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Battle Ground, The
BOOK FIRST - GOLDEN YEARS   BOOK FIRST - GOLDEN YEARS - Chapter IV - A House with an Open Door
Ellen Glasgow
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       _ The master of Uplands was standing upon his portico behind the Doric
       columns, looking complacently over the fat lands upon which his fathers had
       sown and harvested for generations. Beyond the lane of lilacs and the two
       silver poplars at the gate, his eyes wandered leisurely across the blue
       green strip of grass-land to the tawny wheat field, where the slaves were
       singing as they swung their cradles. The day was fine, and the outlying
       meadows seemed to reflect his gaze with a smile as beneficent as his own.
       He had cast his bread upon the soil, and it had returned to him threefold.
       As he stood there, a small, yet imposing figure, in his white duck suit,
       holding his broad slouch hat in his hand, he presented something of the
       genial aspect of the country--as if the light that touched the pleasant
       hills and valleys was aglow in his clear brown eyes and comely features.
       Even the smooth white hand in which he held his hat and riding-whip had
       about it a certain plump kindliness which would best become a careless
       gesture of concession. And, after all, he looked but what he was--a bland
       and generous gentleman, whose heart was as open as his wine cellar.
       A catbird was singing in one of the silver poplars, and he waited, with
       upraised head, for the song to end. Then he stooped beside a column and
       carefully examined a newly planted coral honeysuckle before he went into
       the wide hall, where his wife was seated at her work-table.
       From the rear door, which stood open until frost, a glow of sunshine
       entered, brightening the white walls with their rows of antlers and
       gunracks, and rippling over the well-waxed floor upon which no drop of
       water had ever fallen. A faint sweetness was in the air from the
       honeysuckle arbour outside, which led into the box-bordered walks of the
       garden.
       As the Governor hung up his hat, he begun at once with his daily news of
       the farm. "I hope they'll get that wheat field done to-day," he said: "but
       it doesn't look much like it--they've been dawdling over it for the last
       three days. I am afraid Wilson isn't much of a manager, after all; if I
       take my eyes off him, he seems to lose his head."
       "I think everything is that way," returned his wife, looking up from one of
       the elaborately tucked and hemstitched shirt fronts which served to gratify
       the Governor's single vanity. "I'm sure Aunt Pussy says she can't trust
       Judy for three days in the dairy without finding that the cream has stood
       too long for butter--and Judy has been churning for twenty years." She cut
       off her thread and held the linen out for the Governor's inspection. "I
       really believe that is the prettiest one I've made. How do you like this
       new stitch?"
       "Exquisite!" exclaimed her husband, as he took the shirt front in his hand.
       "Simply exquisite, my love. There isn't a woman in Virginia who can do such
       needlework; but it should go upon a younger and handsomer man, Julia."
       His wife blushed and looked up at him, the colour rising to her beautiful
       brow and giving a youthful radiance to her nunlike face. "It could
       certainly go upon a younger man, Mr. Ambler," she rejoined, with a touch of
       the coquetry for which she had once been noted; "but I should like to know
       where I'd find a handsomer one."
       A pleased smile broadened the Governor's face, and he settled his waistcoat
       with an approving pat. "Ah, you're a partial witness, my dear," he said;
       "but I've an error to confess, so I mustn't forego your favour--I--I bought
       several of Mr. Willis's servants, my love."
       "Why, Mr. Ambler!" remonstrated his wife, reproach softening her voice
       until it fell like a caress. "Why, Mr. Ambler, you bought six of Colonel
       Blake's last year, you know and one of the house servants has been nursing
       them ever since. The quarters are filled with infirm darkies."
       "But I couldn't help it, Julia, I really couldn't," pleaded the Governor.
       "You'd have done it yourself, my dear. They were sold to a dealer going
       south, and one of them wants to marry that Mandy of yours."
       "Oh, if it's Mandy's lover," broke in Mrs. Ambler, with rising interest,
       "of course you had to buy him, and you did right about the others--you
       always do right." She put out her delicate blue-veined hand and touched his
       arm. "I shall see them to-day," she added, "and Mandy may as well be making
       her wedding dress."
       "What an eye to things you have," said the Governor, proudly. "You might
       have been President, had you been a man, my dear."
       His wife rose and took up her work-box with a laugh of protest. "I am quite
       content with the mission of my sex, sir," she returned, half in jest, half
       in wifely humility. "I'm sure I'd much rather make shirt fronts for you
       than wear them myself." Then she nodded to him and went, with her stately
       step, up the broad staircase, her white hand flitting over the mahogany
       balustrade.
