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Forsyte Saga, The
Novel 1. The Man of Property - PART II - CHAPTER XIV. SOAMES SITS ON THE STAIRS
John Galsworthy
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       Novel 1. The Man of Property - PART II - CHAPTER XIV. SOAMES SITS ON THE STAIRS
       Soames went upstairs that night that he had gone too far. He was prepared to offer excuses for his words.
       He turned out the gas still burning in the passage outside their room. Pausing, with his hand on the knob of the door, he tried to shape his apology, for he had no intention of letting her see that he was nervous.
       But the door did not open, nor when he pulled it and turned the handle firmly. She must have locked it for some reason, and forgotten.
       Entering his dressing-room where the gas was also light and burning low, he went quickly to the other door. That too was locked. Then he noticed that the camp bed which he occasionally used was prepared, and his sleeping-suit laid out upon it. He put his hand up to his forehead, and brought it away wet. It dawned on him that he was barred out.
       He went back to the door, and rattling the handle stealthily, called: "Unlock the door, do you hear? Unlock the door!"
       There was a faint rustling, but no answer.
       "Do you hear? Let me in at once--I insist on being let in!"
       He could catch the sound of her breathing close to the door, like the breathing of a creature threatened by danger.
       There was something terrifying in this inexorable silence, in the impossibility of getting at her. He went back to the other door, and putting his whole weight against it, tried to burst it open. The door was a new one--he had had them renewed himself, in readiness for their coming in after the honeymoon. In a rage he lifted his foot to kick in the panel; the thought of the servants restrained him, and he felt suddenly that he was beaten.
       Flinging himself down in the dressing-room, he took up a book.
       But instead of the print he seemed to see his wife--with her yellow hair flowing over her bare shoulders, and her great dark eyes--standing like an animal at bay. And the whole meaning of her act of revolt came to him. She meant it to be for good.
       He could not sit still, and went to the door again. He could still hear her, and he called: "Irene! Irene!"
       He did not mean to make his voice pathetic.
       In ominous answer, the faint sounds ceased. He stood with clenched hands, thinking.
       Presently he stole round on tiptoe, and running suddenly at the other door, made a supreme effort to break it open. It creaked, but did not yield. He sat down on the stairs and buried his face in his hands.
       For a long time he sat there in the dark, the moon through the skylight above laying a pale smear which lengthened slowly towards him down the stairway. He tried to be philosophical.
       Since she had locked her doors she had no further claim as a wife, and he would console himself with other women.
       It was but a spectral journey he made among such delights--he had no appetite for these exploits. He had never had much, and he had lost the habit. He felt that he could never recover it. His hunger could only be appeased by his wife, inexorable and frightened, behind these shut doors. No other woman could help him.
       This conviction came to him with terrible force out there in the dark.
       His philosophy left him; and surly anger took its place. Her conduct was immoral, inexcusable, worthy of any punishment within his power. He desired no one but her, and she refused him!
       She must really hate him, then! He had never believed it yet. He did not believe it now. It seemed to him incredible. He felt as though he had lost for ever his power of judgment. If she, so soft and yielding as he had always judged her, could take this decided step--what could not happen?
       Then he asked himself again if she were carrying on an intrigue with Bosinney. He did not believe that she was; he could not afford to believe such a reason for her conduct--the thought was not to be faced.
       It would be unbearable to contemplate the necessity of making his marital relations public property. Short of the most convincing proofs he must still refuse to believe, for he did not wish to punish himself. And all the time at heart--he did believe.
       The moonlight cast a greyish tinge over his figure, hunched against the staircase wall.
       Bosinney was in love with her! He hated the fellow, and would not spare him now. He could and would refuse to pay a penny piece over twelve thousand and fifty pounds--the extreme limit fixed in the correspondence; or rather he would pay, he would pay and sue him for damages. He would go to Jobling and Boulter and put the matter in their hands. He would ruin the impecunious beggar! And suddenly--though what connection between the thoughts?--he reflected that Irene had no money either. They were both beggars. This gave him a strange satisfaction.
       The silence was broken by a faint creaking through the wall. She was going to bed at last. Ah! Joy and pleasant dreams! If she threw the door open wide he would not go in now!
       But his lips, that were twisted in a bitter smile, twitched; he covered his eyes with his hands....
       It was late the following afternoon when Soames stood in the dining-room window gazing gloomily into the Square.
