stairway.
       "Where is Patricia?" Each asked the question simultaneously, so that the words were pronounced exactly together; and yet neither one smiled. Each question was a reply to its mate.
       "I have been searching everywhere for her," said Duncan.
       "So have I," replied Sally. "Where can she be?"
       "I haven't an idea. Isn't she up-stairs?"
       "No. Couldn't you find her, outside?"
       "No."
       "I haven't seen her since--since that dreadful scene on the veranda," said Sally. "Have you seen her, Roderick?"
       "Yes."
       "When? Where?"
       "I saw her taking leave of Morton, when he went away," he replied, with such bitterness that Sally stared at him; but, wisely, she made no comment; nor did she attempt to stay him when he turned abruptly away from her, and walked rapidly toward one of the side entrances. But he stopped and turned, before he left the room.
       "Sally," he said, "I am going to ask you to excuse me. I want to get away. I would rather not explain to the others--I would rather not attempt to explain to you. But I want to go. You will excuse me? and if those who remain should happen to miss me, will you make whatever excuse seems necessary?"
       "None will be necessary, Roderick. Oh, you men! You make me tired! You do, really! It is inconceivable why you should all fall hopelessly in love with one woman, and utterly ignore the others who are--" She stopped suddenly. She had been on the point of saying too much, and she did not wish to utter words she would be sorry for, afterward. Duncan did not attempt any reply, and was turning away a second time, when she called after him: "If you would only be really sensible, and--"
       "And what, Sally?" he asked her, when she again hesitated.
       "Nothing."
       "But you were about to make a suggestion. What was it?"
       "If it was anything at all, it was that you chase yourself out there among the trees, find Beatrice and Nesbit Farnum, and take her away from him," exclaimed this impetuous young woman, who found delight in expressing herself in the slang of the day. Duncan shrugged his shoulders, and uttered the one word:
       "Why?"
       But Sally did not vouchsafe any reply at all, to the question. She tossed her head, and darted along the wide hall toward a rear door.
       Duncan gazed after her for a moment, and then, with another shrug of his shoulders, he passed on out of the house, and made his way swiftly toward the stables and the garage, for he was determined to get out his car and to return to the city, forthwith.
       His surprise was great, when, on arriving at the door of the garage, he found that Sally had preceded him, and, as he drew near, she turned a white, scared face toward him, exclaiming:
       "Oh, Roderick! What do you think? Patricia has gone."
       "Gone!" he echoed. "Gone where? Gone, when? What do you mean, Sally?"
       "She has gone. She has taken one of Jack's cars, and gone home."
       "Alone?"
       "No. She took Patrick with her, to drive the car. They left here half an hour ago, I am told. Why do you suppose she did such a thing, without consulting me, Roderick? Why? Why?"
       "Why?" he echoed her question a second time. Then, he laughed, and it was not a pleasant laugh to hear. All the bitterness of those moments under the vine on the veranda was voiced in that laugh. "It isn't a difficult question to answer, Sally. She has followed Morton--that is why;" and, while Mrs. Gardner stared at him, uncomprehendingly, he turned to one of the stablemen who was near, and who had been Sally's informant about the movements of Patricia, and called out:
       "Tell my man to fetch my car to me, here. I shall go, at once, Sally." His car was already moving toward him, and, as it stopped and he put one foot upon the step, Sally replied:
       "I'll say that you and Patricia went away together. It will sound better."
       "Pardon me, Sally, but you will say no such thing--with my permission. Go ahead, Thompson." He sprang into the car, and it sped away with him, leaving Sally staring after him, wide-eyed with the amazement she felt. Already, she realized that her house-party, from which she had expected such wholesome results, had proven disastrous all around. Her husband's prophecy concerning it had been correct. But she did not know, and could not know as yet, just how disastrous it had been, for there had been no prophet to foretell the catastrophe at the stone quarry, toward which Patricia Langdon had started, half an hour earlier, in one of Jack Gardner's cars, guided by one of Jack's most trusted servants; and, oddly enough, by one who had formerly been in the employ of Stephen Langdon, and who, as a servant, had fallen under the spell of the daughter of the house to such an extent that he had never ceased to quote her as the criterion of all things in the way of excellence to be attained by an employer. And toward this quarry Duncan was now hastening at the full speed of his big Packard-sixty, with the trusted Thompson at the wheel; and toward it, as the chief actor, Richard Morton had started away from Cedarcrest with a broken heart, and with a brain crazed by the calamities that had rushed so swiftly upon him. _