       As he looked after her, the Governor's face clouded, and he sighed beneath
       his breath. The cares she met with such serenity had been too heavy for her
       strength; they had driven the bloom from her cheeks and the lustre from her
       eyes; and, though she had not faltered at her task, she had drooped daily
       and grown older than her years. The master might live with a lavish
       disregard of the morrow, not the master's wife. For him were the open
       house, the shining table, the well-stocked wine cellar and the morning
       rides over the dewy fields; for her the cares of her home and children, and
       of the souls and bodies of the black people that had been given into her
       hands. In her gentle heart it seemed to her that she had a charge to keep
       before her God; and she went her way humbly, her thoughts filled with
       things so vital as the uses of her medicine chest and the unexpounded
       mysteries of salvation.
       Now, as she reached the upper landing, she met Betty running to look for
       her.
       "O, mamma, may I go to fish with Champe and the new boy and Big Abel? And
       Virginia wants to go, too, she says."
       "Wait a moment, child," said Mrs. Ambler. "You have torn the trimming on
       your frock. Stand still and I'll mend it for you," and she got out her
       needle and sewed up the rent, while Betty hopped impatiently from foot to
       foot.
       "I think the new boy's a heap nicer than Champe, mamma," she remarked as
       she waited.
       "Do you, dear?"
       "An' he says I'm nicer than Champe, too. He fought Champe 'cause he said I
       didn't have as much sense as he had--an' I have, haven't I, mamma?"
       "Women do not need as much sense as men, my dear," replied Mrs. Ambler,
       taking a dainty stitch.
       "Well, anyway, Dan fought Champe about it," said Betty, with pride. "He'll
       fight about 'most anything, he says, if he jest gets roused--an' that
       cert'n'y did rouse him. His nose bled a long time, too, and Champe whipped
       him, you know. But, when it was over, I asked him if I had as much sense as
       he had, and he said, 'Psha! you're just a girl.' Wasn't that funny, mamma?"
       "There, there, Betty," was Mrs. Ambler's rejoinder. "I'm afraid he's a
       wicked boy, and you mustn't get such foolish thoughts into your head. If
       the Lord had wanted you to be clever, He would have made you a man. Now,
       run away, and don't get your feet wet; and if you see Aunt Lydia in the
       garden, you may tell her that the bonnet has come for her to look at."
       Betty bounded away and gave the message to Aunt Lydia over the whitewashed
       fence of the garden. "They've sent a bonnet from New York for you to look
       at, Aunt Lydia," she cried. "It came all wrapped up in tissue paper, with
       mamma's gray silk, and it's got flowers on it--a lot of them!" with which
       parting shot, she turned her back upon the startled old lady and dashed off
       to join the boys and Big Abel, who, with their fishing-poles, had gathered
       in the cattle pasture.
       Miss Lydia, who was lovingly bending over a bed of thyme, raised her eyes
       and looked after the child, all in a gentle wonder. Then she went slowly up
       and down the box-bordered walks, the full skirt of her "old lady's gown"
       trailing stiffly over the white gravel, her delicate face rising against
       the blossomless shrubs of snowball and bridal-wreath, like a faintly tinted
       flower that had been blighted before it fully bloomed. Around her the
       garden was fragrant as a rose-jar with the lid left off, and the very paths
       beneath were red and white with fallen petals. Hardy cabbage roses, single
       pink and white dailies, yellow-centred damask, and the last splendours of
       the giant of battle, all dipped their colours to her as she passed, while
       the little rustic summer-house where the walks branched off was but a
       flowering bank of maiden's blush and microphylla.
       Amid them all, Miss Lydia wandered in her full black gown, putting aside
       her filmy ruffles as she tied back a hanging spray or pruned a broken
       stalk, sometimes even lowering her thread lace cap as she weeded the tangle
       of sweet Williams and touch-me-not. Since her gentle girlhood she had
       tended bountiful gardens, and dreamed her virgin dreams in the purity of
       their box-trimmed walks. In a kind of worldly piety she had bound her
       prayer book in satin and offered to her Maker the incense of flowers. She
       regarded heaven with something of the respectful fervour with which she
       regarded the world--that great world she had never seen; for "the proper
       place for a spinster is her father's house," she would say with her
       conventional primness, and send, despite herself, a mild imagination in
       pursuit of the follies from which she so earnestly prayed to be
       delivered--she, to whom New York was as the terror of a modern Babylon, and
       a Jezebel but a woman with paint upon her cheeks. "They tell me that other
       women have painted since," she had once said, with a wistful curiosity.
       "Your grandmamma, my dear Julia, had even seen one with an artificial
       colour. She would not have mentioned it to me, of course,--an unmarried
       lady,--but I was in the next room when she spoke of it to old Mrs.
