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Essay(s) by Heywood Broun
John Roach Straton
Heywood Broun
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       In the course of his Sabbath day talk at Calvary Baptist Church the other day the Rev. Dr. John Roach Straton spoke of "miserable Charlie Chaplin," or words to that effect. This seems to us an expression of the more or less natural antipathy of a man who regards life trivially for a serious artist. It is the venom of the clown confronted by the comedian.
       Dr. Straton is, of course, an utter materialist. He is concerned with such temporal and evanescent things as hellfire, and a heaven which he has pictured in one of his sermons as a sort of glorified Coney Island. Moreover, he has created a deity in his own image and has presented the invisible king as merely a somewhat more mannerly John Roach Straton. And while Dr. Straton has been thus engaged in debasing the ideals of mankind, Charlie Chaplin has brought to great masses of people some glint of things which are eternal. He has managed to show us beauty and, better than that, he has contrived to put us at ease in this presence. We belong to a Nation which is timorous of beauty, but Charlie has managed to soothe our fears by proving to us that it may also be merry.
       While Straton has been talking about jazz, debauchery, modesty, vengeance and other ugly things, Chaplin has given us the story of a child. "The Kid" captured a little of that curiously exalted something which belongs to paternity. All spiritual things must have in them a childlike quality. The belief in immortality rests not very much on the hope of going on. Few of us want to do that, but we would like very much to begin again.
       Naturally, we are under no delusions as to the innate goodness even of very small children. They are bad a great deal of the time, but before it has been knocked out of them they see no limit to the potentialities of the human will. Theirs is the faith to move mountains, because they do not yet know the fearful heft of them. The world is merely a rather big sandpile and much may be done to it with a tin pail and shovel. We would capture such confidence again.
       As a matter of fact, a great deal could be done with a pail and shovel. We do not try because we have lost our nerve. Nobody will ever get it back again by listening to Dr. Straton. He seems solely intent upon detailing the limitations and the frailties of man. We think he has outgrown his soul a little. He has sold his birthright for a mess of potterism.
       But Charlie Chaplin moves through the world which he pictures on the screen like a mischievous child. He confounds all the gross villains who come against him. His smile is a token and a symbol that man is too merry to die utterly. Fearful things menace us, but they will flee before the audacious one who has the fervor to draw back his foot and let it fly.
       Of course, we are not advocating any suppression of Dr. Straton by censorship. We regard him and his sermons as a bad influence. But after all, the man or woman who strays into Dr. Straton's church knows what to expect. In justice to the clergyman it must be said that he has never made any secret of his methods or his message. There is no deception. Sentimentally, we think it rather shocking that these talks of his should occur on Sunday. There really ought to be one day of the week upon which the citizens of New York turn away from frivolity. And still we do not urge that the Sunday Law be amended to include the performances of John Roach Straton. He is not one whit worse than some of the sensational Sunday magazines.
       [The end]
       Heywood Broun's essay: John Roach Straton
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本书目录

"Ataboy!"
An Adjective A Day
Adventure Made Painless
Alcoholic Liquors
Altruistic Poker
Are Editors People?
Art For Argument's Sake
Bacillus And Circumstance
The Bigger The Year
A Bolt From The Blue
Buying A Farm
Censoring The Censor
Chivalry Is Born
The Cosmic "Kid"
Danger Signals For Readers
Death Says It Isn't So
Deburau
The Dog Star
The Excelsior Movement
The Fifty-First Dragon
For Old Nassau
Frankincense And Myrrh
G. K. C.
Glass Slippers By The Gross
Gray Gods And Green Goddesses
H. 3rd--The Review Of A Continuous Performance
H. G. Wells Of England
Holding A Baby
How To Be A Lion Tamer
How To Win Money At The Races----
I'd Die For Dear Old Rutgers
Inasmuch
Jack The Giant Killer
John Roach Straton
Judge Krink
A Jung Man's Fancy
Just Around The Corner
The Last Trump
The Library Of A Lover
Life, The Copy Cat
Margaret Fuller
Merrick's Women
Michael
A Modern Beanstalk
Mr. Dempsey's Five-Foot Shelf
No 'rahs For Ray
Nonsenseorship
The Not Impossible Sheik
On Being A God
One Touch Of Slapstick
The Orthodox Champion
Park Row And Fleet Street
Private Ownership Of Offspring
Professor George Pierce Baker
Promises And Contracts And Clocks
Red Magic
Reform Through Reading
A Reviewer's Notebook
A Robe For The King
Romance And Reticence
Ruth vs. Roth
Shush!
Some Of My Best Friends Are Yale Men
Southpaws
Spanking Manners
Sport For Art's Sake
The Tall Villa
A Test For Critics
A Tortoise Shell Home
Turning Thirty
The Unknown Soldier
Volstead And Conversation
We Have With Us This Evening----
The Well Made Review
What Shakespeare Missed
With A Stein On The Table
The Young Pessimists