       The sunlight still showered on the plane-trees, and in the breeze their gay broad leaves shone and swung in rhyme to a barrel organ at the corner. It was playing a waltz, an old waltz that was out of fashion, with a fateful rhythm in the notes; and it went on and on, though nothing indeed but leaves danced to the tune.
       The woman did not look too gay, for she was tired; and from the tall houses no one threw her down coppers. She moved the organ on, and three doors off began again.
       It was the waltz they had played at Roger's when Irene had danced with Bosinney; and the perfume of the gardenias she had worn came back to Soames, drifted by the malicious music, as it had been drifted to him then, when she passed, her hair glistening, her eyes so soft, drawing Bosinney on and on down an endless ballroom.
       The organ woman plied her handle slowly; she had been grinding her tune all day-grinding it in Sloane Street hard by, grinding it perhaps to Bosinney himself.
       Soames turned, took a cigarette from the carven box, and walked back to the window. The tune had mesmerized him, and there came into his view Irene, her sunshade furled, hastening homewards down the Square, in a soft, rose-coloured blouse with drooping sleeves, that he did not know. She stopped before the organ, took out her purse, and gave the woman money.
       Soames shrank back and stood where he could see into the hall.
       She came in with her latch-key, put down her sunshade, and stood looking at herself in the glass. Her cheeks were flushed as if the sun had burned them; her lips were parted in a smile. She stretched her arms out as though to embrace herself, with a laugh that for all the world was like a sob.
       Soames stepped forward.
       "Very-pretty!" he said.
       But as though shot she spun round, and would have passed him up the stairs. He barred the way.
       "Why such a hurry?" he said, and his eyes fastened on a curl of hair fallen loose across her ear....
       He hardly recognised her. She seemed on fire, so deep and rich the colour of her cheeks, her eyes, her lips, and of the unusual blouse she wore.
       She put up her hand and smoothed back the curl. She was breathing fast and deep, as though she had been running, and with every breath perfume seemed to come from her hair, and from her body, like perfume from an opening flower.
       "I don't like that blouse," he said slowly, "it's a soft, shapeless thing!"
       He lifted his finger towards her breast, but she dashed his hand aside.
       "Don't touch me!" she cried.
       He caught her wrist; she wrenched it away.
       "And where may you have been?" he asked.
       "In heaven--out of this house!" With those words she fled upstairs.
       Outside--in thanksgiving--at the very door, the organ-grinder was playing the waltz.
       And Soames stood motionless. What prevented him from following her?
       Was it that, with the eyes of faith, he saw Bosinney looking down from that high window in Sloane Street, straining his eyes for yet another glimpse of Irene's vanished figure, cooling his flushed face, dreaming of the moment when she flung herself on his breast--the scent of her still in the air around, and the sound of her laugh that was like a sob? _
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Novel 1. The Man of Property - PART I - VOL. 1 - PREFACE
Novel 1. The Man of Property - PART I - CHAPTER I. 'AT HOME' AT OLD JOLYON'S
Novel 1. The Man of Property - PART I - CHAPTER II. OLD JOLYON GOES TO THE OPERA
Novel 1. The Man of Property - PART I - CHAPTER III. DINNER AT SWITHIN'S
Novel 1. The Man of Property - PART I - CHAPTER IV. PROJECTION OF THE HOUSE
Novel 1. The Man of Property - PART I - CHAPTER V. A FORSYTE MENAGE
Novel 1. The Man of Property - PART I - CHAPTER VI. JAMES AT LARGE
Novel 1. The Man of Property - PART I - CHAPTER VII. OLD JOLYON'S PECCADILLO