       Fitzhugh. She was a woman of the world, was your grandmamma, my dear, and
       the most finished dancer of her day." The last was said with a timid pride,
       though to Miss Lydia herself the dance was the devil's own device, and the
       teaching of the catechism to small black slaves the chief end of existence.
       But the blood of the "most finished dancer of her day" still circulated
       beneath the old lady's gown and the religious life, and in her attenuated
       romances she forever held the sinner above the saint, unless, indeed, the
       sinner chanced to be of her own sex, when, probably, the book would never
       have reached her hands. For the purely masculine improprieties, her charity
       was as boundless as her innocence. She had even dipped into Shakespeare and
       brought away the memory of Mercutio; she had read Scott, and enshrined in
       her pious heart the bold Rob Roy. "Men are very wicked, I fear," she would
       gently offer, "but they are very a--a--engaging, too."
       To-day, when Betty came with the message, she lingered a moment to convince
       herself that the bonnet was not in her thoughts, and then swept her
       trailing bombazine into the house. "I have come to tell you that you may as
       well send the bonnet back, Julia," she began at once. "Flowers are much too
       fine for me, my dear. I need only a plain black poke."
       "Come up and try it on," was Mrs. Ambler's cheerful response. "You have no
       idea how lovely it will look on you."
       Miss Lydia went up and took the bonnet out of its wrapping of tissue paper.
       "No, you must send it back, my love," she said in a resigned voice. "It
       does not become me to dress as a married woman. It may as well go back,
       Julia."
       "But do look in the glass, Aunt Lydia--there, let me put it straight for
       you. Why, it suits you perfectly. It makes you look at least ten years
       younger."
       "A plain black poke, my dear," insisted Aunt Lydia, as she carefully
       swathed the flowers in the tissue paper. "And, besides, I have my old one,
       which is quite good enough for me, my love. It was very sweet of you to
       think of it, but it may as well go back." She pensively gazed at the mirror
       for a moment, and then went to her chamber and took out her Bible to read
       Saint Paul on Woman.
       When she came down a few hours later, her face wore an angelic meekness. "I
       have been thinking of that poor Mrs. Brown who was here last week," she
       said softly, "and I remember her telling me that she had no bonnet to wear
       to church. What a loss it must be to her not to attend divine service."
       Mrs. Ambler quickly looked up from her needlework. "Why, Aunt Lydia, it
       would be really a charity to give her your old one!" she exclaimed. "It
       does seem a shame that she should be kept away from church because of a
       bonnet. And, then, you might as well keep the new one, you know, since it
       is in the house; I hate the trouble of sending it back."
       "It would be a charity," murmured Miss Lydia, and the bonnet was brought
       down and tried on again. They were still looking at it when Betty rushed in
       and threw herself upon her mother. "O, mamma, I can't help it!" she cried
       in tears, "an' I wish I hadn't done it! Oh, I wish I hadn't; but I set fire
       to the Major's woodpile, and he's whippin' Dan!"
       "Betty!" exclaimed Mrs. Ambler. She took the child by her shoulders and
       drew her toward her. "Betty, did you set fire to the Major's woodpile?" she
       questioned sternly.
       Betty was sobbing aloud, but she stopped long enough to gasp out an answer.
       "We were playin' Injuns, mamma, an' we couldn't make believe 'twas real,"
       she said, "an' it isn't any fun unless you can make believe, so I lit the
       woodpile and pretended it was a fort, an' Big Abel, he was an Injun with
       the axe for a tomahawk; but the woodpile blazed right up, an' the Major
       came runnin' out. He asked Dan who did it, an' Dan wouldn't say 'twas
       me,--an' I wouldn't say, either,--so he took Dan in to whip him. Oh, I wish
       I'd told! I wish I'd told!"
       "Hush, Betty," said Mrs. Ambler, and she called to the Governor in the
       hall, "Mr. Ambler, Betty has set fire to the Major's woodpile!" Her voice
       was hopeless, and she looked up blankly at her husband as he entered.
       "Set fire to the woodpile!" whistled the Governor. "Why, bless my soul, we
       aren't safe in our beds!"
       "He whipped Dan," wailed Betty.
       "We aren't safe in our beds," repeated the Governor, indignantly. "Julia,
       this is really too much."
       "Well, you will have to ride right over there," said his wife, decisively.
       "Petunia, run down and tell Hosea to saddle his master's horse. Betty, I
       hope this will be a lesson to you. You shan't have any preserves for supper
       for a week."
       "I don't want any preserves," sobbed Betty, her apron to her eyes.