Novel 1. The Man of Property - PART I - CHAPTER VIII. PLANS OF THE HOUSE
Novel 1. The Man of Property - PART I - CHAPTER IX. DEATH OF AUNT ANN
Novel 1. The Man of Property - PART II - CHAPTER I. PROGRESS OF THE HOUSE
Novel 1. The Man of Property - PART II - CHAPTER II. JUNE'S TREAT
Novel 1. The Man of Property - PART II - CHAPTER III. DRIVE WITH SWITHIN
Novel 1. The Man of Property - PART II - CHAPTER IV. JAMES GOES TO SEE FOR HIMSELF
Novel 1. The Man of Property - PART II - CHAPTER V. SOAMES AND BOSINNEY CORRESPOND
Novel 1. The Man of Property - PART II - CHAPTER VI. OLD JOLYON AT THE ZOO
Novel 1. The Man of Property - PART II - CHAPTER VII. AFTERNOON AT TIMOTHY'S
Novel 1. The Man of Property - PART II - CHAPTER VIII. DANCE AT ROGER'S
Novel 1. The Man of Property - PART II - CHAPTER IX. EVENING AT RICHMOND
Novel 1. The Man of Property - PART II - CHAPTER X. DIAGNOSIS OF A FORSYTE
Novel 1. The Man of Property - PART II - CHAPTER XI. BOSINNEY ON PAROLE
Novel 1. The Man of Property - PART II - CHAPTER XII. JUNE PAYS SOME CALLS
Novel 1. The Man of Property - PART II - CHAPTER XIII. PERFECTION OF THE HOUSE
Novel 1. The Man of Property - PART II - CHAPTER XIV. SOAMES SITS ON THE STAIRS
Novel 1. The Man of Property - PART III - CHAPTER I. MRS. MACANDER'S EVIDENCE
Novel 1. The Man of Property - PART III - CHAPTER II. NIGHT IN THE PARK
Novel 1. The Man of Property - PART III - CHAPTER III. MEETING AT THE BOTANICAL
Novel 1. The Man of Property - PART III - CHAPTER IV. VOYAGE INTO THE INFERNO
Novel 1. The Man of Property - PART III - CHAPTER V. THE TRIAL
Novel 1. The Man of Property - PART III - CHAPTER VI. SOAMES BREAKS THE NEWS
Novel 1. The Man of Property - PART III - CHAPTER VII. JUNE'S VICTORY
Novel 1. The Man of Property - PART III - CHAPTER VIII. BOSINNEY'S DEPARTURE
Novel 1. The Man of Property - PART III - CHAPTER IX. IRENE'S RETURN
Interlude 1 - Vol 2. Indian Summer of a Forsyte - CHAPTER I
Interlude 1 - Vol 2. Indian Summer of a Forsyte - CHAPTER II
Interlude 1 - Vol 2. Indian Summer of a Forsyte - CHAPTER III
Interlude 1 - Vol 2. Indian Summer of a Forsyte - CHAPTER IV
Novel 2. In Chancery - PART I - CHAPTER I. AT TIMOTHY'S
Novel 2. In Chancery - PART I - CHAPTER II. EXIT A MAN OF THE WORLD
Novel 2. In Chancery - PART I - CHAPTER III. SOAMES PREPARES TO TAKE STEPS
Novel 2. In Chancery - PART I - CHAPTER IV. SOHO
Novel 2. In Chancery - PART I - CHAPTER V. JAMES SEES VISIONS
Novel 2. In Chancery - PART I - CHAPTER VI. NO-LONGER-YOUNG JOLYON AT HOME
Novel 2. In Chancery - PART I - CHAPTER VII. THE COLT AND THE FILLY
Novel 2. In Chancery - PART I - CHAPTER VIII. JOLYON PROSECUTES TRUSTEESHIP
Novel 2. In Chancery - PART I - CHAPTER IX. VAL HEARS THE NEWS
Novel 2. In Chancery - PART I - CHAPTER X. SOAMES ENTERTAINS THE FUTURE
Novel 2. In Chancery - PART I - CHAPTER XI. AND VISITS THE PAST
Novel 2. In Chancery - PART I - CHAPTER XII. ON FORSYTE 'CHANGE
Novel 2. In Chancery - PART I - CHAPTER XIII. JOLYON FINDS OUT WHERE HE IS
Novel 2. In Chancery - PART I - CHAPTER XIV. SOAMES DISCOVERS WHAT HE WANTS
Novel 2. In Chancery - PART II - CHAPTER I. THE THIRD GENERATION
Novel 2. In Chancery - PART II - CHAPTER II. SOAMES PUTS IT TO THE TOUCH
Novel 2. In Chancery - PART II - CHAPTER III. VISIT TO IRENE
Novel 2. In Chancery - PART II - CHAPTER IV. WHERE FORSYTES FEAR TO TREAD
Novel 2. In Chancery - PART II - CHAPTER V. JOLLY SITS IN JUDGMENT
Novel 2. In Chancery - PART II - CHAPTER VI. JOLYON IN TWO MINDS
Novel 2. In Chancery - PART II - CHAPTER VII. DARTIE VERSUS DARTIE
Novel 2. In Chancery - PART II - CHAPTER VIII. THE CHALLENGE
Novel 2. In Chancery - PART II - CHAPTER IX. DINNER AT JAMES'
Novel 2. In Chancery - PART II - CHAPTER X. DEATH OF THE DOG BALTHASAR
Novel 2. In Chancery - PART II - CHAPTER XI. TIMOTHY STAYS THE ROT
Novel 2. In Chancery - PART II - CHAPTER XII. PROGRESS OF THE CHASE
Novel 2. In Chancery - PART II - CHAPTER XIII. 'HERE WE ARE AGAIN!'