       "Then you mustn't go fishing for two weeks. Mr. Ambler, you'd better be
       starting at once, and don't forget to tell the Major that Betty is in great
       distress--you are, aren't you, Betty?"
       "Yes, ma'am," wept Betty.
       The Governor went out into the hall and took down his hat and riding-whip.
       "The sins of the children are visited upon the fathers," he remarked
       gloomily as he mounted his horse and rode away from his supper. _
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BOOK FIRST - GOLDEN YEARS
   BOOK FIRST - GOLDEN YEARS - Chapter I - "De Hine Foot er a He Frawg"
   BOOK FIRST - GOLDEN YEARS - Chapter II - At the Full of the Moon
   BOOK FIRST - GOLDEN YEARS - Chapter III - The Coming of the Boy
   BOOK FIRST - GOLDEN YEARS - Chapter IV - A House with an Open Door
   BOOK FIRST - GOLDEN YEARS - Chapter V - The School for Gentlemen
   BOOK FIRST - GOLDEN YEARS - Chapter VI - College Days
BOOK SECOND - YOUNG BLOOD
   BOOK SECOND - YOUNG BLOOD - Chapter I - The Major's Christmas
   BOOK SECOND - YOUNG BLOOD - Chapter II - Betty dreams by the Fire
   BOOK SECOND - YOUNG BLOOD - Chapter III - Dan and Betty
   BOOK SECOND - YOUNG BLOOD - Chapter IV - Love in a Maze
   BOOK SECOND - YOUNG BLOOD - Chapter V - The Major loses his Temper
   BOOK SECOND - YOUNG BLOOD - Chapter VI - The Meeting in the Turnpike
   BOOK SECOND - YOUNG BLOOD - Chapter VII - If this be Love
   BOOK SECOND - YOUNG BLOOD - Chapter VIII - Betty's Unbelief
   BOOK SECOND - YOUNG BLOOD - Chapter IX - The Montjoy Blood
   BOOK SECOND - YOUNG BLOOD - Chapter X - The Road at Midnight
   BOOK SECOND - YOUNG BLOOD - Chapter XI - At Merry Oaks Tavern
   BOOK SECOND - YOUNG BLOOD - Chapter XII - The Night of Fear
   BOOK SECOND - YOUNG BLOOD - Chapter XIII - Crabbed Age and Callow Youth
   BOOK SECOND - YOUNG BLOOD - Chapter XIV - The Hush before the Storm
BOOK THIRD - THE SCHOOL OF WAR
   BOOK THIRD - THE SCHOOL OF WAR - Chapter I - How Merry Gentlemen went to War
   BOOK THIRD - THE SCHOOL OF WAR - Chapter II - The Day's March
   BOOK THIRD - THE SCHOOL OF WAR - Chapter III - The Reign of the Brute
   BOOK THIRD - THE SCHOOL OF WAR - Chapter IV - After the Battle
   BOOK THIRD - THE SCHOOL OF WAR - Chapter V - The Woman's Part
   BOOK THIRD - THE SCHOOL OF WAR - Chapter VI - On the Road to Romney
   BOOK THIRD - THE SCHOOL OF WAR - Chapter VII - "I wait my Time"
   BOOK THIRD - THE SCHOOL OF WAR - Chapter VIII - The Altar of the War God
   BOOK THIRD - THE SCHOOL OF WAR - Chapter IX - The Montjoy Blood again
BOOK FOURTH - THE RETURN OF THE VANQUISHED
   BOOK FOURTH - THE RETURN OF THE VANQUISHED - Chapter I - The Ragged Army
   BOOK FOURTH - THE RETURN OF THE VANQUISHED - Chapter II - A Straggler from the Ranks
   BOOK FOURTH - THE RETURN OF THE VANQUISHED - Chapter III - The Cabin in the Woods
   BOOK FOURTH - THE RETURN OF THE VANQUISHED - Chapter IV - In the Silence of the Guns
   BOOK FOURTH - THE RETURN OF THE VANQUISHED - Chapter V - "The Place Thereof"
   BOOK FOURTH - THE RETURN OF THE VANQUISHED - Chapter VI - The Peaceful Side of War -
   BOOK FOURTH - THE RETURN OF THE VANQUISHED - Chapter VII - The Silent Battle
   BOOK FOURTH - THE RETURN OF THE VANQUISHED - Chapter VIII - The Last Stand
   BOOK FOURTH - THE RETURN OF THE VANQUISHED - Chapter IX - In the Hour of Defeat
   BOOK FOURTH - THE RETURN OF THE VANQUISHED - Chapter X - On the March again
   BOOK FOURTH - THE RETURN OF THE VANQUISHED - Chapter XI - The Return