Novel 2. In Chancery - PART II - CHAPTER XIV. OUTLANDISH NIGHT
Novel 2. In Chancery - PART III - CHAPTER I. SOAMES IN PARIS
Novel 2. In Chancery - PART III - CHAPTER II. IN THE WEB
Novel 2. In Chancery - PART III - CHAPTER III. RICHMOND PARK
Novel 2. In Chancery - PART III - CHAPTER IV. OVER THE RIVER
Novel 2. In Chancery - PART III - CHAPTER V. SOAMES ACTS
Novel 2. In Chancery - PART III - CHAPTER VI. A SUMMER DAY
Novel 2. In Chancery - PART III - CHAPTER VII. A SUMMER NIGHT
Novel 2. In Chancery - PART III - CHAPTER VIII. JAMES IN WAITING
Novel 2. In Chancery - PART III - CHAPTER IX. OUT OF THE WEB
Novel 2. In Chancery - PART III - CHAPTER X. PASSING OF AN AGE
Novel 2. In Chancery - PART III - CHAPTER XI. SUSPENDED ANIMATION
Novel 2. In Chancery - PART III - CHAPTER XII. BIRTH OF A FORSYTE
Novel 2. In Chancery - PART III - CHAPTER XIII. JAMES IS TOLD
Novel 2. In Chancery - PART III - CHAPTER XIV. HIS
Interlude 2 - Vol. 3 - Awakening
Novel 3. To Let - PART I - CHAPTER I. ENCOUNTER
Novel 3. To Let - PART I - CHAPTER II. FINE FLEUR FORSYTE
Novel 3. To Let - PART I - CHAPTER III. AT ROBIN HILL
Novel 3. To Let - PART I - CHAPTER IV. THE MAUSOLEUM
Novel 3. To Let - PART I - CHAPTER V. THE NATIVE HEATH
Novel 3. To Let - PART I - CHAPTER VI. JON
Novel 3. To Let - PART I - CHAPTER VII. FLEUR
Novel 3. To Let - PART I - CHAPTER VIII. IDYLL ON GRASS
Novel 3. To Let - PART I - CHAPTER IX. GOYA
Novel 3. To Let - PART I - CHAPTER X. TRIO
Novel 3. To Let - PART I - CHAPTER XI. DUET
Novel 3. To Let - PART I - CHAPTER XII. CAPRICE
Novel 3. To Let - PART II - CHAPTER I. MOTHER AND SON
Novel 3. To Let - PART II - CHAPTER II. FATHERS AND DAUGHTERS
Novel 3. To Let - PART II - CHAPTER III. MEETINGS
Novel 3. To Let - PART II - CHAPTER IV. IN GREEN STREET
Novel 3. To Let - PART II - CHAPTER V. PURELY FORSYTE AFFAIRS
Novel 3. To Let - PART II - CHAPTER VI. SOAMES' PRIVATE LIFE
Novel 3. To Let - PART II - CHAPTER VII. JUNE TAKES A HAND
Novel 3. To Let - PART II - CHAPTER VIII. THE BIT BETWEEN THE TEETH
Novel 3. To Let - PART II - CHAPTER IX. THE FAT IN THE FIRE
Novel 3. To Let - PART II - CHAPTER X. DECISION
Novel 3. To Let - PART II - CHAPTER XI. TIMOTHY PROPHESIES
Novel 3. To Let - PART III - CHAPTER I. OLD JOLYON WALKS
Novel 3. To Let - PART III - CHAPTER II. CONFESSION
Novel 3. To Let - PART III - CHAPTER III. IRENE
Novel 3. To Let - PART III - CHAPTER IV. SOAMES COGITATES
Novel 3. To Let - PART III - CHAPTER V. THE FIXED IDEA
Novel 3. To Let - PART III - CHAPTER VI. DESPERATE
Novel 3. To Let - PART III - CHAPTER VII. EMBASSY
Novel 3. To Let - PART III - CHAPTER VIII. THE DARK TUNE
Novel 3. To Let - PART III - CHAPTER IX. UNDER THE OAK-TREE
Novel 3. To Let - PART III - CHAPTER X. FLEUR'S WEDDING
Novel 3. To Let - PART III - CHAPTER XI. THE LAST OF THE OLD FORSYTES